LONDON.- Cortesi Gallery
London is presenting a selection of works by Gianfranco Pardi (Milan, 19332012), which marks the first-ever solo exhibition in the UK dedicated to this important Italian artist, whose works have been previously displayed in 1982 in a group show at Hayward Gallery, London (Arte italiana, 19601982).
The exhibition features works from Pardis Giardino Pensile made in 1968 to his artistic production during the 1980s and complements a previous exhibition held at Cortesi Gallery in Lugano in early 2016 (Gianfranco Pardi. Opere 19681982. Architetture, Poeticamente, curated by Bruno Corà).
Pardis artistic research, from its beginning to its very end, offers a continuous survey of space and its representation. By way of rigorous planning, Pardi integrates the techniques of painting, drawing and sculpture to reveal the dynamics and relationships of form and matter. This process was fundamental to his research, to his architectural studies and to his reinterpretation of the historical avant-garde, such as Abstractionism, Suprematism, Constructivism and Dutch Neoplasticism.
The surfaces of Pardis works on canvas became the stage on which the geometric design, the diagrams of space, and the patterns of forces, stresses, and tensions through which he conceived the infinite constructive and structuring relationships of the work would be played out; not for the purpose of realising the imaginary building, but rather, to explore how painting can grant an image the architectural thought process, the poeticism of inhabiting space. (Bruno Corà, Gianfranco Pardi. Opere 19681982. Architetture, Poeticamente, Mousse Publishing, 2016).
In 1967, Pardi began his collaboration with Studio Marconi in Milan, presenting his new artistic production. From this year onward, his reflections on architecture were revealed. Giardino Pensile (Roof Garden), 1968, is emblematic in this sense, focusing on simultaneously defined and imaginary spaces, biomorphic structures, the merging of architectural constructions and natural environments, and details of a vision that is more pictorial than real.
In the early 1970s, Pardis investigations focused on the series, Architettura (Architecture). In addition to colour, steel bars and metal surfaces also made their appearance on the canvas, marking a transgression of the boundaries between painting and sculpture.
Sistema (System), 1976, attempts to analyse the representation of a constructed system in relation to the specificities of drawing, painting and sculpture. It comprises a pentagon inscribed in a circle and divided into three parts: a relief in wood, a painted canvas that reveals the traces of the geometric construction, and a sculpture that follows the construction of the pentagon.
To complement the exhibition, a selection of works from the 1980s are also being shown. These include Diagonale (Diagonal), acrylic on canvas, 1982, Casa (House), 1981, and Cinema 02/1 (Cinema), mixed media on paper laid on canvas, 1987.
The exhibition has been organised in collaboration with the Fondazione Marconi and the Associazione Culturale Gianfranco Pardi - Archivio Gianfranco Pardi, both based in Milan. It will be accompanied by a catalogue by Bruno Corà: Gianfranco Pardi. Opere 19681982. Architetture Poeticamente, Mousse Publishing, 2016, and produced on the occasion of the show at Cortesi Gallery Lugano in 2016.
Gianfranco Pardi was born in 1933 in Milan. In 1959, he held his first solo exhibition in Brescia, at Galleria Alberti, and the following year, his work was presented by Galleria Colonna in Milan, and has since gone on to be exhibited in museums, galleries and biennials around the world. In 1986, Pardi participated in a solo exhibition at the Venice Biennale, the Milan Triennale and the Rome Quadriennale. In 1998, the Palazzo Reale in Milan housed a solo exhibition of his works. In 1999 a series of major exhibitions were organised in Germany at the Kunstverein in Frankfurt, the Kunstmuseum in Bochum, and the Kulturhistorisches Museum in Stralsund. Over the course of his career, Pardi produced numerous sculptures for both public and private spaces, and his work also forms part of several public collections. Pardi died in Milan in 2012. In October 2013, the Associazione Culturale Gianfranco Pardi was founded in the artists memory, with the aim of promoting awareness of his life and oeuvre.