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Frac Lorraine presents intersectional group exhibition
Mierle Ukeles, Touch Sanitation Performance, 1979-80. Collection 49 Nord 6 Est - Frac Lorraine. Photo: Robin Holland © R. Feldman Fine Arts, New York.


METZ.- What does it even mean to work today? Achieving social status, keeping busy every day, having a source of income, or perhaps feeling useful? Discover an intersectional group exhibition that puts “invisible” workers in the spotlight: from house cleaners to interns, to artists and cultural actors! The guest curator Virginie Jourdain presents an original interpretation of the working environment from a committed activist and feminist point of view. Let’s take a fresh look at the different types of labor, whether domestic, artistic, or breadwinning, and their social and moral significance.

The exhibition Human Resources addresses the specificities of artists’ work from the point of view of artists themselves. There is no hierarchy among the works or contributions, whether issued from collaborative, horizontal, or solidarity-based practices or inspired by feminist activism and struggle.The projects of guest artists help to blend the question of work and artistic labor with essential reflections on well-being, strategies of survival, ethical modes of production, and inclusive perspectives conducive to rethinking labor.

This bold presentation is accompanied by head-spinning performances, empowerment workshops, and direct debates.

Human Resources is part of the group project Le travail à l’œuvre [Labor at work] carried out by the three FRAC of the Grand Est region.

Human Resources
A word from the curator

Through its artistic and activist contributions, the group exhibition Human Resources reverses the relationships between the center and the periphery of art by exploring that which is systematically marginalized whenever the question of work, a fortiori artistic work, is being raised. In this sense, the feminist analytical framework seems to be particularly relevant to examine the material conditions of production and dissemination of works discriminatory to women and minorities. The intersectional feminist approach allows us to raise awareness about the mechanisms that determine the types of production that tend to be privileged, the dynamics that govern our personal and professional relationships, as well as a diversity of contextual — physical, social, political, etc. — elements that frame and condition either appreciation or depreciation of artistic labor. How can artists reinvent work? Can we imagine an arts center of tomorrow without first challenging institutional norms and operating procedures?

How do we integrate a more global analysis of the value of labor and of the treatment of human resources into our reflection? How can the profession of the artist be a source of inspiration or emancipation? By bringing together the points of view of artists, cultural workers, and/or activists, while refusing to separate personal, familial, professional, artistic, and activist implications of work-related issues, we wish to shed light on the connections between — not always compatible — activities and identities that shape labor, and in particular artistic labor.

The exhibition Human Resources addresses the specificities of artists’ work from the point of view of artists themselves, while also emphasizing the question of invisible, undervalued, and underpaid or nonpaid work more generally. The works and contributions featured in the exhibition thus question the social and moral value of labor. There is no hierarchy among the works or contributions, whether issued from collaborative, horizontal, or solidarity-based practices or inspired by feminist activism and struggle. We also propose to open a broader discussion about work and working conditions through a series of meetings and workshops. The projects of guest artists help to blend the question of work and artistic labor with essential reflections on well-being, strategies of survival, ethical modes of production, and inclusive perspectives conducive to rethinking labor. ---Virginie Jourdain






Today's News

August 16, 2017

Exhibition of 82 portraits and 1 still life by David Hockney on view in Venice

Espace Louis Vuitton Beijing presents exhibition of works by Gerhard Richter

National Gallery in Oslo exhibits works from the Hubert Looser Collection

In Her Majesty's Hands: Medals of Maria Theresa on view at the Kunsthistorisches Museum

Major exhibition on the British artist John Minton on view at Pallant House Gallery

Exhibition is first to offer a view of the various ideals of women in Indian painting

"Art Out of the Bloodlands: A Century of Polish Artists in Britain" on view at Ben Uri Gallery & Museum

Harewood House exhibits 63 works on paper by the Caribbean artist Frank Walter

First Dutch retrospective of leading figure in the Polish avant-garde of the 1960s and '70s on view in Amsterdam

SelgasCano inaugurates their pavillon in Cognac

Frieze Projects at Frieze London 2017: Artists announced

Art Is Comic: A light response to the terrorist attacks in Brussels

Exhibitor line up announced for second annual TEFAF New York Fall

The third edition of Art on Paper to take place from 7 to 10 September at BOZAR

Barcelona to celebrate the third edition of the Barcelona Gallery Weekend

"Annet Couwenberg: From Digital to Damask" shows fiber art through multiple disciplines

Iniva presents an interactive audio site-specific work by artist Ting-Ting Cheng

Contemporary Istanbul announces its preliminary exhibitors list and a week full of art in September

Frac Lorraine presents intersectional group exhibition

Melbourne Art Fair returns with a renewed focus, venue and CEO for August 2018

First museum exhibition in over forty years of works by Phil Dike on view at Laguna Art Museum

La maison rouge presents an exhibition gathering works auround the symbol of knot

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