SANTA MONICA, CA.- The Frank Lloyd Gallery
announces the opening of an exhibition of late works bt Craig Kauffman. Produced between 2001 through 2009, these wall relief paintings represent the artists lifelong investigation into translucent color and its perceptual effects. The works pulse with thinly applied layers of iridescent paint, achieving a glowing, atmospheric quality that illustrates Kauffmans enduring interest in light and perception.
Kauffman himself took a firm position regarding his chosen materials, writing in his statement for A New Aesthetic, 1967 that: I didnt start out with the idea of an industrial aesthetic. I believe the artists strength lies not primarily in his intellect, but in his sensibility turned into intelligence. I began working in plastic with an idea of form it is true, but my principal impetus was a passion for a kind of color, a kind of light, a sensual response to material. This responsiveness to material and sensitivity to color relationships characterizes Kauffmans oeuvre. The late works on display achieve their lush presence through the artists integration of spray-painted color and form.
Craig Kauffman (19322010) was a major Los Angeles artist whose work has been exhibited in the U.S. and abroad since 1951. Kauffman remained an active and enthusiastically received painter who was equally well recognized for his history of adventurous engagement with new materials. He is one of the most prominent and influential artists to have come out of Los Angeles, having shown with Felix Landau Gallery in the 1950s and later at Ferus during the 1960s.
Kauffmans work has been included in a number of important historical exhibitions, including A New Aesthetic (Washington Gallery of Modern Art, Washington D.C., 1967); The First Show: Paintings and Sculpture from Eight Collections 1940-1980 (Museum of Contemporary Art, Los Angeles, 1983); and Sunshine and Noir: Art in L.A. 1960-1997 (Louisiana Museum, Denmark, Kunstmuseum Wolfsburg, and Armand Hammer Museum, Los Angeles, 1997-1998). More recently, Kauffmans work was presented in Time & Place: Los Angeles 1957-1968 (Moderna Museet, Stockholm, 2008-2009); Primary Atmospheres: Works from California 1960-1970 (David Zwirner Gallery, New York, 2010); Phenomenal: California Light, Space, Surface (Museum of Contemporary Art, San Diego, 2011); and Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970 (J. Paul Getty Museum, Los Angeles, 2011).