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Rijksmuseum opens exhibition of fourteen monumental sculptures by Alexander Calder
Alexander Calder, Jerusalem Stabile. Calder Foundation, New York. Donation of the Philip & Muriel Berman Foundation, 2005 © 2014 Calder Foundation, New York / Artists Rights Society, New York. Photo: Olivier Middendorp.

AMSTERDAM.- This summer, fourteen monumental sculptures by Alexander Calder (1898-1976) are taking over the Rijksmuseum ’s 'outdoor gallery' for the largest freely accessible outdoor exhibition of his work to date.

Calder (1898-1976) is undoubtedly one of the most celebrated inventors of modern sculpture. His cut-out and colorful abstract objects that move in the air or rest firmly on the ground can be found throughout the world, whether in museums or in gardens and public plazas, ranking him among the first and most prolific sculptors of large-scale outdoor works. This show of his monumental sculptures in the gardens of the Rijksmuseum creates a fascinating landscape of stately abstract forms.

Guest curator Alfred Pacquement, former director of Musée National d’Art Moderne Centre Pompidou in Paris, has selected mobiles, stabiles, and standing mobiles by Calder from major museums and private collections.

This exhibition is the second in a series of annual international sculpture displays, which will be presented in the Rijksmuseum’s gardens over the next four years, made possible with funding from the BankGiro Loterij and the Terra Foundation for American Art.

Till 5 October Calder at the Rijksmuseum features works from public and private collections including the Calder Foundation, New York | Pierre Giannada, Martigny | Musée National d’Art Moderne Centre Pompidou, Paris | Middelheim Museum, Antwerp and the UNESCO Works of Art Collection.

The Rijksmuseum gardens are open daily from 9 am – 6 pm.

Calder was not always an abstract sculptor. Born in America into a family of artists, he lived and worked in the United States and France where he had several studios throughout his life. His first works were delicate figures in steel wire where the artist showed an amazing skill in his use of the material: Calder at that time designed toys, animals, and three-dimensional portraits of his friends, and he articulated characters of a miniature circus, which he presented in public performances with great success.

His visit to Mondrian’s studio in Paris in 1930 had a major impact on his art and as a consequence he turned to abstraction. Soon abandoning painting, Calder developed the ambition to create moving coloured shapes: after some experiments with a motor, he started creating light structures suspended from the ceiling and set in motion through a breath of air. In 1931, it was Marcel Duchamp who applied the term mobiles to his kinetic works, which, for almost the first time in art history, formalized real movement in sculpture. The precarious balance of the shapes, like leaves on the branches of a tree, shows a very special talent, helped by his training as an engineer.

The development in scale of his works led him to invent a parallel category, the stabiles - a term introduced by Jean Arp in 1932 - where large sheets of generally black metal are assembled to create dynamic structures, sometimes in very large dimensions, to which Calder devoted himself from the 1950s onward. In some cases a mobile structure made up with abstract shapes sways at the top of the sculpture, creating so-called standing mobiles. Those two families of sculptures, lent by major museums and private collections, as well as by the Calder Foundation in New York, will find a perfect setting in the urban green space, between the permanent classic sculpture collection of the Rijksmuseum and architect Cuypers’ neo-gothic museum building.

In addition, four Calder sculptures have been installed inside the museum, allowing visitors to explore the relationship of Calder’s monumental outdoor sculpture to indoor works, including the mobiles for which he is best known.

Calder in the Rijksmuseum gardens features works from public and private collections including the Calder Foundation, New York | Pierre Giannada, Martigny | Musée National d’Art Moderne Centre Pompidou, Paris | Middelheim Museum, Antwerp and the UNESCO Works of Art Collection.

A catalogue of the exhibition is available at the garden pavilion or museum shop

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