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"Heavenly Horses: Two Thousand Years of Chinese and Japanese Equine Art" opens at the Bowers Museum
The horse was embraced as companion and participant in leisure and recreational activities including polo, horse “dancing,” and hunting.
SANTA ANA, CA.- The Bowers Museum presents its latest exhibition of “Heavenly Horses: Two Thousand Years of Chinese and Japanese Equine Art.” During this Year of the Horse, Bowers celebrates these animals that continue to fascinate and inspire people around the world.

The horse’s impact on both Chinese and Japanese culture cannot be overstated. They shepherded goods, people and ideas across the expansive and varied climates of a continent during the height of the Silk Roads. They were indispensable as military chargers and aided in the expansion and control of empires.

The horse was embraced as companion and participant in leisure and recreational activities including polo, horse “dancing,” and hunting. Horses also figure prominently in the mythology, philosophy, religion, and folklore of both China and Japan.

“Heavenly Horses: Two Thousand Years of Chinese and Japanese Equine Art” will be on display at the Bowers Museum through November 16, 2014.

The Chinese quest for bigger, better, and faster horses required immense resources, and breeders continually refined their stocks. The prized “heavenly horses” were large, powerful specimens sought from the Fergana region of Central Asia. Legend states that these horses could fly and would sweat blood (likely caused by parasitic nematodes that lived just under their skin).

Most of the earliest representations of horses from China are pottery, stone, or bronze sculptures found in the graves of the elite and intended to accompany the deceased into the afterlife. Later, horse painting became a major genre in and of itself. Through trade and human exploration, horses made their way from the Asian mainland to Japan by way of the Korean peninsula. Early evidence of the importance of horses in Japanese life includes superb bronze trappings and haniwa (cylindrical clay sculptures) in the shape of horses that were placed within or around the great imperial tomb mounds. With the rise of the samurai, the horse became firmly established as an indispensable component of Japanese warfare as well as a lasting symbol of refinement and power.






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