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De Buck Gallery opens a solo exhibition by newly represented artist Devan Shimoyama
Make A Wish, 2017, oil, collage, glitter, flashe, jewelry, feathers and fabric on canvas on panel, 48 x 36 in, 121.9 x 91.4 cm. Courtesy of the artist and De Buck Gallery.


NEW YORK, NY.- De Buck Gallery is presenting Sweet, a solo exhibition by newly represented artist Devan Shimoyama. Shimoyama’s first solo exhibition with the gallery presents seven new paintings and an installation of two oversized mixed media sculptural hoodies. The exhibition is on view from November 1, through December 9, 2017.

A visual artist working primarily in the realm of self-portraiture and narratives inspired by classical mythology and allegory, Shimoyama seeks to depict the black queer male body as both desirable and desirous. Exploring the mystery in the process of understanding his origins and also investigating the politics of queer culture, his work showcases the relationship between celebration and silence in both queer culture and sexuality. Shimoyama’s composition is inspired from the canons of the masters Caravaggio and Goya, adding a more contemporary expression and unique sensuality. Through the use of materials including splattered paint, stencils, black glitter, rhinestones, and sequins, Shimoyama creates pieces that capture the intangible magic of the human spirit.

Sweet alludes to the derogatory term for gay or effeminate male. As the artist himself explains from his highly personal experience, “In the black barber shop, men come together to decompress and be candid with one another in a safe space. This space isn’t quite the same for Queer and Trans People of Color. Gay black men feel the need to perform masculinity and limit their interactions with other black men in this setting. Sweet is a group of primarily portrait paintings of black boys and men receiving haircuts in a barbershop, however they avoid featuring the identity of the barber him/herself. After discussing with other men who share my identity as a gay black man, I realized many of us find ways to mask our queerness in this setting regardless to how out and proud we are in our personal lives. We mute ourselves, close our eyes, and in these paintings, these boys and men are reimagined in a much more celebratory, femme, colorfully queer setting. I remember being called “sweet” when I was in grade school and understanding it more as just something that other boys weren’t, and later truly understanding the term.” The sculptural hoodies give presence to the additional layer of black masculinity associated with black men in the media as often wearing baggy clothing, and hooded sweatshirts in particular. For Shimoyama, these hoodies serve as an urgent reminder for the need for unity among black men in the face of continued discrimination.

Devan Shimoyama (b.1989, Philadelphia, PA; lives and works in Pittsburgh, PA) received his BFA in Drawing/Painting from Penn State University in 2011, and his MFA from Yale University School of Art in 2014. He was awarded the Al Held Fellowship at the Yale School of Art in 2013 and has had a residency at the 2015 Fire Island Artist Residency. Shimoyama’s work has been exhibited throughout America. The upcoming exhibition Cry, Baby will be presented at the Andy Warhol Museum, Pittsburgh from October 13 2018 – March 17, 2019. Shimoyama’s new and existing work will be paired with a rotation of Warhol’s Ladies and Gentlemen paintings from 1974, revealing new perspectives on Warhol’s practice, embracing contemporary debates about identity politics, gender and sexuality in addition to issues of racial violence and tension in the United States.






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