Shelley Falconer, President and CEO of the Art Gallery of Hamilton
today announced that the Government of Hungary has purchased the painting Christ Before Pilate by Mihály Munkácsy (1844-1900), one of Hungarys most venerated artists, for US$5.7 million. The sale, which is about to close, is the culmination of a series of talks initiated by representatives of the Hungarian government here in Canada and abroad over the past several years.
The work is one of three paintings in Munkácsys Passion Trilogy, which is arguably Hungarys most important historical work of art and is of singular importanceartistically and culturallyto the country.
The three paintings in Munkácsys Passion Trilogy were exhibited at the Déri Muzeum in a purpose-built gallery until July 2014. The Trilogy was visited by tens of thousands each year, and remains an important field trip for Hungarian school children. The Déri Muzeum has also undertaken needed conservation work on the 134-year-old painting.
Since the Art Gallery of Hamilton was established more than 100 years ago, it has developed one of the finest permanent collections in Canada, said Charles Criminisi, Chair, AGH Board of Directors. The decision to part with a work from the Gallerys permanent collection, particularly one of the stature of Christ Before Pilate, was a difficult one for the board. We believe that Christ Before Pilate belongs in the Déri Muzeum where it can be permanently displayed as Munkácsy intended, in the context of the Passion Trilogy.
The massive painting, which measures approximately 417 cm by 636 cm (14 feet by 21 feet) and weighs 500 pounds, was donated to the AGH in 2002 by Joey and Toby Tanenbaum as part of their major gift of 19th-century European art works.
Toby and I are delighted that the Government of Hungary has purchased Christ Before Pilate from the Art Gallery of Hamilton, said Joey Tanenbaum. This painting is revered as a national treasure and we are very pleased that it will continue to be enjoyed by the people of Hungary.
The AGH followed a generous precedent set by the Tanenbaums by agreeing to loan the work for two extended periods from December 2002 to 2007 and again from July 2009 to July 2014 to the Déri Muzeum in Debrecen, Hungary. The painting was exhibited at the AGH in 2008.
Museums bring meaning to an object by surrounding it with others of complementary subjects to create a context that is critical for the understanding of a given work, said Shelley Falconer. The AGH 19th-century collection is rich in realist painting, portraits and narrative salon pictures of a different kind. Without other religious works with which to surround it, Christ Before Pilate is difficult to understand and loses much of its impact. At the Déri Muzeum, the painting will once again be presented as part of the trilogy originally devised by the artist. We are delighted that this truly important painting will be presented in context and on permanent exhibition.
The Art Gallery of Hamilton is a member of the Canadian Art Museum Directors Association (CAMDO). The sale of Christ Before Pilate has been completed in strict compliance with the CAMDO Guidelines for De-Accessioning which are part of the organizations Ethics and Professional Practice standards. Prior to the completion of the sale the AGH contacted the members of CAMDO, who represent the major art museums across Canada, to offer the work for sale. No offers were received.
According to these Guidelines, funds received from the de-accession of a work from an art museum permanent collection cannot be applied to operating costs and must be used for acquisitions or for the benefit of the collection. The use of the funds must be approved by the AGH Board of Directors in conjunction with the President and CEO.
The AGH will continue to follow the ethical practices set out in the CAMDO Guidelines for DeAccessioning, said Charles Criminisi. We will apply the funds we received from the sale to acquisitions and the care, conservation and benefit of the AGH permanent collection.
Everyone needs to understand that we cannot use this money for operations or programming. We still very much need the support of our funders and donors, AGH Members, the greater Hamilton community, and our visitors from far and wide to ensure that the AGH remains the vital creative learning centre that it is today.