A unique, monumental bronze sculpture entitled Reina Mariana and created by Manolo Valdés, one of the most important and respected Spanish artists working today, will be transported from New York City to Naples, Fla. for the Jan. 28 30 Naples Winter Wine Festival
. The sculpture currently is on view in Columbus Circle where it has been included in the Valdés on Broadway exhibition in conjunction with the Broadway Malls Association
Valdés and the Marlborough Gallery, which represents the artist, are donating the sculpture. It weighs over 2,000 pounds and is more than 8 feet in height. It will be among 70 one-of-a-kind lots auctioned at the festival, with proceeds benefiting underprivileged and at-risk children through the Naples Children & Education Foundation.
Valdés is scheduled to attend the festival and is being honored as the featured artist. He joins an illustrious group of featured artists from previous festivals, including one of the most renowned contemporary artists, the late Robert Rauschenberg.
We are thrilled to bestow the honor of featured artist on Manolo Valdés and are very excited to auction his magnificent sculpture at the festival, said Bruce Sherman, 2011 festival chair and a trustee of NCEF, the festivals founding organization. Reina Mariana is a showstopper and one of the most striking and iconic pieces of art ever auctioned over the festivals 11 years.
A private visit and tour, for two couples, of both the artists Manhattan studio and Marlborough Gallery is also included in the Valdés lot. Other auction lots feature rare wines, once-in-a-lifetime trips and experiences, as well as a new and a vintage automobile. Since 2001, the festival has raised more than $82.5 million for children in need.
Born in Valencia, Spain in 1942, Manolo Valdés is one of the few artists today who has successfully mastered the disciplines of drawing, painting, sculpture and printmaking. Impassioned by artists of the past ranging from Zurbarán to Velázquez, Matisse to Lichtenstein, Valdés finds more than inspiration in their paintings; he uses their work as a pretext (como pretexto) to create an entirely new aesthetic object a painting or sculpture sourced from a known composition from which Valdés creates a uniquely brilliant work of art in itself.
The sculpture, Reina Mariana, was inspired by the mid-seventeenth century portrait of Mariana of Austria, Queen of Spain by Diego Velázquez in Madrids Prado Museum. Valdés worked with the image of Reina Mariana for many years in paintings, drawings and prints before bringing it to three-dimensional form.
Commenting on the history of Reina Mariana, Valdés noted that, the first sculpture version made was in wood, through the process of assembling different boards of 1 centimeter thickness. By this I mean, it was not a carved sculpture from one block of wood, but rather the volume was created by the accumulation of layers, the same way that volume is achieved by accumulating fragments of clay. Valdés artistic method is an additive, not a reductive, process. He added, The placement of this sculpture on the ground, without a pedestal, makes its interpretation very personal.
The artist has enjoyed recent public exhibitions of his work in Beijing, Miami, Monaco and St. Petersburg. In New York City, this sculpture has been exhibited along with fifteen other Valdés sculptures since May. The exhibition ends Jan. 23, 2011.
Valdés work is included in over 40 public collections including the Guggenheim Collection, Venice; Menil Foundation, Houston; The Metropolitan Museum of Art, New York; Musée National dArt Moderne-Centre Georges Pompidou, Paris; Museo Nacional Centre de Arte Reina Sofía, Madrid; and The Museum of Modern Art, New York.