Best Photos of the Day
The Norton Museum of Art presents Visible Fictions: Photography and Artifice, on view through February 21, 2027. The exhibition brings together more than 20 works from the Museum's Collection that challenge the notion of photography as a neutral record of reality. Through staged scenes, constructed environments, performed identities, and invented narratives, Visible Fictions reveals photography as a medium of invention as much as documentation.
Best Photos of the Day
The Norton Museum of Art presents Visible Fictions: Photography and Artifice, on view through February 21, 2027. The exhibition brings together more than 20 works from the Museum's Collection that challenge the notion of photography as a neutral record of reality. Through staged scenes, constructed environments, performed identities, and invented narratives, Visible Fictions reveals photography as a medium of invention as much as documentation.
Best Photos of the Day
The Norton Museum of Art presents Visible Fictions: Photography and Artifice, on view through February 21, 2027. The exhibition brings together more than 20 works from the Museum's Collection that challenge the notion of photography as a neutral record of reality. Through staged scenes, constructed environments, performed identities, and invented narratives, Visible Fictions reveals photography as a medium of invention as much as documentation.
Best Photos of the Day
Tania Franco Klein (Mexican, born 1990), Car, Window (Self-portrait), 2018, printed 2025 from the series Proceed to the Route, 2018 – Ongoing. Archival pigment print. Edition 4 of 4, 42 x 63 in. (106.7 x 160 cm) Purchase, acquired through the generosity of the Photography Council, 2025.47.
Best Photos of the Day
The Norton Museum of Art presents Visible Fictions: Photography and Artifice, on view through February 21, 2027. The exhibition brings together more than 20 works from the Museum's Collection that challenge the notion of photography as a neutral record of reality. Through staged scenes, constructed environments, performed identities, and invented narratives, Visible Fictions reveals photography as a medium of invention as much as documentation.
Best Photos of the Day
The Norton Museum of Art presents Visible Fictions: Photography and Artifice, on view through February 21, 2027. The exhibition brings together more than 20 works from the Museum's Collection that challenge the notion of photography as a neutral record of reality. Through staged scenes, constructed environments, performed identities, and invented narratives, Visible Fictions reveals photography as a medium of invention as much as documentation.
Best Photos of the Day
The Norton Museum of Art presents Visible Fictions: Photography and Artifice, on view through February 21, 2027. The exhibition brings together more than 20 works from the Museum's Collection that challenge the notion of photography as a neutral record of reality. Through staged scenes, constructed environments, performed identities, and invented narratives, Visible Fictions reveals photography as a medium of invention as much as documentation.
Best Photos of the Day
The Norton Museum of Art presents Visible Fictions: Photography and Artifice, on view through February 21, 2027. The exhibition brings together more than 20 works from the Museum's Collection that challenge the notion of photography as a neutral record of reality. Through staged scenes, constructed environments, performed identities, and invented narratives, Visible Fictions reveals photography as a medium of invention as much as documentation.
Best Photos of the Day
Thomas Demand (German, born 1964), Landing, 2006. Chromogenic development print on Diasec face. Edition 3 of 6, 71 x 115 in. (180.3 x 292.1 cm) Purchase, acquired through the generosity of the Photography Committee of the Norton Museum of Art, 2007.19 © 2026 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn.
Best Photos of the Day
Nikki S. Lee (Korean, born 1970), Part (14), 2002, from the series Parts, 2000 – 2005. Chromogenic development print mounted on aluminum. Edition 2 of 2, 48 1/2 x 49 1/2 in. (123.2 x 125.7 cm) Purchase, acquired through the generosity of the Photography, Committee and Joan and Lee Daniels, 2007.53 © Nikki S. Lee, courtesy of Sikkema Malloy Jenkins, New York.
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