Best Photos of the Day

“My Beating Heart/ Mi corazón latiente” at the New Museum will be the most comprehensive exhibition to date by Pepón Osorio, featuring selected works from the 1990s to today. In this image: Pepón Osorio, Badge of Honor. Exhibition view in original storefront: Newark, NJ, 1995. Photo: Sara Welles.

Pepón Osorio, Scene of the Crime (Whose Crime?), 1993. Mixed mediums, 112 x 244 5/8 x 146 3/4 in (284.5 x 621.3 x 372.7 cm). Exhibition view: “NYC 1993: Experimental, Jet Set, Trash and No Star,” New Museum, New York, 2013. Courtesy New Museum. Photo: Benoit Pailley.

Pepón Osorio, reForm, detail of original installation. Philadelphia, PA, 2015. Photo: Constance Mench.

Pepón Osorio, Scene of the Crime (Whose Crime?), 1993. Mixed mediums, 112 x 244 5/8 x 146 3/4 in (284.5 x 621.3 x 372.7 cm). Exhibition view: “NYC 1993: Experimental, Jet Set, Trash and No Star,” New Museum, New York, 2013. Courtesy New Museum. Photo: Benoit Pailley.

Pepón Osorio, En la barbearia no se llora / No Crying Allowed in the Barbershop. Exhibition view of facade in original storefront, Hartford, CT, 1994. Photo: Cecilia Préstamo for the Hartford Courant.

Pepón Osorio, Scene of the Crime (Whose crime?) (detail). Exhibition view: 1993 Whitney Biennial, New York, 1993. Photo: Frank Gimpaya.

Pepón Osorio, En la barbearia no se llora / No Crying Allowed in the Barbershop. Exhibition view: Museo de Arte de Puerto Rico, 1994. Photo: TK.

Pepón Osorio, reForm. Exhibition view: Philadelphia, PA, 2015. Photo: Constance Mench.

Pepón Osorio, Scene of the Crime (Whose crime?) (detail). Exhibition view: 1993 Whitney Biennial, New York, 1993. Photo: Frank Gimpaya.