Best Photos of the Day

Lawrence Lek, Geomancer, 2017, installation view, Ultra Unreal, Museum of Contemporary Art Australia, Sydney, 2022, single-channel video, HD, colour, sound, image courtesy and © the artist, photograph: Anna Kučera.

Korakrit Arunanondchai and Alex Gvojic (with Tosh Basco), No history in a room filled with people with funny names 5 (detail), 2018, installation view, Ultra Unreal, Museum of Contemporary Art Australia, Sydney, 2022, 3-channel video, HD, colour, sound, resin casts of Basco’s head and Arunanondchai’s grandfather’s hands, seashells, plants, soil, mirror, laser, LED, haze, image courtesy and © the artist, photograph: Anna Kučera.

Saeborg, Slaughterhouse (detail), 2021–22, installation view, Ultra Unreal, Museum of Contemporary Art Australia, Sydney, 2022, latex, vinyl, synthetic polymer paint, sound, image, image courtesy and © the artist, photograph: Alex Davies.

Saeborg, Slaughterhouse (detail), 2021–22, installation view, Ultra Unreal, Museum of Contemporary Art Australia, Sydney, 2022, latex, vinyl, synthetic polymer paint, sound, image, image courtesy and © the artist, photograph Anna Kučera.

Lu Yang, installation view, Ultra Unreal, Museum of Contemporary Art Australia, Sydney, 2022, image courtesy and © the artist, photograph: Anna Kučera.

Lu Yang, installation view, Ultra Unreal, Museum of Contemporary Art Australia, Sydney, 2022, image courtesy and © the artist, photograph: Alex Davies.

Club Ate (Justin Shoulder, Bhenji Ra, and collaborators), ANG IDOL KO / YOU ARE MY IDOL (detail), 2022, installation view, Ultra Unreal, Museum of Contemporary Art Australia, Sydney, 2022, 2-channel video, HD, colour, sound, fabric, image courtesy and © the artists, photograph: Anna Kučera.

Saeborg, Pootopia (detail), 2020–22, installation view, Ultra Unreal, Museum of Contemporary Art Australia, Sydney, 2022, latex, wallpaper, synthetic polymer paint, sound, image courtesy and © the artist, photograph: Anna Kučera.

9 Saeborg, Slaughterhouse (detail), 2021–22, installation view, Ultra Unreal, Museum of Contemporary Art Australia, Sydney, 2022, latex, vinyl, synthetic polymer paint, sound, image, image courtesy and © the artist, photograph: Alex Davies.

Korakrit Arunanondchai and Alex Gvojic (with Tosh Basco), No history in a room filled with people with funny names 5 (detail), 2018, installation view, Ultra Unreal, Museum of Contemporary Art Australia, Sydney, 2022, 3-channel video, HD, colour, sound, resin casts of Basco’s head and Arunanondchai’s grandfather’s hands, seashells, plants, soil, mirror, laser, LED, haze, image courtesy and © the artist, photograph: Anna Kučera.