Best Photos of the Day

The remodeled exterior of the Museum of Modern Art in New York, Oct. 11, 2019. The museum's current presentation underscores the vastness of the museum's holdings, a sight that is staggering, possibly unprecedented and probably won't recur until its next expansion. (Jeenah Moon/The New York Times)

A commission by Kerstin Brätsch in the cafe on the sixth floor of the Museum of Modern Art, in New York, Oct. 11, 2019. The museum's current presentation underscores the vastness of the museum’s holdings, a sight that is staggering, possibly unprecedented and probably won’t recur until its next expansion. (Jeenah Moon/The New York Times)

A visitor views Hito Steyerl’s “Liquidity Inc.” (2014), from “Surrounds,” a series of installation on the sixth floor of the Museum of Modern Art in New York, Oct. 11, 2019. The museum's current presentation underscores the vastness of the museum’s holdings, a sight that is staggering, possibly unprecedented and probably won’t recur until its next expansion. (Jeenah Moon/The New York Times)

Emmanuel Tsao and Gareth Hogan perform in Jennifer Allora and Guillermo Calzadilla’s “Fault Lines,” at the Museum of Modern Art in New York, Oct. 11, 2019. The museum's current presentation underscores the vastness of the museum’s holdings, a sight that is staggering, possibly unprecedented and probably won’t recur until its next expansion. (Jeenah Moon/The New York Times)

An installation view of “Exhibition M” (2019) by Goshka Macuga in the lobby of the Cullman building at the Museum of Modern Art, in New York, Oct. 11, 2019. The museum's current presentation underscores the vastness of the museum’s holdings, a sight that is staggering, possibly unprecedented and probably won’t recur until its next expansion. (Jeenah Moon/The New York Times)

"The Shape of Shape," assembled by the New York painter Amy Sillman, working with Michelle Kuo, a curator of painting and sculpture, at the Museum of Modern Art in New York, Oct. 2, 2019. The museum's current presentation underscores the vastness of the museum’s holdings, a sight that is staggering, possibly unprecedented and probably won’t recur until its next expansion. (Winnie Au/The New York Times)

David Tudor’s “Rainforest V (variation 1)” at the Studio at the Museum of Modern Art, in New York, Sept. 27, 2019. The Studio will serve as a dedicated space for performances, screenings, residencies and more — starting with Tudor's piece, made with everyday objects and electronics. (Jeenah Moon/The New York Times)

Zofia Kulik’s “The Splendor of Myself II,” 1997, in Gallery 206, at the Museum of Modern Art in New York, Oct. 7, 2019. After a recent expansion, the museum is bigger and more demanding, but there’s more fun, and a sense of serendipity. (Jeenah Moon/The New York Times)

A visitor looks at a map at the Museum of Modern Art in New York, Oct. 11, 2019. After a recent expansion, the museum is bigger and more demanding, but there’s more fun, and a sense of serendipity. (Jeenah Moon/The New York Times)

The installation “hello again” by Haim Steinbach greets visitors at the Museum of Modern Art, above the book and gift store, in New York, Oct. 11, 2019. After a recent expansion, the museum is bigger and more demanding, but there’s more fun, and a sense of serendipity. (Jeenah Moon/The New York Times)