NEW YORK, NY.-
For their presentation Museum as Hub: Report on the Construction of a Spaceship Module, tranzit transformed the Fifth Floor gallery of the New Museum
into the simulated interior of a spaceship. The spacecraft, specially designed for the exhibition Report on the Construction of a Spaceship Module at the New Museum, is a composite of shuttles featured in Eastern European science-fiction films from the Cold War period. In its structure and design, it recalls future fantasies from the socialist Eastern Europe side of the Iron Curtain and explores the ideological role outer space played during this time. On view in and around the spacecraft are 117 artworks, including video, sculpture, print, and installation, by artists hailing from cities around Eastern Europe, notably Vienna, Prague, Budapest, Bucharest, and Bratislava, all of whom tranzit has worked with previously. The exhibition offers an allegory of anthropological science fiction, where the exhibition space becomes an estranged and exciting universe that dramatizes the cross-cultural translation involved in the presentation of art. The unique model evokes the challenges that contemporary artists experience in exhibiting works, or that curators come across in organizing exhibitions that stitch together diverse art, selected across generation, cultural context, personal narratives, and time.
The exhibition is on view from January 22April 6, 2014. The project is curated by tranzit and organized by Lauren Cornell, Curator, 2015 Triennial, Museum as Hub, and Digital Projects. In conjunction with the exhibition, the New Museum presents a publication including contributions by Lauren Cornell, tranzit, Miklós Erdéley, and Stano Filko, as well as an original science-fiction short story, extensive information on all participating artists, and a guide to the public programs. The publication is free and available in the gallery and was edited by Taraneh Fazeli, Education Associate.
As an organization, tranzit consists of a network of autonomous but interconnected groups based in Austria, the Czech Republic, Hungary, Romania, and Slovakia. Much like the Museum as Hub (the New Museums international partnership initiative through which the exhibition is produced), tranzit organizations actively collaborate with each other to produce art historical research, exhibitions, and new commissions. The work included forms a loose and actively debated retrospective of their ten-year institutional history, providing a look at art from Eastern Europe through the lens of their organization The installation includes works by sixty-five artists including Babi Badalov, Josef Dabernig, Miklós Erdély, Tamás Király, Eva Koťátková, Jiří Kovanda, Július Koller, KwieKulik, Denisa Lehocká, Lia Perjovschi, and Société Réaliste, among many others. About the ambitious three-month project, tranzit writes, We hope for the exhibition to make the facts of time relativity, cultural translation, and spatial distance not only explained by curatorial conventions (texts, wall labels) but also performed by the visitors as they move inside the space and experience it as explorers, interested and disoriented by the new terrain theyre discovering.