On Wednesday, October 30, the Queens Museum
inaugurated its newly expanded 105,000 sq. ft. home with a ribbon-cutting ceremony and tour of its new galleries, atrium, public events spaces, artist studio wing, café, and shop. Mayor Michael R. Bloomberg, Queens Borough President Helen Marshall, City Council Member and Chairman of Cultural Affairs Committee Jimmy Van Bramer, and other local officials, joined Queens Museum Executive Director Tom Finkelpearl, board members, funders, artists and community partners in taking this important institutional achievement. Additionally, while celebrating this seminal moment, the Museum announced a future addition to be completed by 2015, a branch of the Queens Library inside the Queens Museum itself, the first partnership of its kind in the country.
The $69 million Museum expansion project, which broke ground in 2011, includes a new 220-foot long illuminated glass façade and entry plaza on the Grand Central Parkway side of the building, a new entrance and expanded outdoor space on the Flushing Meadows Corona Park side of the building, and a generous skylit atrium in between. The expansion, which gives the museum the entirety of the New York City Building - constructed as the Citys official pavilion for the 1939 Worlds Fair - is designed by Grimshaw. The Museum previously shared the building with the Worlds Fair Ice Rink, and the ceremony was held on the site of the rink, now transformed into a glowing central space with 48 foot ceilings and a series of overhead skylights. The area formerly occupied by the Museums first floor galleries has been transformed into a new artists studio wing houses the recently launched Open A.I.R. artist residency program and the nine international artists in the inaugural class.
At the ribbon-cutting, attended by more than 250 guests, Museum Director Tom Finkelpearl, Board Chair Alan Suna and Board President Peter Meyer focused on the marriage of the new buildings expansive spaces, soaring ceilings and transparent glass facades, and the Museums philosophy of openness. Upcoming shows exemplify the Museums broad range of programming and dedication to the diversity, artistic energy and history of Queens. The opening season includes:
Queens International 2013, the Museums biennial survey of artists living or working in Queens;
Pedro Reyes: The Peoples United Nations (pUN), a playful homage to the fact that United Nations General Assembly met in the building that now houses the Queens Museum from 1946-1950;
Peter Schumann: The Shatterer, the first solo museum exhibition featuring the work of the founder of Bread and Puppet Theatre;
Citizens of the World: Cuba in Queens, vibrant works of contemporary Cuban and diasporic artists; and
New York City Building Time Lapse, 2009-2013: Photographs by Jeff Chien-Hsing Liao, powerful large-scale photographs capturing the construction of the new Queens Museum.
Newly installed long-term displays include:
The Neustadt Collection of Tiffany Glass Shade Garden: Floral Lamps from the Tiffany Studios, featuring colorful works made by the stained glass master in his Corona, Queens studio;
From Watersheds to Faucets: The Marvels of the NYC Water Supply System, a partnership with the NYC Department of Environmental Protection;
The Queens Museums Worlds Fair Collection Visible Storage, featuring more than 900 objects bringing the two Worlds Fairs back to life; and
Panorama of the City of New York, the jewel of the Museums collection and still the largest architectural scale model in the world.
Also in attendance were partners and participants in the Queens Museums innovative programming including:
The New New Yorkers program, a partnership with the Queens Library offering adult immigrants multilingual educational opportunities;
ArtAccess, the museums award-winning art therapy program for adults and children with special needs including a pioneering autism initiative;
Corona Focus, a series aimed at engaging the Corona community;
Queens Teens, a nationally recognized skill building program for teens interested in careers in the arts;
School-based partnerships with public schools throughout Queens;
Social Practice Queens, a Masters of Fine Arts Program piloted with Queens College; and
Open A.I.R., the Museums new international artist residency program.
This expansion project has been funded through a public private partnership including $54 million in government support from the City of New York through the Office of Mayor Michael R. Bloomberg, New York City Department of Cultural Affairs Commissioner Kate D. Levin, Queens Borough President Helen Marshall, and the New York City Council. Funding was also provided by the Assembly and Senate of the State of New York, as well as many generous private supporters, trustees and friends of the Queens Museum.
Seeing the famous New York City Panorama at the Queens Museum is an experience like no other, said Mayor Bloomberg. Ensuring that amazing experiences at great cultural institutions are available to more New Yorkers has been a focus of our Administration. The newly expanded Queens Museum is the latest example of the work weve done to ensure that our vital cultural institutions continue to contribute to our citys creative sector for generations to come.
Todays ceremony is the culmination of a massive undertaking to double the size of this cultural gem, said Queens Borough President Helen Marshall. More room was necessary to provide space for more exhibitions, expanded programs and more visitors. This expansion will attract a new generation of visitors from near and far. The internationally- famous Panorama, a one of a kind diorama of our great city, is only one of the attractions here that make it a must see for tourists and residents alike. I had the privilege of allocating $25 million to this project. It could not have happened, however, without the support of Mayor Michael Bloomberg and all the public and private partners who support and nourish this Museum in a park, located in Americas most diverse county.
On behalf of the Board, the staff and most importantly the myriad communities who energize our institution, we are grateful to everyone who made the new Queens Museum a reality, said Tom Finkelpearl, Executive Director of the Queens Museum. This has been a true public- private partnership with generous contributions from City, Borough, and State government, as well as dedicated and generous trustees and foundations. With their unequaled support we have doubled in size and have given Queens, and the City, a world-class art space in which well present our own unique mix of experimental public programs, innovative shows, and multi-faceted and multi-lingual education programs.
The expansion of the Queens Museum marks a milestone in the advancement of our Citys investment in culture and the arts in our borough, said Council Member Jimmy Van Bramer, Chair of the New York City Councils Cultural Affairs Committee. Todays ceremony lays the foundation for the Queens Museum to attract generations of New Yorkers to its breathtaking new site. By doubling the institutions size through a 50,000 square foot expansion, we enhance the museums ability to provide more artists, including New York Citys growing immigrant population, with an outlet to showcase work that spans across a kaleidoscope of cultures. The Queens Museums' world-class programming finally has a match within its world-class building.
The Queens Museum is one of the Citys most exciting cultural organizations dedicated to connecting New Yorkers from all walks of life with an extraordinary range of programs and exhibitions, said Cultural Affairs Commissioner Kate D. Levin. This expansion project helps the Museum fulfill its potential as a destination for artists and visitors from across the five boroughs and around the world.
The Queens Museum expansion is a product of Mayor Bloombergs Design + Construction Excellence Program, which recruits world- renowned architects to work for the City. We gave the design team a tough job: to respect the historic Worlds Fair pavilion while greatly expanding it to give the Museum a modern facility. Some of the more notable features of the redesign including a striking, louvered central skylight and updated façades that draw visitors inwere the product of close cooperation among the Museum, the City, and the architects. I commend the Queens Museum, the Department of Cultural Affairs, Ammann & Whitney and Grimshaw Architects, Matthews Nielsen Architects, URS Corporation, and DDCs design and construction teams for their hard work to create this wonderful new facility, said David J. Burney, FAIA, Commissioner of the New York City Department of Design and Construction.