The First Art Newspaper on the Net   Established in 1996 United States Thursday, July 18, 2019

Archaeological finds provide a vivid picture of everyday life in the Bronze Age
Bronze Age Wheel at Must Farm one metre in diameter, with hub clearly visible.. © Cambridge Archaeological Unit (CAU), photo Dave Webb.

CAMBRIDGE.- Archaeologists have made remarkable discoveries about everyday life in the Bronze Age during their ten-month excavation of 3,000-year-old circular wooden houses at Must Farm in Cambridgeshire, a site that has been described as the 'Pompeii of the fens'.

Believed to be the best-preserved Bronze Age dwellings ever found in Britain, the houses were destroyed by a fire that caused the settlement, which was built on stilts, to collapse into the shallow river beneath. The soft river silt encapsulated the remains of the charred dwellings and their contents, which survive in extraordinary detail.

The range and quality of the many finds have astonished members of Cambridge Archaeological Unit and colleagues at the McDonald Institute for Archaeological Research, Division of Archaeology. The fire is thought to have happened soon after the construction of the roundhouses.

“The excellent preservation of the site is due to deposition in a water-logged environment, the exclusion of air and the lack of disturbance to the site. The timber and artefacts fell into a partly infilled river channel where they were later buried by more than two metres of peat and silt,” said Professor Charles French from the Division of Archaeology. “Surface charring of the wood and other materials also helped to preserve them.”

Now the excavation is coming to an end, archaeologists are able to build a near complete picture of domestic life in a Bronze Age house: where activities happened, what the roof was made of, what people were wearing, and how their clothes were produced. The materials found provide evidence of farming, crafts and building technologies.

The site has revealed the largest collections in Britain of Bronze Age textiles, beads, domestic wooden artefacts (including buckets, platters, troughs, shafts and handles) and domestic metalwork (axes, sickles, hammers, spears, gouges, razors, knives and awls). It has also yielded a wide range of household items; among them are several complete ‘sets’ of storage jars, cups and bowls, some with grain and food residues still inside. Most of the pots are unbroken and are made in the same style; this too is unprecedented.

“Perhaps uniquely, we are seeing the whole repertoire of living at Must Farm – from food procurement to cooking, eating and waste and the construction and shaping of building materials,” said Professor French. “We see the full tool and weapons kits – not just items that had been lost, thrown away or deposited in an act of veneration – all in one place.”

Finds of textiles and fibres illuminate the stages of textile production, and include hanks of prepared fibre, thread wound on wooden sticks or into balls, and finished fabrics of various qualities. “The outstanding level of preservation means that we can use methods, such as scanning electron microscopy which magnifies more than 10,000 times, to look in detail at the fibre content and structure,” said Dr Margarita Gleba, an archaeologist specialising in textiles.

“All the textiles appear to have been made from plant fibres. The people at Must Farm used cultivated species, such as flax, as well as wild plants, such as nettle and perhaps trees, to obtain raw materials. Flax provided the finest fibres and was used to weave fine linen fabrics on a loom. The linen textiles found at Must Farm are among the finest from Bronze Age Europe. Wild fibres appear to have been used for coarser fabrics made in a different technique, known as twining.”

Two rare well-preserved Bronze Age tripartite wheels have been found on site. These attest to a world beyond the river and to the ongoing relationship between the wetland settlement and the adjacent managed and cultivated dry land. Despite the site’s situation in a wetland, the majority of the surviving material speaks of an economy based on dry land.

Several undergraduates on Cambridge’s archaeology course have had the chance to assist with the dig, working alongside Cambridge Archaeological Unit to gain first-hand experience of a water-logged site. Professor French said: “Four of our students were able to experience the challenge of digging organic remains in a matrix of organic silt – and dealing with the three-dimensional structures of the collapsed dwellings which require a particular way of thinking.”

Visits to the site by more than 2,000 members of the public have been led by Selina Davenport of Cambridge Archaeological Unit. “One of the things that people find most fascinating is the way in which the site questions the long-held view about life in the fens during the Bronze Age that communities used the resources of the watery environment but lived on dry land,” she said.

“The finds at Must Farm reveal that some communities were living right in the heart of the fen – and that these people were connected to others by an active thoroughfare which linked them to the rest of Britain and to the North Sea.”

The excavation is funded by Historic England and building products supplier Forterra. The work on the site has been carried out by the Cambridge Archaeological Unit. Further work on the finds is taking place at the McDonald Institute, Division of Archaeology, and other centres.

Stuffocation in the Bronze Age
David Gibson, Archaeological Manager at the Cambridge Archaeological Unit, Division of Archaeology, University of Cambridge, said that the exceptional site of Must Farm gives a picture, in exquisite detail, of everyday life in the Bronze Age.

He said: "Domestic activity within structures is demonstrated from clothing to household objects, to furniture and diet. These dwellings have it all, the complete set, it’s a 'full house'. 'Stuffocation', very much in vogue in today’s 21st century, may, given the sheer quantity of finds from the houses at Must Farm, have been a much earlier problem then we’d ever imagined.”

What did people wear 3,000 years ago?
The community living in these roundhouses were making their own high quality textiles, like linen. Some of the woven linen fabrics are made with threads as thin as the diameter of a course human hair and are among the finest Bronze Age examples found in Europe.

Other fabrics and fibres found include balls of thread, twining, bundles of plant fibres and loom weights which were used to weave threads together. Textiles were common in the Bronze Age but it is very rare for them to survive today.

What did they eat?
Wild animal remains found in rubbish dumps outside the houses, show they were eating wild boar, red deer and freshwater fish such as pike. Inside the houses, the remains of young lambs and calves have been found, revealing a mixed diet. While it is common for Late Bronze Age settlements to include farm domestic animals, it is rare to find wild animals being an equally important part of their diet. Plants and cereals were also an important part of the Bronze Age diet and the charred remains of porridge type foods, emmer wheat and barley grains have been found preserved in amazing detail, sometimes still inside the bowls they were served in.

What household goods did they have?
Each of the houses was fully equipped with pots of different sizes, wooden buckets and platters, metal tools, saddle querns (stone tools for grinding grains), weapons, textiles, loom weights and glass beads. These finds suggest a materialism and sophistication never before seen in a British Bronze Age settlement. Even 3,000 years ago people seemed to have a lot of stuff.

Many of these objects are relatively pristine suggesting that they had only been used for a very short time before the settlement was engulfed by fire.

What did Bronze Age houses look like?
At least five houses have been found at the Must Farm settlement, each one built very closely together for a small community of people. Every house seems to have been planned in the same way, with an area for storing meat and another area for cooking or preparing food.

The roundhouses were built on stilts above a small river. The conical roofs were built of long wooden rafters covered in turf, clay and thatch. The floors and walls were made of wickerwork, held firmly in place by the wooden frame.

What were they trading in?
Some 18 pale green and turquoise glass beads have been found which analysis has shown were probably made in the Mediterranean basin or the Middle East.

The Q&A above is taken from a Historic England press release.

Today's News

July 17, 2016

Archaeological finds provide a vivid picture of everyday life in the Bronze Age

UNESCO world heritage meeting in Istanbul suspended: official

SFMOMA to honor artist Christian Marclay

Iran police deny banning sculptor from leaving country

Historic Russian ship returns to mooring after refit

World's first exhibition on the history and spread of Christian art in Asia on view in Singapore

Sisters are doin' it for themselves: Women artists win the 2016 Archibald, Wynne and Sulman Prizes

2016 RIBA Stirling Prize shortlist announced for the UK's best new building

Detroit Institute of Arts releases emoji guide to the collection to celebrate World Emoji Day

Duncan Martin debuts National Parks paintings at Schoodic Institute

Group exhibition that explores modes of abstraction in recent Chinese painting opens at White Cube

The Dayton Art Institute presents summer suite of water focused special exhibitions

The Pursuit of Happiness: Austrian conceptual artist Dieter N. Buchhart exhibits at Y Gallery

Exploring illusionary nature in Wave Hill's Sunroom Project Space

Delaware Art Museum opens exhibition of African American art

Curatorial team for the Malta Pavilion at the Venice Biennale 2017 announced

Solo-exhibition by Mike Meiré on view at Bartha Contemporary

Hosfelt Gallery presents new paintings by Algerian painter Driss Ouadahi

Exhibition of an installation by Alexis Smith with Amy Gerstler on view at Honor Fraser Gallery

Contemporary positions from Albania and Kosovo on view at Ludwig Museum Budapest

I Beam U Channel: Group exhibition on view at Bortolami

British Library partners with Google to help small businesses make an impact online

Contemporary stairwell installation by Lothar Götz on view at Pallant House Gallery

Long Beach Museum of Art opens new exhibition "Vitality and Verve: In the Third Dimension"

Most Popular Last Seven Days

1.- Original 'Star Wars' creators lift lid on special effects challenges

2.- Lost '$170 million Caravaggio' snapped up before French auction

3.- Mansell's 'Red Five' on pole for Bonhams sale

4.- Impressionism's 'forgotten woman' shines in new Paris show

5.- Sotheby's to auction the best-surviving NASA videotape recordings of the Apollo 11 Moon Landing

6.- Exhibition explores Dutch and Spanish painting of the 16th and 17th centuries

7.- Cyprus discovers 'first undisturbed Roman shipwreck'

8.- Sotheby's unveils 'Treasures from Chatsworth' with Leonardo Da Vinci drawing, Lucian Freud portraits, and more

9.- Infamous botched art restoration in Spain gets makeover

10.- 1958 Gibson Flying V Korina played by Dave Davies to grab center stage in Heritage Auctions' sale

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful