The First Art Newspaper on the Net   Established in 1996 United States Thursday, August 17, 2017


Temporary closure of Phoenix Art Museum galleries inspires fresh look at collection of American and Mexican art
Maynard Dixon, Home of the Desert Rat, 1944-1945. Oil on canvas. Bequest of Leon H. Woolsey.


PHOENIX, AZ.- Through next spring, Phoenix Art Museum’s North Wing will be partially closed to accommodate repairs and improvements to the infrastructure of the building. In order to facilitate vital updates to fire-prevention systems, the Museum temporarily closed approximately half of its North Wing galleries, throughout the duration of the construction, which concludes April 2018. The closure also provided the Museum’s curatorial team with a rare opportunity to re-imagine its exhibition spaces, and it resulted in a new exhibition featuring art of Mexico and the American Southwest.

“We look forward to improving our vault system, which will ensure the proper safekeeping and preservation of our treasured collection for decades to come,” said Amada Cruz, the Sybil Harrington Director and CEO of Phoenix Art Museum. “Our registrars, preparation staff, and curatorial teams have collaborated to create a plan for the move and renovations that will be efficient and seamless, minimizing the amount of time that part of the North Wing galleries will be closed, while taking the opportunity to re-imagine the possibilities for the display of our American and Mexican collections.”

Solving the Museum's space issues inspired creativity and collaboration among curatorial departments. Vanessa Davidson, the Shawn and Joe Lampe Curator of Latin American Art, and Betsy Fahlman, adjunct curator of American art, have collaborated to re-home American works of art alongside works by Mexican artists. Border Crossings: Mexico and the American Southwest speaks to the region’s shared heritage and cultural commonalities, in addition to underscoring the powerful resources in the Museum’s collection. The works featured, all created between 1916 and 1950 and drawn from internal collections, re-enact across gallery walls a cultural conversation that has been taking place between Mexico and the United States throughout centuries of shared history. Featured works include paintings by Paul Pletka, Diego Rivera, Georgia O’Keefe, and Alfredo Ramos Martínez. The lens of focus encompasses four broad themes: women artists, landscape, indigenous subjects, and portraits.

As Gilbert Vicario, the Selig Family Chief Curator, said, “Preparing for the move required that we conduct a more thorough audit of the objects stored in our vaults, which provided our curators with a unique opportunity to develop an even deeper understanding of the works in our collection. What resulted is a thoughtful presentation of the art of Mexico and the American Southwest, which we are especially excited to share with our community.”

Other works affected by this move also are on view in new spaces throughout the Museum. Long-term loans of European art are on view in Selections from the Schorr Collection, located in the Harnett Gallery in the South Wing and the Ullman Gallery, on the first floor of the North Wing. Rarely-seen works by Philip C. Curtis are on view as part of the exhibition Philip C. Curtis: The New Deal and American Regionalism in the Lewis Galley.






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