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New Works by the Danish-Icelandic Artist Olafur Eliasson at Tanya Bonakdar Gallery
Olafur Eliasson, "Multiple Shadow House", 2010. Wood, metal, fabric, spotlights, color filter glass, halogen bulb, projection foil and transparent projection foil, 396 x 141 ½ x 532 inches. Installation view Tanya Bonakdar Gallery, New York, Feb 11 - March 20, 2010. Photo: Jean Vong. Courtesy: The Artist and Tanya Bonakdar Gallery, New York.
NEW YORK, NY.- Tanya Bonakdar Gallery presents an exhibition of new works by the Danish-Icelandic artist Olafur Eliasson (B. 1967). Eliasson's sixth solo show at the gallery continues his exploration of and experimentation with modes of perception and the experience of space and time. Focusing on movement, color, and light - and the interplay between the three phenomena - the exhibition involves the viewer in a collaborative creative process. Throughout his career, Eliasson has challenged the notion of the artwork as a static object, instead suggesting that the meaning and generative potential of each work lies in the exchange between the piece and the viewer. It is the visitor's experience, his or her subjective perception and mediation of the work that activates it; in turn Eliasson's installations, public projects, photographs and paintings prompt a new awareness in the visitor of his or her own methods of interpreting the world. 



Within the main gallery space, an abstract structure outlines a living space, intimate and domestic in scale. The walls of Multiple shadow house (2010) are comprised of a simple wooden framework supporting large expanses of projection screens. Groups of projection lamps cast steady light upon the screens, yet their effects remain unarticulated until visitors interact with the structure. Upon entering, the visitors block the individual sources of light and cast variously colored shadows that change according to their movements. The work is a situation experienced as it is created. The user negotiates and constructs his or her own surroundings, and the architecture is animated by the visitor. 



The perception of visual imagery in the form of color and light is also addressed in Intangible afterimage star (2008), installed in the side gallery space upstairs. Six spotlights are synced to project geometrical forms in blue, yellow, magenta, green, and turquoise onto the wall, intersecting and layering, and building towards a narrative of Constructivist abstraction. As the intense projections fade in and out, complimentary afterimages stay on the visitor's retina and appear to multiply the color compositions. As a result, the film is only partially produced by the spotlights' projection; the rest is contributed by the viewer. 



In the main gallery upstairs, Eliasson exhibits a series of watercolor drawings on paper. Configured in sequences, they use ellipses and circles as narrative exercises on the perception of space and movement. While shades and hues play an important part in these watercolors, the oil painting Colour experiment no. 3 (2009) is part of ongoing research into color conducted at Studio Olafur Eliasson. The studio has been developing a set of handmade oil paints that range through the full spectrum of visible light, experimenting with their physical properties and interactions. Circular in form, the painting expands on the traditional model of a color wheel, wherein each of 360 degrees is painted in one color and corresponds to its complementary afterimage located directly across from itself. 



Current solo exhibitions for Eliasson include Olafur Eliasson: Your chance encounter at the 21st Century Museum of Contemporary Art in Kanazawa, Japan, on view through March 22; and Take your time: Olafur Eliasson, at the Museum of Contemporary Art, Sydney, Australia, through April 11. Take your time: Olafur Eliasson was organized by the San Francisco Museum of Modern Art in 2007 and subsequently traveled to the Museum of Modern Art and P.S.1 Contemporary Art Center, New York, 2008; the Dallas Museum of Art, 2008; and the Museum of Contemporary Art, Chicago, 2009. In the summer of 2008, Eliasson created The New York City Waterfalls, four monumental, man-made waterfalls installed on shorelines of the East River in collaboration with the Public Art Fund, and in the summer of 2009 he opened The parliament of reality, a permanent outdoor installation at Bard College in Annandale-on-Hudson, New York. Upcoming solo exhibitions are to take place at Ullens Center for Contemporary Art (UCCA), Beijing, China, opening April 3, as well as Innen Stadt Außen at Martin-Gropius-Bau, Berlin, Germany, opening April 28, 2010.


Tanya Bonakdar Gallery | Olafur Eliasson | Experience of Space and Time |




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