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During Asia Week New York, Ralph M. Chait Galleries, Inc. presents a late 17th century Chinese Glazed Biscuit Porcelain Ewer, Kangxi period, in the delightful form of a dappled yellow Carp. Height: 5 ¾ in. (14 cm.).
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‘De’ visi mostruosi non parlo, perché senza fatica si tengono a mente’, so one reads between Leonardo da Vinci’s annotations in the Codice Atlantico and in the Treatise on Painting. Visitors will be impressed by these numerous exaggerated and grotesque heads made by the great artists active in northern Italy during the 16th and 18th century and on display in this extraordinary exhibition, promoted by the Giancarlo Ligabue Foundation in Venice. In this image: Pietro Antonio Novelli (1729-1804), Sedici figure, 93 × 145 mm. Collezione privata ©Matteo De Fina.
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Tony Cragg: Sculptures and Works on Paper, an exhibition by the leading contemporary sculptor Sir Tony Cragg is now open at The Gallery at Windsor, Vero Beach, Florida.
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RSA New Contemporaries, supported by Walter Scott & Partners Ltd, represents the Royal Scottish Academy’s commitment to supporting and promoting contemporary art and architecture in Scotland. In this image: Kat Cutler-McKenzie, You are My Joan of Arc (detail), wool and cotton.
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The Museum of London Docklands unveiled plans for its major exhibition, Fashion City: How Jewish Londoners Shaped Global Style (13 October 2023-14 April 2024). For the first time, the exhibition will uncover the major contribution of Jewish designers in making London an iconic fashion city.In this image: Kipper tie designed by Mr Fish © Museum of London.
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Jerwood Arts announced the partners for the next iteration, Jerwood Survey III, led in partnership with Southwark Park Galleries in London.The exhibition will launch at Southwark Park Galleries in March 2024, before touring to g39 in Cardiff and Site Gallery in Sheffield later in 2024. It will culminate at Collective in Edinburgh in spring 2025, marking the first time that the project has been presented in Scotland. In this image: Emma Cousin, Song Drapes, 2018 and Rae-Yen Song, Happy Happy Leaf, 2018 (detail). Installation view of Jerwood Survey I at The Bluecoat. Photo: Rob Battersby.
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Earth Spells: Witches of the Anthropocene brings these artists together in a major new exhibition at RAMM that responds to and engages directly with museum collections, specifically the Dartmoor Cauldron, once owned by the self-identified ‘Witch of Dartmoor’ Elizabeth Webb. In this image: Caroline Achaintre.
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Taylor Swift performs on the opening night of The Eras Tour at State Farm Stadium in Glendale, Ariz., on March 17, 2023. Swift opened the show with a run of songs from “Lover,” including “The Man,” performed in full office cosplay. (Cassidy Araiza/The New York Times).
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Ben Platt, left, as Leo Frank, and Alex Joseph Grayson as Jim Conley, in the musical “Parade” at the Bernard B. Jacobs Theater in New York, on Feb. 18, 2023. The minimal set by Dane Laffrey is essentially a high platform on a low one, suggesting a witness box, a cell and a scaffold, our critic writes. (Sara Krulwich/The New York Times).