The First Art Newspaper on the Net   Established in 1996 United States Thursday, July 18, 2019


Charles White's 'Take My Mother Home' makes auction debut at Swann
Henry Ossawa Tanner, Flight into Egypt, oil on canvas, circa 1920-25. Estimate $200,000 to $300,000.


NEW YORK, NY.- Swann Galleries’ biannual auction of African-American Fine Art on Thursday, October 5 promises never-before-seen art from the turn of the nineteenth century to the present. With just over 150 lots of scarce and important works by marquee artists including Romare Bearden, Elizabeth Catlett, Norman Lewis and Charles White, the sale carries an estimate of $2.3 to 3.4 million. The African-American Fine Art department at Swann Galleries, the only one of its kind in the world, celebrated its tenth anniversary this year, coinciding with the 75th anniversary of the house.

The top lot is a life-size pen-and-ink drawing by Charles White, titled Take My Mother Home, 1957, estimated at $250,000 to $350,000, the most significant drawing by the artist to come to auction since the house’s 2011 offering of Work, 1953 ($306,000). White is additionally represented by two oil monotypes, which are the first examples the artist’s work in the medium offered by Swann. Works by Elizabeth Catlett will also be offered: War Worker, 1943, is only the second painting by the artist ever to come to auction, valued at $60,000 to $90,000. The first, also offered by Swann, was Friends, 1944, which sold for $81,250 on December 15, 2015. Catlett is further represented by two bronze busts: Cabeza Cantolando (Spring Head), 1960, and Glory, 1981 ($8,000 to $12,000 and $30,000 to $40,000, respectively).

The selection of sculpture continues with two large works by Richmond Barthé: The Awakening of Africa (Africa Awakening), 1959 and Stevedore, 1937, cast 1986 ($50,000 to $75,000 and $30,000 to $40,000, respectively).

Fin de siècle paintings and prints by Edward M. Bannister and Henry Ossawa Tanner stand out in a modern-leaning sale. A large work from Tanner’s mid-career time in Paris, Flight into Egypt, circa 1920-25, illustrates one of the artist’s primary motifs ($200,000 to $300,000).

Haunting paintings by Hughie Lee-Smith are led by Untitled (Youths on a Lakeshore), 1952, valued between $100,000 and $150,000—one of his iconic depictions of young African-Americans in a desolate landscape. In a similar vein is The Encounter, a 1991 oil painting estimated at $50,000 to $75,000.

Abstraction is headed by Norman Lewis’s Untitled (Processional Composition), a 1960 oil painting of calligraphic figures on marbleized slate, expected to reach between $100,000 and $150,000. The sale also features two large 1950s abstract canvases by Alma Thomas as well as works by Ed Clark, Sam Gilliam, James Little, Al Loving, Sam Middleton and Haywood “Bill” Rivers.

A burgeoning section of photography includes a fine print of Roy Decarava’s Dancers, 1956, estimated at $15,000 to $25,000, as well as rare works by Louis H. Draper, Jeanne Moutoussamy-Ashe, P. (Prentice) Herman Polk and James VanDerZee. A quadriptych from Carrie Mae Weems’ Sea Island Series of silver prints and text panels interpreting the environs and lives of the Gullah people ($35,000 to $50,000) leads a selection of photographs and sculptures by the artist.

Proponents of the AfriCOBRA movement Wadsworth Jarrell and Nelson Stevens are well represented in the sale by colorful paintings and prints. Stevens’s Jihad Nation, 1970, is the first important painting and AfricCOBRA work by the artist to come to auction. It is expected to sell for $50,000 to $75,000. After achieving an auction record for a painting by Jarrell in fall 2016, Swann is pleased to offer Midnight Poet at 125th Street & Lenox, an acrylic street scene in the iconic style of the movement, valued at $25,000 to $35,000.

A run of figurative collages by Romare Bearden is led by Melon Time, 1967, at $80,000 to $120,000. Other unique works by the artist include the collage and watercolor The Evening Boat, 1984, of people waiting under an azure sky ($30,000 to $40,000), and At the Dock, 1984, valued at $20,000 to $30,000.

Contemporary art on offer includes The Emancipation Approximation (Scene 9), 2000, from Kara Walker’s important portfolio of screenprints of the same name, valued at $8,000 to $12,000 and works by Emma Amos, Eldzier Cortor, Jonathan Green and Julie Mehretu.





Today's News

September 6, 2017

Tel Aviv Museum of Art opens solo exhibition dedicated to Louise Bourgeois

Francis Bacon's 'Head With Raised Arm' unveiled for the first time in over fifty years

Exhibition at Tibor de Nagy Gallery spans half a century of Larry Rivers' interdisciplinary work

Sotheby's announces inaugural Sale of Postwar and Contemporary Photographs

Reflections of the artist: Chinese paintings offered at Gianguan Auctions

Freeman's to offer the Louis Kahn Desk for the Morton and Lenore Weiss House

Exhibition tells the compelling story of New York's first water system buried beneath the city

Victoria Miro opens an exhibition of new paintings by Hernan Bas inspired by life at Cambridge

Moscow Museum of Modern Art opens first solo exhibition to be held in Russia of the Italian artist Giosetta Fioroni

Museum of London Docklands' latest major exhibition draws record breaking visitor numbers

Exhibition examines pivotal roles of Alfred Barr and Philip Johnson as ambassadors of modernist design

Littlejohn Contemporary exhibits drawings and sculpture by New York artist Valerie Hammond

Frans Hals Museum / De Hallen Haarlem welcomes three new faces

Ben Lebovitz's Borders: September's Midnight Moment in Times Square

Petzel Gallery opens a survey exhibition of sculpture by Keith Edmier

Rare and impressive art & collectibles kick off fall auction season on Bidsquare

Taylor Wessing Photographic Portrait Prize 2017 shortlist annunced

Charles White's 'Take My Mother Home' makes auction debut at Swann

Phillips names Arthur Touchot Specialist & Head of Digital Strategy, Watches

Protest music has died for Venezuela violinist

New commission by Maya Lin at Princeton University

Ground-breaking performance art commissioned by New York based Performa comes to London

Ayyam Gallery Beirut opens 'Distant Remains': A solo exhibition of painter Fathallah Zamroud's work

Most Popular Last Seven Days



1.- Original 'Star Wars' creators lift lid on special effects challenges

2.- Lost '$170 million Caravaggio' snapped up before French auction

3.- Mansell's 'Red Five' on pole for Bonhams sale

4.- Impressionism's 'forgotten woman' shines in new Paris show

5.- Sotheby's to auction the best-surviving NASA videotape recordings of the Apollo 11 Moon Landing

6.- Exhibition explores Dutch and Spanish painting of the 16th and 17th centuries

7.- Cyprus discovers 'first undisturbed Roman shipwreck'

8.- Sotheby's unveils 'Treasures from Chatsworth' with Leonardo Da Vinci drawing, Lucian Freud portraits, and more

9.- Infamous botched art restoration in Spain gets makeover

10.- 1958 Gibson Flying V Korina played by Dave Davies to grab center stage in Heritage Auctions' sale



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez


Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful