The First Art Newspaper on the Net   Established in 1996 United States Sunday, August 18, 2019


Major exhibition of prints, paintings and drawings by Rembrandt opens in Norwich
Dr Giorgia Bottinelli examines a self-portrait etching by Rembrandt.


NORWICH.- The internationally revered Dutch artist Rembrandt Harmenszoon van Rijn (1606-1669) is the subject of a major exhibition presented by Norwich Castle Museum & Art Gallery from Saturday 21 October until Sunday 7 January 2018.

Rembrandt: Lightening the Darkness focuses specifically on one of the less well-known aspects of Rembrandt’s output, namely his fascination with print-making, in particular his use of this medium to explore innovative tonal gradations to produce evocative images of the Dutch landscape, biblical scenes full of drama and pathos, as well as sensitive portraits, including many introspective self-portraits. Not many people today know that during his lifetime, Rembrandt was as famed for his etchings as for his paintings. In Britain, for example, he was far better known as a printmaker.

Forming the core of this compelling exhibition is the nationally important but little known collection of Rembrandt etchings held by Norwich Castle Museum & Art Gallery, the fourth most important of its kind in the country. This collection was bequeathed to Norwich Castle in 1951.

The exhibition is jointly curated by Dr Francesca Vanke, Keeper of Art and Curator of Decorative Art, and Dr Giorgia Bottinelli, Curator of Historic Art, both of Norwich Castle Museum.

Dr Francesca Vanke says: “This is the first time Norwich Castle’s extraordinary collection of etchings by Rembrandt has been exhibited as a group for more than thirty years. The exhibition demonstrates how Rembrandt’s handling of light and darkness, expressed purely through the medium of black lines and the white space around them, was unsurpassed.”

Rembrandt’s preoccupation with light and shade can be seen throughout his work, as exemplified by specially selected additional works which complement the prints.

Three oil paintings: A Woman in Bed from the National Galleries of Scotland, Christ and St Mary Magdalen at the Tomb from the Royal Collection and Anna and the Blind Tobit from the National Gallery have generously been loaned to Norwich for this exhibition. The British Museum has also loaned a chalk and wash drawing The Angel preventing Abraham from sacrificing his son Isaac, together with four prints. It is highly unlikely that these works have ever been exhibited together before.

Dr Giorgia Bottinelli explains: “By comparing prints with a chosen group of paintings and drawings we are showing how physical and metaphorical light and darkness meet and combine in Rembrandt’s work in all media, creating narratives that communicate to the viewer across time.”

The process of etching has been used in printmaking since the Middle Ages and is achieved by the artist drawing a picture with a needle onto a metal plate which has been covered with a waxy ground. The plate is then dipped in acid, which then bites into the lines created by the artist. Rembrandt was highly skilled in etching, as well as other related techniques of engraving and drypoint. As such he is credited as being one of the world’s most renowned and innovative printmakers.

83 of the etchings from Norwich Castle’s Rembrandt collection are included in the exhibition. The subjects of the prints cover the whole range of his oeuvre including self-portraits, portraits of friends and family, among them a particularly lovely study of Rembrandt’s mother, landscapes, biblical scenes as well as genre and nude studies.

Each of the prints vividly reveals Rembrandt’s outstanding ability to capture the many nuances of light and shade. Enigmatic figures emerge from evocative darkened backgrounds, night is subtly differentiated from shadow, while narrative and emotion are heightened by contrasts and perfectly added highlights.

Unlike many artists Rembrandt printed the plates himself and often re-worked them as can be seen from comparing different states of the same subject. As such, printmaking to him was a constantly evolving art. In addition he was perpetually experimenting, often employing different acids and using hatching lines of varying thickness, bitten to depths of various degrees, in his attempts to achieve greater tonal effects. Different papers, European and Oriental, as well as oatmeal and vellum, were also a means to create further gradations in texture and contrast. Rembrandt treated print-making as an artistic medium in its own right, rather than merely a means of the mass reproduction of existing works, as had been the case up to this point.

The exhibition includes a print room to guide visitors through the print-making process while original copper etching plates from the Norwich School of artists drawn from the Norwich Castle collections will also illuminate this fascinating process.

Margaret Dewsbury, Chair of Norfolk County Council’s Communities Committee said: “Visitors from the area and further afield will relish this beautiful exhibition by one of the most important and best-loved artists in European history, and enjoy observing the minute and intense detail of Rembrandt’s prints. The exhibition presents a rare opportunity to view at close range this outstanding but until now little known collection – and is another example of the cultural riches Norwich has to offer.”

The exhibition is accompanied by a publication, the first devoted to the Norwich Castle Rembrandt etching collection, written by Dr Francesca Vanke and Dr Giorgia Bottinelli. The exhibition is supported by headline sponsors Birketts LLP.

Rembrandt: Lightening the Darkness is the latest in a series of world-class exhibitions mounted by Norwich Castle Museum & Art Gallery. Norwich Castle is known for its original, varied and highly ambitious exhibition programme, which continues to attract growing audiences well beyond the boundaries of East Anglia.





Today's News

October 23, 2017

Major exhibition of prints, paintings and drawings by Rembrandt opens in Norwich

Detroit Institute of Arts opens two major painting exhibitions

Einstein's theory of happy living emerges in Tokyo note

Duchamp's moustachioed Mona Lisa sells for $750,000

Exhibition at Aurel Scheibler focuses on Alice Neel's social and political commitment

Exhibition presents new research into the art history of religions

Sotheby's to offer Sir Winston Churchill's final painting

Reel Art Press publishes a complete retrospective of Neal Preston's incredible career

New York-based artist Daniel Arsham opens exhibition at Perrotin in Paris

Mitchell-Innes & Nash opens exhibition of works by conceptual artist Mary Kelly

Marc Straus announces inaugural solo exhibition of American sculptor Jeanne Silverthorne

Modernist works from the Herbert Read Collection to be offered at Bonhams

Christie's New York announces highlights from its sales series: Fall Classics

Elizabeth Houston Gallery opens exhibition of works by Melanie Willhide

28 contemporary artists explore and challenge Öyvind Fahlström's ideas in exhibition at Moderna Museet

University of Richmond Museums opens two new Japanese exhibitions

Gardiner Museum presents major retrospective of work by acclaimed Canadian artist Steven Heinemann

Two veteran WWII vehicles for sale with H&H Classics at Duxford Imperial War Museum

Romanov material and luxurious taste prevail at Freeman's

Towner Art Gallery opens a new exhibition by Jessica Warboys

Tiffany Studios floor lamp with Magnolia shade should bring $300,000-$600,000 at auction

Museum Folkwang opens a large solo exhibition of works by the Swiss artist Balthasar Burkhard

Frances Glessner Lee and the Nutshell Studies of Unexplained Death opens at the Renwick Gallery

Most Popular Last Seven Days



1.- Conservation reveals Wellington Collection work was painted by Titian's Workshop

2.- New dinosaur discovered after lying misidentified in university's vaults for over 30 years

3.- Unseen Texas Chainsaw Massacre outtakes and stills sold for a combined $26,880

4.- National gallery reveals conserved Italian altarpiece by Giovanni Martini da Udine

5.- London's Tate Modern evacuated after child falls, teen arrested

6.- Bavarian State Minister of the Arts restitutes nine works of art

7.- Boy thrown from London's Tate Modern is French tourist visiting UK

8.- Child thrown from London gallery has broken spine, legs and arm

9.- £10 million Turner masterpiece may leave British shores

10.- Tourists banned from sitting on Rome's Spanish Steps



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful