Offerings 186, 187, and 189—consistent in timing and content with the previously discovered 18, 19, and 97—show evidence of having been placed during the same event.
MEXICO CITY.- Archaeologists working at the heart of Mexico City have uncovered evidence of what may have been one of the most spectacular religious ceremonies ever staged in the Mexica capital of Tenochtitlan. Researchers from the Proyecto Templo Mayor (PTM) announced that three recently studied ritual deposits—Offerings 186, 187 and 189—appear to be part of a single, colossal ceremony carried out during the reign of Motecuhzoma Ilhuicamina, the powerful huei tlatoani who ruled Tenochtitlan between 1440 and 1469. The findings were presented on February 26, 2026, during the lecture series “La arqueología hoy,” organized by El Colegio Nacional. Three years ago, the team revealed the discovery of a tepetlacalli—a Nahuatl term for a stone chest—cont ... More
PHOENIX, AZ.- Phoenix Art Museum presents the landmark exhibition Cara Romero: Panûpünüwügai (Living Light), the first major museum exhibition dedicated solely to the artist’s evocative work. Romero blends fine art and editorial styles to challenge dominant narratives of Indigenous decline and erasure while disrupting preconceived notions about what it means to be a Native American. Organized by the Hood Museum of Art, Dartmouth, Panûpünüwügai (Living Light) features more than 60 iconic large-scale photographs spanning a decade of the artist’s career, including a new, never-before-exhibited work commissioned by PhxArt to be created by Cara Romero—a project based in regional, collaborative storytelling with Native peoples. Cara Romero: Panûpünüwügai (Living Light) is on view at PhxArt from February 28 through June 28, 2026. “Phoenix Art Museum is profoundly honored to debut Cara Romero: Panûpünüwügai (Living Light) during this historic moment for the institution, as we expand our ... More
WINTERTHUR.- In recent years, photographer Ester Vonplon (born 1980) has increasingly devoted her artistic practice to exploring lesser-known Swiss landscapes in her immediate surroundings. She is less interested here in the increasingly visible effects of human activity than in places that appear to remain intact and untouched. Aware of the fragility of these ecosystems, she wants to capture nature in photographs before it disappears (perhaps imminently) as a result of climatic change and human intervention. Vonplon sees her works as memento mori: they reveal both the strength and the transience of nature. For her current bodies of work, the artist has been working at various sites in the Swiss canton of Grisons. These include Uaul Scatlè, a primeval spruce forest enclosed by steep rock formations, Val Curciusa, a high alpine valley, the Aclatobel forest nature reserve and the riparian landscape of Ogna da Pardiala. She documents these landscapes and found objects using photographic techniques she ... More
LOS ANGELES, CA.- The Museum of Contemporary Art presents Good on Paper: Works from the Gene J. and Betye M. Burton Acquisitions Endowment from February 24–August 2, 2026 at MOCA Grand Avenue. The exhibition highlights the depth of MOCA’s works on paper collection while honoring the Burton family’s visionary support and enduring impact on the museum’s history. Good on Paper: Works from the Gene J. and Betye M. Burton Acquisitions Endowment features works from 1956 to the present by Lee Bontecou, John Cage, Cynthia Hawkins, Kahlil Robert Irving, Christine Sun Kim, Barry Le Va, Lee Lozano, Ree Morton, Nancy Rubins, Atsuko Tanaka, Joey Terrill, and Hannah Wilke. The exhibition is organized by Anna Katz, Senior Curator, with Ariana Rizo, Curatorial Assistant, The Museum of Contemporary Art, Los Angeles. Acquired over more than three decades with the endowment’s funds, the works featured in this exhibition encompass pastels, collages, graphite drawings, prints, and watercolors dating ... More
LONDON.- The Royal Academy of Arts presents the largest survey to date of celebrated British artist and Royal Academician Rose Wylie. Known for her bold, figurative practice that draws from diverse references across art history, ancient civilisations, literature, cinema, celebrity culture, current affairs and immediate surroundings, this exhibition brings together over 90 works, including Wylie’s most iconic artworks, alongside new and previously unseen paintings and drawings. A painter of contemporary life, Wylie’s paintings and works on paper chronicle the times she has lived through, from her experience of the Blitz as a young girl, to more quotidian events such as a summer evening with friends. Arranged thematically, the exhibition begins with early memories of family life and bombing raids in London during the Second World War, recalled in paintings such as Rosemount (Coloured), 1999, (Private Collection) and Wing Tips and Blue Doodlebugs, 2022/23 (David Zwirner, London). As a st ... More
Marieta Chirulescu, Untitled, 2023. Inkjet print, oil on canvas, 45.4 x 31 x 2 cm. 17 7/8 x 12 1/4 x 3/4 in.
BERLIN.- Muted and mutable surfaces take shape as thresholds in Phase at Galerie Thomas Schulte, a two-person exhibition of works on canvas by Marieta Chirulescu and spatial installations by Fred Sandback. The works share a processual and intuitive approach that engages shifting perceptual properties of light and space. What may at first appear pared down, or emptied out, slowly takes on further dimensions, including that of time—a sense of transience that unsettles what could appear as clear-cut geometries. Between opening as surface and the solidity of transparency, our attention is pulled towards what is actually there but may otherwise elude us: space as subtle material presence. In canvases that are largely monochrome, and frequently, but not exclusively, in shades of white, Chirulescu’s works induce shifting translucencies, depths, and textures. She often combines physical, painterly gestures and marks with photographic and digital ones, drawing on different media and techniques ... More
ZURICH.- Galerie Eva Presenhuber is presenting Hamlet’s Mill, the gallery’s seventh solo exhibition by the US-American artist Verne Dawson. The universe is a strange and mysterious place, operated by unseen clocks, with plans for its inhabitants that they could never predict. Sometimes a story tells itself. In 2005, I was sitting in the office of an art gallery in Toronto when the owner said I needed to see something. He pushed a slim volume across his desk: an artist’s book made by Verne Dawson to accompany his exhibition at Douglas Hyde Gallery, in Dublin. The images inside were compelling in ways that language couldn’t articulate. We whispered about how special these paintings were, feeling profoundly connected to an artist we’d never met. Now it’s twenty years later. I’m writing this press release for Verne’s exhibition at Eva Presenhuber, which includes paintings of Crystal Springs in Saluda, North Carolina, where he sometimes lives, and where I’ ... More
NEW YORK, NY.- Sean Kelly opened Kristy Chan’s first solo exhibition in New York. Short Letter, Long Farewell presents a new body of paintings and drawings that meditate on movement, longing, and the quiet intensity of everyday experience. Born in Hong Kong and living in London, Kristy Chan approaches America as both a real and imagined place. The exhibition takes its title from Peter Handke’s novel Short Letter, Long Farewell, and unfolds as a reflective letter to America, the promise of renewal, and the uncertainty that shadows new beginnings. In Handke’s book, America is a place where the possibility of a new life exists alongside the remnants of an old one, a tension that resonates throughout Chan’s work. Several artworks in the exhibition draw directly from literature and cultural memory as frameworks for understanding the self, while others are rooted in moments of observation and lived experience. Together, these approaches give form to themes of inheritance and displacemen ... More
Gustave Caillebotte. The Path in the Garden, 1886. Oil on canvas; 32 1/8 × 28 7/8 in. Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc., bequest of Mrs. Eugene McDermott, 2019.67.5.McD. Image courtesy of Dallas Museum of Art.
NASHVILLE, TENN.- The Frist Art Museum presents The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art, an exhibition that tells the enthralling story of Impressionism from its origins in 1874 to its legacy in the early 20th century through paintings and sculptures by Paul Cézanne, Paul Gauguin, Henri Matisse, Piet Mondrian, Claude Monet, Berthe Morisot, Camille Pissarro, Vincent van Gogh, and many others. Organized by the Dallas Museum of Art, the exhibition is on view in the Frist’s Upper-Level Galleries from February 26 through May 31, 2026. Through nearly 50 paintings and sculptures, The Impressionist Revolution reveals the rebellious origins of the independent artist collective known as the Impressionists and the revolutionary course they charted for modern art. Breaking with tradition in both how and what they painted, the Impressionists redefined what constituted cutting-edge contemporary art. The unique innovations of its core members, including Gustave Caillebotte, Ed ... More
Sally von Rosen, Statue, 2026. Bronze, patina, wax. Unique, 92 x 27 x 53 cm (36 1/4 x 10 5/8 x 20 7/8 in.) Ca 30 kg.
STOCKHOLM.- Andréhn-Schiptjenko is presenting Sally von Rosen’s first solo exhibition with the gallery, On Three Legs. Von Rosen’s sculpture and performance-based practice is rapidly gaining international attention. In recent years, her work has been exhibited at institutions such as Bonniers Konsthall (SE), Kunstmuseum Den Haag (NL), Kunsthalle Recklinghausen (DE), Kunsthal Aarhus (DK) and Schinkel Pavillon (DE) to name a few, and Elephant Magazine named her one of the artists to watch in 2025. Upcoming institutional exhibitions include Gothenburg Art Museum (2026) and her first institutional solo exhibition at Kunstverein Göttingen (2027). In early summer, a large-scale outdoor sculpture will be unveiled for a temporary presentation in central Stockholm. Intuition and theory converge in von Rosen’s practice. Her sculptures are caught in a state of fluid-like transformation, arched and turned, often found balancing on needle-sharp claws. Whilst the works in themselves can come fort ... More
HONG KONG.- M+ is presenting Ryuichi Sakamoto | seeing sound, hearing time, celebrating the legacy of composer, producer, and artist Ryuichi Sakamoto (Japanese, 1952–2023). The exhibition features the expansive, site-specific installation async–immersion (2023), which is being presented free of charge in The Studio on Level B2 at M+ from Saturday, 14 February to Sunday, 5 July 2026. Co-created with artist Shiro Takatani, the installation is a three-dimensional representation of Sakamoto’s personal album async, configured for a gallery space. A series of works related to Sakamoto’s creations, along with public programmes such as screenings, will be presented in the Found Space, Moving Image Centre and at the Grand Stair throughout the exhibition period, providing deeper insights into Sakamoto’s enduring influence. async–immersion (2023) is a collaboration between Ryuichi Sakamoto and artist Shiro Takatani (Japanese, born 1963). Part of Sakamoto’s ‘installatio ... More
MUMBAI.- Leela marks Amit Ambalal's much anticipated fifth solo at Sakshi Gallery. The show remains on view until March 31, 2026 on the ground floor gallery. In Leela, Amit Ambalal inhabits the idea of cosmic play in both sensibility and practice. Shaped by childhood stories heard at his grandparents' home and an enduring interest in mythical stories, his paintings move beyond a world seen through human gaze. Ambalal's understanding of leela, is not limited to humans alone. Animals, birds and trees exist in quiet synchrony, each part of a larger unfolding. His long engagement with Nathdwara painting, particularly pichwai paintings, informs both his palette and process. Blue carries the presence of Krishna, yellow holds the golden radiance of Radha and green, born from their union, becomes a meeting point of the two. Colour is not merely decorative but devotional, layered with memory and meaning. Elephants, langurs and peacocks wander through his compositions with wit and whimsy. Animals, birds ... More
Quote Architecture begins where engineering ends. Walter Gropius.
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Would You Wear My Eyes? Mennour opens an exhibition of works by Nicolas Lebeau PARIS.- Anti-intrusion defensive battens with sharp spikes, devices of acoustic deterrent in cages and other bunches of surveillance cameras are what make up the ornamental syntax sustaining the greyness of our big cities, that, however, we dream of being green and quiet. Once upon a time the city required some looking after, and one could see, at night and in the mist, the poetic bustling activity of a few men come to light the streetlights. It is now a time—the present time—when the management of the city has been automated, to the point when it is averse to the desires and gestures of people. Everyone is suspect and consequently perhaps guilty. Reality has become more violent, colder, and Nicolas Lebeau takes it upon himself to devise an antidote to the gangrene. Facing the acknowledgment that the visible and the image, a fortiori photography, are closely related to power and predation, he chooses practices of distortion of the visible and its ... More
Stockholm's Market Art Fair unveils highlights for landmark 20th anniversary edition STOCKHOLM.- Stockholm's contemporary art scene has been fundamentally reshaped since the launch of Market Art Fair, establishing the city as a major international art destination. Once insular, the scene now features robust global connections, supported by a proliferation of new museums and commercial galleries—many of which were founded within the last five years—and a growing base of sophisticated collectors. Notably, Stockholm ranks second globally in unicorn startups per capita, trailing only Silicon Valley, making this segment a particularly strong force in the city's art market development. For its landmark 20th anniversary, the fair marks a significant evolution by moving to Magasin 9 in Frihamnen. This historic waterfront location is a rising nexus for creativity and commerce, signaling a bold new chapter for the fair. Frihamnen’s creative community will be especially active during Market Art Fair, with several local businesses and spaces hosting special programmes. This inc ... More
Kirsten Coelho and Tiffany Loy debut joint exhibition at Sullivan+Strumpf SINGAPORE.- Sullivan+Strumpf Singapore announces a joint exhibition, bringing together new works by internationally acclaimed ceramic artist Australian artist Kirsten Coelho and Singaporean textile artist Tiffany Loy. Between Line and Form celebrates the dialogue between two artists whose practices explore the expressive potential of technique, material and structure; inviting viewers to consider the space where form emerges from process. One of the foremost contemporary ceramic artists working in Australia, Kirsten Coelho’s practice is rooted in repetition as a form of refinement, working on the potter’s wheel with profound attentiveness to material and time. Underpinned by Greek mythology and literature, her works carry intimate domestic narratives within architectural forms, the column serving as a central motif that holds together the grand and the personal. Each piece is shaped by accumulated experience, embedded through the hands of the storyteller. Tiffany Loy’s works take th ... More
Studio Museum in Harlem announces spring 2026 season HARLEM, NY.- The Studio Museum in Harlem today announced its inaugural spring 2026 season, which includes new exhibitions and a site-specific commission. Opening on May 1, Fade is the sixth installment of the Museum’s “F” show series of exhibitions of work by emerging artists. Presented in the fourth-floor gallery of the Studio Museum’s new building, Fade features the work of seventeen early-career artists of African and Afro-Latinx descent from across the United States. In the second-floor project gallery, the Museum will showcase BLEED, a site-specific commission by the French and Canadian artist Kapwani Kiwanga. Opening on March 11, BLEED is inspired by quilting traditions and the symbolism embedded in their intricate designs. In July, the Museum will present works by the seventeen participants in the 2026 cohort of Expanding the Walls: Making Connections Between Photography, History, and Community—the institution’s free photography program for high school-aged yout ... More
Lotus L. Kang has been selected by Bvlgari as the inaugural artist for its pavilion VENICE.- Known for her complexly layered environments that meld organic, structural and metabolic languages, Lotus L. Kang’s works give poetic form to reflections on themes spanning inheritance, impermanence, memory, and translation. Working fluidly between sculpture, photography and site-responsive installation, she frequently draws on unfixed, unstable materials and forms in her practice, giving evocative, often expansive shape to questions of “becoming.” Kang has been commissioned to produce a major new installation for the Bvlgari Pavilion, one that continues her enduring engagement with time as multiplicitous and non-linear. Matthew Hyland, Executive Director of the Contemporary Art Gallery, Vancouver, has been appointed curator of the project. This presentation is a centerpiece of Bvlgari’s role as Exclusive Partner of La Biennale di Venezia, a partnership that will continue across three editions of La Biennale through 2030. The 61st International ... More
Somerset House announces new courtyard installation 'Dana-Fiona Armour: Serpentine Currents' LONDON.- For its annual spring commission, Somerset House presents Serpentine Currents - Fragments of a Changing Future, a new courtyard installation from artist Dana-Fiona Armour, which combines sculpture, technology, and science, to raise awareness of issues surrounding marine ecosystems and changing ocean conditions. Serpentine Currents marks the start of the Somerset House 2026 programme. The three-part sculpture, which is modelled on a 3D scan of an endangered sea snake species, will be illuminated day and night by mesh LED lights. Animated by historic and predicted ocean data from the British coastline, these lights react to rising sea temperatures and decreasing ocean salinity – evoking how sea snakes act as a bioindicators for ocean health. Snaking across the Somerset House courtyard, and suspended above the dancing water fountains, the installation evokes the ebb and flow of ocean tides, while acting as a spectacular visual representation of ocean health - rendering visible the si ... More
ACDF presents program for Uzbekistan at the 61st International Venice Biennale VENICE.- The Uzbekistan Art and Culture Development Foundation (ACDF) announces its participation in the 61st Venice Biennale with two presentations: the Uzbekistan National Pavilion, The Aural Sea, and Instruments of the Mind, a solo exhibition by Vyacheslav Akhunov presented by the Centre for Contemporary Arts Tashkent (CCA) as an official collateral event at Palazzo Franchetti. Commissioned by Gayane Umerova, Chairperson of the ACDF, these projects bring into focus both a new generation of curatorial and artistic voices and the work of a foundational figure in contemporary art in Uzbekistan. The Aural Sea engages the Aral Sea region of Karakalpakstan, Uzbekistan through mythmaking and storytelling as ways of responding to environmental transformation. Since the 1960s, the large-scale diversion of the region’s rivers for agricultural irrigation has caused the Aral Sea to lose over 90 percent of its volume, turning one of the world’s largest inland lakes into desert. Against this backdrop, the ... More
Carlotta Mazzariol explores the unsettled everyday at Sala Nova ROME.- Andrea Festa is presenting The Cat is Under the Table, a solo exhibition by Carlotta Mazzariol, at Sala Nova. The exhibition is on view until March 19th, 2026. Mazzariol’s presentation in Sala Nova moves through the threshold between the familiar and the elusive—moments when a scene appears instantly recognizable yet resists a stable definition. Rooted in an intimate, everyday iconography— gardens, courtyards, terraces—the works stage a suspended narrative: something has just happened, is about to happen, or has already slipped away. The artist’ s paintings originate from a constellation of images—personal photographic archives, lived and remembered spaces, fragments found online, and invention. Across the surface, a “patch” (macchia) painting method—at once free and carefully governed—creates a permeability between figures, objects, and atmosphere, where definition and chance coexist. Presence is repeatedly deferred: figures seem elsew ... More
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