Error: 3002 Source: GeoIP.asp line 56: File could not be opened. The 2005 Lyon Biennial of Contemporary Art Opens
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The 2005 Lyon Biennial of Contemporary Art Opens
Poster for The 2005 Lyon Biennial.
LYON, FRANCE.-The 2005 Lyon Biennial is an exhibition that takes into consideration the stages of its conception and proposes complementary themes interlinked by the concept of tem-porality, which has provided our common thread.

Addressing time was a way for us to draw up an inventory ;of the 1990s, when art began to function as a sort of editing bay on which artists could reconstruct everyday reality. They have tweaked the tempo at which forms change – pausing, looping, delaying, synchronising, slowing down and speeding up. For the artists of the '90s, time is more a building material than a mere medium, and controlling the duration and the time protocols of exhibition has, like the controlling of space, become a major aesthetic issue.

This biennial seeks to reaffirm that a work of art is first and foremost an event before being a monument or a simple testimony; and that aesthetics are also a matter of energy. Eschewing the current temptation of a return to the tradi-tional categories of painting and sculpture (and video), we wanted to stress the fact that art is an experience that engages the spectator.

We have therefore considered the importance of the legacy ,of conceptual art (from Douglas Huebler to Josephine Meckseper, as well as John Miller, Erwin Wurm, Carsten Höller and Allora & Calzadilla) and of the Fluxus movement (Yoko Ono, Erik Dietman and Dieter Roth, and today Surasi Kusolwong and John Bock), for whom art-making time is inseparable from living time. Where are these explorations at today? Is there not a need to reassess certain practices that are still nourishing art?

This biennial will, in any case, be free of prospective mono-mania,
and will not subscribe to the rapid rotation of values that sometimes overly permeates large international exhibitions. Our preference is for a dialogue: between Dieter Roth and John Bock, between Tom Marioni and Erwin Wurm or Rivane Neuenschwander, between James Turrell and Ann Veronica Janssens, and so on. At the intersection of these avenues of thought is the concept of long duration: not slowness, which is a value judgement on time, but the project dimension. The long term is the time a project takes, the time sustainable development takes, which today is important to defend against gener-alised content-hopping and mercantile turnover. ,Our interest here is not in the “Seventies” in general but in the hippie experience as an attempt at a counter-culture, a laboratory of new forms of living. Indeed those years of emancipation and wholesale questioning of the status quo seem to contain, in a still-virulent form, all the problemat-ics of the early 21st century: feminism, multiculturalism, the struggle of sexual minorities, “new age” spirituality, identitarian and relational experience, ecology, orientalism, decolonisation, psychedelicism… But above all, they consti-tute a model for rejecting the consumer society. From zero growth to the return to nature, today's artists are still aspiring to “subversion through happiness”, though they are travelling other paths and proving to be less optimistic and more complex than their elders. Yet this 2005 biennial buzzes with the experimental spirit of '70s counter-culture, , featuring La Monte Young & Marian Zazeela, Terry Riley, Tony Conrad, Brian Eno, Yoko Ono, Tom Marioni, Robert Crumb, Gordon Matta-Clark, Robert Malaval, Jonas Mekas, Andy Warhol, James Turrell… “Experiencing duration” is not, however, a historical exhibition: our intention is not to stage a retrospective but to use the energy and patterns of those post-'68 years to shed light on the present.



Last Week News

September 13, 2005

Serpentine Gallery Presents Oliver Payne & Nick Relph

BP British Art Displays at Tate Britain

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Martin Westwood at Tate Britain

Jerwood Applied Arts Prize 2005: Metal

Rineke Dijkstra at Stedelijk Museum

Symposium Edwin Holgate at Montreal Museum of Fine Arts

Karen Russo at Delfina in London

Ganieve Grewal Appointed Christie's Representative in India

Frost Art Museum Welcomes Author Carlos Fuentes

Artist in the Marketplace Deadline

September 12, 2005

The Prints of Félix Buhot: Impressions of City and Sea

African Wooden Sculptures Stolen From Folch Foundation

Memories of Frida Kahlo Will Be Published

Kunsthalle Zurich Presents Trisha Donnelly

Sarah Walker Wins Rappaport Prize

Jeff Wall. Photographs 1978 - 2004

Galerie f5,6 Presents Raghubir Singh

Charles McLaughlin, Editor of Olmstead Papers, Dies

Russian Imperial Jewel to be Unveiled at Sotheby's

Volunteer Guide Program Launched

September 11, 2005

Gold-The Asian Touch at The Arthur M. Sackler Gallery

Rodin and Beuys Juxtaposed at Schirn Kunsthalle

Olafur Eliasson at Malmo Kosthall

Saga: The Journey Of Arno Rafael Minkkinen

Witte de With Presents Monopolis - Antwerp

Robert W. Jensen Exhibits at Muckenthaler Cultural Center

Birmingham Museum of Art Print Fair

Red Beans and Rice: Asian Artists in the New South

Safeguarding of the Intangible Cultural Heritage

Patent Office Building Courtyard Enclosure Approved

September 10, 2005

Paths to Impressionism Opens at Winterthur Museum

The Museum of Modern Art Acquires Matisse Painting

Resurfaced Opens at Boston University Art Gallery

Rupprecht Geiger and Hilla von Rebay

John Huddleston: Killing Ground, Photographs

Laura Wilson: Avedon at Work at Amon Carter

"Hey, Listen to Me" Writing Pictures

The Cartier Award 2006

Deconstruction of 130 Liberty Street Announced

Billijam Utilizes Clear Channel's Digital Street Network

September 9, 2005

Origins of European Printmaking Opens in Washington

Julio González: Sculpture and Drawings

Franz von Stuck - The Artist's Family

Jeppe Hein - Neonwall - A New Contemporary Art Project

Paul Sattler: Above, Below, and In Between

California Gold To Open in Los Angeles

New Paintings by Victor Rodriguez

Klimt, Schiele, Moser, Kokoschka, Vienna 1900

Sotheby's Announces Recapitalization Plan

Trees Tagged For Inclusion in World Trade Ceter Memorial

September 8, 2005

An Exhibition on Color Photographs of America Opens

L'Art Nouveau. The Legacy of Siegfried Bing

Forgotten Empire: the world of Ancient Persia

Design Made in Africa at Brunei Gallery

Equipo Crónica at the IVAM Collection Opens

Ernest Hemingway and Walker Evans: Three Weeks in Cuba

Akio Takamori at ASU Art Museum

Strategies for the Future of Culture: Dresden

Akron Art Museum Receives Three Prestigious Grants

Call For Entries: Toaster Art Show & Benefit Auction

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10.- Sotheby's New York to offer 548 Edward Weston photographs as a single lot this September

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