In the spring of 2017, the James A. Michener Art Museum
presents Charles Sheeler: Fashion, Photography, and Sculptural Form, a groundbreaking exhibition that features never-before-seen photographs by Charles Sheeler, one of Americas most celebrated modernists. Inspired by Sheelers portrait and fashion work for Condé Nast from 1926 to 1931, the multimedia show features a significant display of these newly discovered photographs as well as paintings and other photographs created by Sheeler, 1920s fashion ensembles, and Sheeler-designed textiles. Evoking the exuberance, glamour, and promise of the Jazz Age, the exhibition is on view from March 18 through July 9, 2017.
A Philadelphia native, former Doylestown resident, and Pennsylvania Academy of the Fine Arts alumnus, Charles Sheeler is one of the founding figures of American modernism. In 1910, Sheeler and fellow artist Morton Schamberg searched for a place to retreat from Philadelphia to sketch. They found a creative and inspirational escape in Doylestown, making their home at the historic Worthington House on Mercer Avenue. It was here, a mile and a half from where the Michener Art Museum now stands, that Sheeler began to explore photography in earnest.
Sheelers fashion and portrait photography for Condé Nast, however, has been almost universally dismissed as purely commercial, a painters day job, and nothing more. In reality, this commercial work was instrumental in shaping his aesthetic vision. Trained in an impressionist approach to landscape painting, Sheeler experimented early in his career with compositions inspired by European modernism before developing a linear, hard-edged style now known as Precisionism. While working in this mode, he produced powerful and compelling images of the Machine Age: skyscrapers, factories, and power plants, images that established his reputation as a leading figure in American art. Charles Sheeler: Fashion, Photography, and Sculptural Form will show that his dramatic viewpoints, rhythmic patterning, and abstract compositions were influenced by his work at Condé Nast.
This exhibition will show how Sheelers modernist vision was refined over the course of his time at Condé Nast, said Kirsten M. Jensen, Ph.D., the Gerry & Marguerite Lenfest Chief Curator at the Michener Art Museum and curator of the exhibition. It was while there he fine-tuned his particular styleobjective, distant, and rigorously formalthat he then applied to all of his subsequent work.
The core of the exhibition is 85 portraits and fashion photographs from this period, on loan from the Condé Nast archives. Models adorned in jewels and couture gowns, literary giants of the era, and Broadway actors and Ziegfeld Follies dancers: the subject matter is as sensational as the Jazz Age itself. The exhibition also features select prints from Sheelers famous Doylestown House series as well as his photographs of modern sculpture and early portraiture, the film Manhatta (a collaboration with Paul Strand), period costumes on loan from the collections of the Museum of the City of New York and Drexel Universitys Robert and Penny Fox Historic Costume Collection, and paintings and photographs on loan from the Metropolitan Museum of Art, Whitney Museum of American Art, Columbus Museum of Art, Yale University Art Gallery, Princeton University Art Museum, Philadelphia Museum of Art, and other major institutions.
The Michener Art Museum is an especially relevant venue for Charles Sheeler: Fashion, Photography, and Sculptural Form considering Sheelers strong ties to the region, said Lisa Tremper Hanover, director and CEO of the Michener Art Museum. Were thrilled to present this unknown body of work in Doylestown, where Sheeler made his first important photographs.