The First Art Newspaper on the Net Established in 1996 United States Thursday, December 25, 2014


Exhibition of works by Martin Disler opens at MACT/CACT Contemporary Art in Canton Ticino
Martin Disler (1949-1996), Lighthouse 1994. Copyright Irene Grundel, Grenaa (DK). Ph SIK-ISEA, Zürich. Courtesy Galerie Buchmann Agra/Lugano.

By: Mario Casanova, translation: Pete Kercher]

BELLINZONA.- On 24 September 1994, the official opening of MACT/CACT Contemporary Art in Canton Ticino coincided with the first personal show held by Martin Disler (1949-1996) in Ticino, curated by Mario Casanova. The exhibition featured mural paintings housed in our own premises and a series of bronze sculptures entitled Häutung und Tanz (Skinning and Dance, 1990-1991), in the appreciable setting designed by the architect Aurelio Galfetti in Castelgrande. This exhibition marked the début of a permanent presence in Ticino for a different approach to contemporary art, capable of connecting in particular to the rest of Switzerland and indeed the rest of the world.

Twenty years after that milestone event, it was almost incumbent on us to organise another personal show in close partnership with the Martin Disler Estate: not so much a commercially- slanted retrospective as an exhibition that reopens the discussion about the work of this artist whose death was so untimely.

Martin Disler, whose career spanned the period from the late seventies to the mid-nineties, constituted a voice from Switzerland on the international art scene, a vital presence when it came to reviving painting styles based on an analytical-expressionist matrix. Working at the same time as the Italian phenomenon of the Transavanguardia and Germany’s Neue Wilden , Martin Disler was always one of the most eclectic, yet original, personalities on the scene, not so much because of his style, which was reminiscent of the CO.BR.A movement and the whole Brut tradition, as for his ability to combine the finished language of painting with the endless depths of Nordic culture and his personal existential experience. Hence Disler’s need to experiment and to question the forms of painting repeatedly, along with other issues, such as writing.

Self-taught, Disler based his learning on his experience with life, which was rooted in the obscure psychological consequences of a century, the twentieth, that had been devastated by political ideologies, by two world wars, by psychoanalysis and by the ruthless dictatorship of money. As a result, he prioritised the human being and all his contradictions in his studies. Disler analysed man from a great many standpoints – historical, anthropological and analytical – verging on a few intense issues, balanced on a knife-edge between the refined culture of sentiments and a society based on passions, between love and war, between man’s essence, his survival and his vanities. Rather like in a case of automatic writing, Disler’s painting follows his thinking and his total involvement; it is totalitarian in the means of his strong and in some ways bulky presence: man, woman, Eros and Thanatos, plus the third one, when three is a crowd, in this case representing infinity and instability of affections and existence.

On this layering of psychological perceptions, where the body can only be a mean emanation and at the same time a scion, Martin Disler drew and painted all his troubled existence, something of a prison among archetypes, from which he was trying to escape, the better to find a free vision going “beyond the possible”. His bodies, poised in a fragile equilibrium between human sentiment and animal torment, are psycho-geographies, magmatic morphologies that verge on becoming carnal symbols, yet unisexual in their fusion, a fusion both reciprocal and with the world: something of a revisitation of the aesthetics of the three dimensions.

This exhibition focuses exclusively on large-format paintings executed in 1994 and 1995 – so after Disler’s first exhibition in Bellinzona – and two works dated 1992, placed in a narrative in which the dramatic impact of their scale and the existential issues dear to the artist’s heart trace something of a Via Dolorosa of the human condition and its inexorable irreversibility.

One documentary film will also be screened during the exhibition for didactic purposes.





Today's News

April 29, 2014

Birth of a Museum: Louvre Abu Dhabi unveils the best of its new collection in Paris

Bonhams to offer Henry Moore sculpture formerly in collection of Lauren Bacall

Thomas Moran's "The Grand Canyon of the Colorado" to be offered in Christie's May Sale of American Art

Treasures of the Jewish Ghetto of Venice on view at the Belvedere in Vienna

"Blow-Up: Antonioni's film classic and photography" opens at the Albertina in Vienna

Julien's Auctions announces Summer Street Art Auction featuring more Banksy murals

The Golden Room of the Mauritshuis museum in The Hague restored in collaboration with Shell

Pablo Picasso's Guernica used as backdrop to dance performance by Josue Ullate

Shooting the moon in the eye: Group exhibition opens at Carl Solway Gallery in Cincinnati

MOBIA to bring monumental sculptures from Duomo in Florence to U.S. for the first time

Gap announces an innovative outdoor concept in partnership with Frieze New York and London

Apollo 15 Lunar Surface artifacts featured in upcoming Aviation and Space auction

New Element: The gift of Umar Dzhabrailov to the Moscow Museum of Modern Art

Works by Zachary Cahill on view at the Museum of Contemporary Art, Chicago

Buoyant sales and international collectors at a busy 29th London Original Print Fair

The Culture Diary launches today: The essential, free tool for organisers of UK culutral events

Penny Bank Auction showcases the Andy and Susan Moore reference book still bank collection

Strong results as Bonhams Stafford Sale of vintage and collectors' motorcycles makes over £ 2 million

Chen Wei's first solo exhibition in the UK opens at Ben Brown Fine Arts

Rare 17th century Chinese wall hanging headlines at Dreweatts & Bloomsbury Auctions

LeRoy Neiman original artwork, historic Sandy Koufax baseballs headline Heritage Sports Auction

Exhibition of works by Martin Disler opens at MACT/CACT Contemporary Art in Canton Ticino

Most Popular Last Seven Days



1.- Colossal statue of Amenhotep III unveiled on the west bank of the Nile in Egypt

2.- British royals crown New York visit with gala dinner

3.- Missing artwork rediscovered in "Stuart Little" sells for over 200,000 euros at auction

4.- Rossetti's Venus Verticordia soars at Sotheby's in London to sell for £2.88 million

5.- Russian magnate buys, then returns Nobel prize to American geneticist James Watson

6.- Egyptian Museum unveils four newly renovated halls of the famed Tutankhamun gallery

7.- 'The Secret of Dresden: From Rembrandt to Canaletto' on view at the Groninger Museum

8.- Cooper Hewitt Smithsonian Design Museum reopens after three-year renovation

9.- More than 200 queries about works by possible heirs received on Nazi-era art hoard

10.- Attorney, artist and filmmaker reflects on the seven lessons learned at 2014 Art Basel Miami Beach



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher: Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez - Marketing: Carla Gutiérrez
Special Contributor: Liz Gangemi - Special Advisor: Carlos Amador
Contributing Editor: Carolina Farias

Royalville Communications, Inc
produces:

ignaciovillarreal.org theavemaria.org juncodelavega.org facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site