NEW YORK, NY.- This spring, the Morgan Library & Museum presents Hujar:Contact, an exhibition exploring the life, times, and creative evolution of photographer Peter Hujar (1934–1987). On view from May 22 through October 25, 2026, the exhibition features more than 110 contact sheets and 20 enlargements from the Morgan’s collection of Peter Hujar’s works.

Highlights include portraits of artists and performers such as Marsha P. Johnson, Jackie Curtis, Patti Smith, Candy Darling, John Zorn, and Ethyl Eichelberger, as well as Hujar’s creative collaborators and lovers, including Paul Thek, Joseph Raffael, and David Wojnarowicz. Hujar’s distinctive portraiture, alongside rare prints of his street photography, interiors, and landscapes, reveals the unflinching eye he cast upon a vast range of subjects.

In 2013, the Morgan acquired the 5,783 black-and-white contact sheets Hujar possessed at the time of his death, along with two notebooks, or “job books,” in which he recorded his photographic assignments and personal projects from 1954 until 1985. Together, these materials provide a detailed record of an artist who left no written reflection on his work, yet carefully preserved the traces of his decades-long photographic life. Hujar:Contact foregrounds the material processes that structured photographic practice in the era of film and chemical printing. Visitors to the exhibition will be transported to Hujar’s darkroom, invited to study these small images with the same attentiveness and care that Hujar himself brought to them. “Following our 2018 exhibition Peter Hujar: Speed of Life, which explored the full length and breadth of Hujar’s artistic career for the first time, Hujar:Contact turns to his creative process,” said Colin B. Bailey, Katharine J. Rayner Director of the Morgan Library & Museum. “This exhibition advances the Morgan’s commitment to collecting and interpreting contemporary photography and to broadening appreciation for a medium that is both immediate and reflective.”

The exhibition elevates the contact sheet, traditionally a working tool, into an art object worthy of close visual reading in its own right. Each sheet reproduces an entire roll of film, allowing viewers to follow Hujar’s eye through a series of exposures. Many of the contact sheets include Hujar’s own handwritten notes, marks, and annotations, which indicate his changing approach to cropping and printing and elucidate the editorial decisions behind each final image.

“Contact sheets reveal an intimate history of Hujar’s habits, inspirations, and happy accidents—the intricacies hidden behind a final print,” said Joel Smith, curator of the exhibition and Richard L. Menschel Curator and Department Head of Photography at the Morgan. “Hujar:Contact illuminates the physical process that was central to his artistic practice.”

Reproduced at large scale on the walls are dozens of pages from Hujar’s job books, which provide the closest thing to a chronological account of his career. The earliest surviving page dates to 1954, when Hujar was just beginning to photograph friends and loved ones in New York. Over the following decades, the notebooks grew into a numbered record of hundreds of shoots, following the artist from his job as a studio assistant in the 1950s to his work in fashion and music journalism in the late 1960s, and ultimately to the independent portrait practice that defined his mature work in downtown New York.

By the mid-1970s, Hujar had become a central figure in the cultural life of New York’s East Village. Working primarily with a medium-format camera that allowed him to maintain eye contact with his sitters, Hujar cultivated an atmosphere in which photographer and subject shaped the image together. Visitors will gain a vivid sense of this collaborative process through the presentation of contact sheets alongside never-before-exhibited prints, unveiling how individual portraits emerged from a give and-take process grounded in patience and mutual curiosity.

Hujar:Contact is organized by Joel Smith, Richard L. Menschel Curator and Department Head of Photography.

The exhibition is accompanied by an eponymous catalogue that offers an authoritative and visually rich account of Peter Hujar’s creative process, featuring nearly five hundred reproductions of his contact sheets. Drawing from the Morgan Library & Museum’s extensive archive of more than five thousand original contact sheets and two job books created between 1954 and 1985, the publication provides an unprecedented look into the artist’s working methods.

Critical texts by Joel Smith establish a chronology of Hujar’s contact sheets, presenting a portrait of an artist developing, experimenting with, and refining his practice against the tumultuous cultural politics and sea changes of gay life conveyed by the words “Stonewall” and “AIDS.”

Throughout his career, Hujar recorded more than a thousand photo shoots in his job books. A complete transcription and annotation of these materials by Olivia McCall lends the volume unique scholarly value.

Published by the Morgan Library & Museum in association with MACK, the catalogue is available for pre-order in the Morgan Shop for $70.