Best Photos of the Day

To celebrate the Chinese Year of the Tiger and the opening of a new exhibition The Secret Garden, William the tiger welcomes all children to The Warehouse Art Museum. Manny reads a book while William, Langston, Peter Rabbit, and baby Jack listen attentively. The Secret Garden opens on February 18, 2022. The exhibition is inspired by the 1911 book of the same name by Francis Hodgson Burnett. The exhibition has over 100 works made by over 80 artists from 20 countries and 5 continents. The Warehouse is free and open to the public, Monday – Friday, 10 am to 4 pm. It is located in the Menomonee Valley, at 1635 W St Paul Avenue, Milwaukee, WI 53233.

Shani Orgad, left, and Rosalind Gill, authors of “Confidence Culture,” a feminist cultural critique of the marketing around women’s self-esteem, in London, Jan 29, 2022. The book, that will be published by Duke University Press on Feb. 9, 2022, skewers the notion that the challenges women face in work, sex, relationships and parenting can be chalked up to self-esteem, rather than to social structures. Suzie Howell/The New York Times.

Visitors at the House of Music, Hungary, designed by the Japanese architect Sou Fujimoto, in Budapest, Hungary, Jan. 26, 2022. At City Park in Budapest, the building project has come to exemplify the politics of Viktor Orban, the country’s far-right prime minister. Akos Stiller/The New York Times

Anita Norich, a professor emeritus of English and Judaic Studies, in New York, Jan. 26, 2022. Works written decades ago, often by female Jewish immigrants, were dismissed as insignificant or unmarketable. But in the past several years, translators devoted to the literature are making it available to a wider readership. Gabriela Herman/The New York Times

Adrien Brody at a studio in Brooklyn, Jan. 21, 2022. Brody, 48, who won an Oscar nearly two decades ago for “The Pianist,” has recently returned to painting, having shown his work, somewhat reluctantly, he said, at Art Basel Miami Beach and at an art fair in New York. Peter Fisher/The New York Times

Doomscrolling through social media can be seductive when it comes to the climate crisis: It signals that we care about big problems even as we chase distractions. Photo illustration by Aleia Murawski and Sam Copeland/The New York Times

James Bidgood, right, a photographer and filmmaker, and Parker Kit Hill, a dancer, performer and model, during a discussion of "camp" in New York, April 29, 2019. Bidgood, who elevated erotic gay photography to an art in the 1960s and ’70s with his carefully staged phantasmagoric pictures, and who was the anonymous director behind “Pink Narcissus,” a gay film released in 1971 that became something of a cult classic, died on Jan. 31, 2022, in Manhattan. He was 88. Vincent Tullo/The New York Times

The graffiti painter Christopher "Daze" Ellis juggles spray paint cans at his studio in the Bronx, Jan. 24, 2022. Works on show at the contemporary gallery PPOW are a bridge to Ellis’ train-tagging days and a paean to Bronx street life. Sinna Nasseri/The New York Times

In an image provided by the university, an installation view of “What Is the Use of Buddhist Art?” at The Wallach Art Gallery at Columbia University. Two small exhibitions, one at the Met Cloisters, the other at the Wallach Art Gallery, bring the personal and political dynamics of devotional art to the fore. C. V. Starr East Asian Library, Columbia University via The New York Times

The actor John Douglas Thompson the director Arin Arbus, who will direct him as Shylock in “The Merchant of Venice,” in New York, Jan. 26, 2022. Arbus and Thompson are collaborating on their fifth play, a Theater for a New Audience production that begins previews Saturday. Amir Hamja/The New York Times