Ernesto Neto opens dual-venue exhibition Vonta de vi dada dada in Sao Paulo

The exhibition expands the artist’s long-standing investigation into the interdependence of bodies, materials, and living systems.

SAO PAULO.— Fortes D’Aloia & Gabriel presents Vonta de vi dada dada a new solo exhibition by Ernesto Neto, opening simultaneously at the gallery’s Barra Funda and Jardins spaces in São Paulo.

Artdaily Recommended · Paid Link

Body without Organs: Image-Anti-Leviathan

A contemporary art volume connected to Ernesto Neto

Explore contemporary art through the idea of the body, organic form, image-making, installation, sensory experience, and the philosophical language of artistic transformation.

See it on Amazon →

As an Amazon Associate I earn from qualifying purchases.

Bringing together a new body of sculptural installations, works on paper, and textual interventions, the exhibition expands the artist’s long-standing investigation into the interdependence of bodies, materials, and living systems. Spread across the two venues, sculptures made from crocheted cotton, braided cords, bamboo, corten steel, and clay take on organic configurations that evoke insects, roots, mountains, forests, and other hybrid forms, proposing sculpture as a field of relationships, movement, and continuous transformation.

At the core of the exhibition is a new series of wall-based sculptures that Neto calls InsePás: tensile, cellular structures that extend across walls, ceilings, and architectural corners like living organisms or flows of energy moving through space. Developed from the artist’s earlier investigations into suspension, balance, and relational structures, these works deepen his understanding of sculpture as something activated through encounter rather than existing as a static form. In dialogue with them is a monumental corten steel sculpture whose branching structure simultaneously evokes a mountainous landscape and a living body sustained through relations of balance and mutual support.

Taken together, the works transform the gallery into a permeable ecosystem rather than a neutral exhibition space. Sculpture, drawing, writing, and sound come together as expressions of a worldview shaped by cosmological thought, ecological interdependence, and embodied knowledge. Rather than maintaining distinctions between nature and culture, or between architecture and the body, the exhibition proposes an environment in which human and nonhuman forms coexist in continuous exchange, reaffirming Neto’s understanding that life is sustained through relationships, reciprocity, and the shared vitality of all beings.