Best Photos of the Day

Installation view of John Constable’s, The Leaping Horse (1825), View of the Stour near Dedham (1822) and Stratford Mill (1820) in Turner and Constable: Rivals and Originals at Tate Britain. Photo © Tate Photography (Yili Liu).

Installation view of John Constable cloud studies A study of high clouds (1821), Study of Clouds (1822), Cloud Study (1821) and Cloud Study, Hampstead, Tree at Right (1821) in Turner and Constable: Rivals and Originals at Tate Britain. Photo © Tate Photography (Yili Liu).

Installation view of JMW Turner’s The Burning of the Houses of Lords and Commons, 1835 in Turner and Constable: Rivals and Originals at Tate Britain. Photo © Tate Photography (Yili Liu).

Installation view of JMW Turner’s Juliet and Her Nurse (1836) in Turner and Constable: Rivals and Originals at Tate Britain. Photo © Tate Photography (Yili Liu).

Installation view of John Constable’s The Opening of Waterloo Bridge (1832) and it’s preparatory study in Turner and Constable: Rivals and Originals at Tate Britain. Photo © Tate Photography (Yili Liu).

John Constable’s outdoor sketching chair in Turner and Constable: Rivals and Originals at Tate Britian. Photo © Tate Photography (Yili Liu).

JMW Turner’s Fishermen at Sea (1796) and The Rising Squall, Hot Wells, from St Vincent’s Rock, Bristol (1793) in Turner and Constable: Rivals and Originals at Tate Britain. Photo © Tate Photography (Yili Liu).

JMW Turner’s fishing rod in Turner and Constable: Rivals and Originals at Tate Britain. Photo © Tate Photography (Yili Liu).

John Constable’s The White Horse (1819) in Turner and Constable: Rivals and Originals at Tate Britain. Photo © Tate Photography (Yili Liu).