Best Photos of the Day

Kim de l’Horizon in Berlin, Nov. 16, 2022. The victory of Kim de l’Horizon, a nonbinary writer, in a top literary prize stirred a debate about how the German language can accommodate people who don’t identify as male or female. (Gordon Welters/The New York Times)

Emma Corrin in New York, Oct. 28, 2022. Onscreen and off, the nonbinary star of “Lady Chatterley’s Lover” and “The Crown” has been exploring gender and the cost and responsibility of being heard. (Josefina Santos/The New York Times)

Zach Bryan performs in Aspen, Colo., Sept. 4, 2022. The most effective artists of the year weren’t afraid to root around deep inside and boldly share the messiness, the complexities and the beauty of their discoveries. (Kristin Braga Wright/The New York Times)

DJ HoneyLuv, a former navy drone pilot turned house music producer, on the roof of her home in downtown Los Angeles in November 2022. HoneyLuv is part of a new generation of Black artists shaping dance music — blending R&B, Reggaeton, Afrobeats, house and techno. (Maiwenn Raoult/The New York Times)

John Kelly at La MaMa Experimental Theater Club in Manhattan, Nov. 22, 2022. “Underneath the Skin,” a theater piece by Kelly, meditates on the life of Samuel Steward, who always lived boldly when others dared not. (Dolly Faibyshev/The New York Times)

The prop passport for Ilsa Lund, Ingrid Bergman’s character in “Casablanca,” from Ronald Lauder’s personal collection, is displayed at the Neue Galerie in New York, Nov. 29, 2022. A showcase of memorabilia at the Neue Galerie spotlights the Central European exiles who crafted Hollywood’s great wartime love story. (Vincent Tullo/The New York Times)

The art dealer Larry Gagosian, center, at the Art.sy party at the Soho Beach House during Art Basel Miami Beach on Nov. 30, 2011. Two decades ago, Art Basel started its sun-splashed edition — now, as the fair changes leaders, art world insiders consider the road ahead. (Casey Kelbaugh/The New York Times)

Attendees wait for the doors to open during Art Basel Miami Beach at Miami Beach’s Convention Center, Nov. 29, 2022. On the 20th anniversary of Art Basel Miami Beach, its largest edition yet, the two Miamis — its emerging artists and its big collectors — meet across the gap. (Alfonso Duran/The New York Times)

Andy Santana and Benedict Nguyen during a rehearsal of Sally Silvers’s “Pandora’s New Cake Stain,” at the Baryshnikov Arts Center in New York, Nov. 29, 2022. The veteran choreographer is celebrating her 40th anniversary season with a new version of her first evening-length work. (George Etheredge/The New York Times)

Richard Stengel, a former managing editor of Time and a past under secretary of state for public diplomacy and public affairs, works at home in Hudson, N.Y., Nov. 20, 2022. Stengel, who ghostwrote Nelson Mandela’s memoir, revisits their long-ago conversations for a new podcast on Audible. (Lauren Lancaster/The New York Times)