Best Photos of the Day

Victoria Clark, center, in “Kimberly Akimbo” at the Booth Theatre in New York, Oct. 9, 2022. The season’s most moving new musical earns its place among the behemoths of Broadway. (Sara Krulwich/The New York Times)

The former supermodel Paulina Porizkova at her home in New York, May 3, 2021. The model spent last year working on a series of essays that became her forthcoming book, “No Filter: The Good, the Bad, and the Beautiful” out Nov. 15, 2022. (Adeline Lulo/The New York Times)

Narsiso Martinez’s “Ghost Portraits,” from 2022, at the Museum of Latin American Art in Long Beach, Calif., Oct. 26, 2022. Martinez’s portraits honor the immigrants behind big American agribusiness. (Nolwen Cifuentes/The New York Times)

Anne Bogart, right, with her wife, Rena Chelouche Fogel, at the Laurie Beechman Theater in New York, Oct. 26, 2022. “I think that the legacy is more how we offer a model for future young companies,” Bogart said of the theater company she leads, which is ending its producing activities. (Dolly Faibyshev/The New York Times)

Justin Benson, right, and Aaron Moorhead at Benson’s apartment complex in Los Angeles, Oct. 31, 2022. Since releasing their feature debut, “Resolution” (2013), Benson and Moorhead have made movies their way, exercising full creative control over their malleable, genre-fluid aesthetic. (Michael Tyrone Delaney/The New York Times)

Hannah Cruz, standing at center; Karine Plantadit and Terrence Mann, seated foreground; and Kate Nash, right, in the musical “Only Gold” at MCC Theater in New York, Oct. 7, 2022. The new Kate Nash dance musical, choreographed by Andy Blankenbuehler, is spectacular as long as you pay no attention to what it’s saying. (Jeenah Moon/The New York Times)

Marinda Anderson, above, with, from left, Daniel K. Isaac, Linda Lavin and Nate Miller in the play “You Will Get Sick” at the Laura Pels Theater in New York, Oct. 16, 2022. In the new Off Broadway play, Lavin shines as a woman paid to say what an ailing young man cannot. (Sara Krulwich/The New York Times)

Lily Santiago in Erica Schmidt’s “Mac Beth,” at the Red Bull Theater in New York, May 5, 2019. Each year brings new stagings of Shakespeare’s plays, but a few recent works, inspired by “Macbeth,” have stood out because they were written by female playwrights who refocused the story on the inner lives of young women. (Richard Termine/The New York Times)

An untitled work by Jennifer Guidi, at her studio in the Glassell Park neighborhood of Los Angeles on Oct. 5, 2022. Her new show at David Kordansky Gallery reveals a spiritual sensibility and inspires the pleasures of looking. “I’m thinking of color as a way to connect — a way to engage — that invites people into a sense of aliveness,” Guidi said. (Alex Welsh/The New York Times).

A scene from the Broadway version of the musical “KPOP,” in previews at Circle in the Square Theater, in New York, Oct. 12, 2022. The creative team revamped the off-Broadway hit so that the show, now a mockumentary about a U.S. tour for a K-pop entertainment roster, moves “around the audience” at Circle in the Square. (Sara Krulwich/The New York Times)