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Shortlist announced: National Portrait Gallery's Taylor Wessing Photographic Portrait Prize 2013
Kumbh Mela Pilgrim - Mamta Dubey and infant by Giles Price, 2013. ©Giles Price.
LONDON.- Four photographers have been shortlisted for this year’s Taylor Wessing Photographic Portrait Prize, the major international photography award. Firmly established as the leading showcase for new talent in portrait photography, the £12,000 prize is sponsored for the sixth time by international law firm Taylor Wessing.

The Taylor Wessing Photographic Portrait Prize 2013 at the National Portrait Gallery will showcase the work of some of the most talented emerging young photographers, alongside that of established professionals, photography students and gifted amateurs. Selected anonymously from an open competition, the diversity of styles reflects the international mix of entrants as well as the range of approaches to the portrait genre, encompassing editorial, advertising and fine art images. The judges have selected 60 portraits for the exhibition from 5,410 submissions entered by 2,435 photographers, an increase of 85 entries on last year. The exhibition will run from 14 November 2013 – 9 February 2014 at the National Portrait Gallery, London.

As well as the four prize winners, the exhibition will feature the John Kobal New Work Award. For the second consecutive year, this will be awarded to a photographer under the age of 30 who work has been selected for the exhibition. The winning photographer will receive a cash prize of £4,000 to include undertaking a commission from the Gallery to photograph a sitter connected with the UK film industry. It will be announced on the 12 November along with the winner.

The Taylor Wessing Photographic Portrait Prize continues the Gallery’s long tradition of championing the very best contemporary portrait photography. The following four photographers have been shortlisted for the Taylor Wessing Photographic Portrait Prize 2013:

Born in Tehran, Iran (02.06.1976), Anoush Abrar has lived in Switzerland since he was five years old. He studied at the University of Arts in Lausanne and has taught for 14 years. His portrait of Kofi Annan, the Ghanaian diplomat who served as the seventh Secretary-General of the United Nations until 2006, was commissioned by ZEIT Magazine and published in March 2013. Abrar had photographed Mr Annan previously and he says he knew that time was of the essence. ‘In my mind it was clear what I wanted to do’, he says, ‘and this portrait took literally three minutes!’

Dorothee Deiss (08.05.1961) lives and works as photographer and pediatric endocrinologist in Berlin. Born 1961 in Münsingen/ Württ, she studied medicine in Freiburg/Breisgau and since then she has been working as a pediatrician. Since 2003 she has studied photography at the Fotografie am Schiffbauerdamm and at the Ostkreuzschule school for photography and design, Berlin. From 2010-13 she studied in the ‘limited residency MFA in Photography’ programme at Hartford Art School, USA, where she received her MFA in August 2013. She is a founding member of Exp12, gallery for photography, Berlin. Her portrait, from her project VisibleInvisible, is of twin sisters she visited in their house. ‘I took a lot of more conventional portraits of them’, she says, ‘but when I found the bathrobe in a corner, perfectly fitting to the bedspread, that was when I knew I had the picture’.

Spencer Murphy (22.09.1978) grew up in Kent and studied at the Kent Institute of Art and Design before gaining a BA in Photography at Falmouth College of Arts. Taken at Kempton Park Racecourse his portrait of Katie Walsh was taken whilst shooting a series of jump jockeys' portraits for Channel Four's The Original Extreme Sport campaign. ‘I set up at the side of the racecourse and pulled in the jockeys as they finished their races, ‘he says, ‘I was keen to include Katie. I wanted to show both her femininity and the toughness of spirit she requires to compete against the best riders in one of the most demanding disciplines in horse racing. I chose to shoot the series on large format film, to give the images a depth and timelessness that I think would have been hard to achieve on a digital camera’. Shortlisted for the Sony World Photography Awards in both 2010 and 2011, Murphy’s work will now have been exhibited as part of the Taylor Wessing Photographic Portrait Prize seven times, and last year his portrait of actor Mark Rylance won him Third Prize.

Hertfordshire-based Giles Price (09.07.1973) has exhibited widely and has been commissioned by several magazines and newspapers. His interest in photography began while on military service. He joined the Royal Marine Commandos at 16 and served in northern Iraq and Kurdistan at the end of the first Gulf War in 1991. After leaving the military due to injuries sustained in Iraq he went on to do a BA in Photographic Studies at University of Derby in 1994-7. His portrait is from a series shot at the 2013 Kumbh Mela Festival in Allahabad India. Taken outside the main hospital in a pop up studio, the portrait shows Mamta who was on a pilgrimage to the Kumbh.

The prizes for the Taylor Wessing Photographic Portrait Prize 2013 and the winner of the second John Kobal New Work Award will be announced at the awards ceremony on Tuesday 12 November 2013 at 7pm. The Press View for the exhibition will be Wednesday 13 November 10.00-12.00. The exhibition opens to the public on Thursday 14 November and will be on display at the National Portrait Gallery, London until 9 February 2013, admission £3.

The competition was judged from original prints by: Sandy Nairne Director, National Portrait Gallery, London (Chair); Kate Bush Head of Barbican Art Galleries; Suki Dhanda Photographer; Tim Eyles Managing Partner, Taylor Wessing; Terence Pepper Head of Photographs Collection, National Portrait Gallery; Rebecca Valentine Photographic Agent.

The John Kobal New Work Award was judged by Simon Crocker, Chairman of the John Kobal Foundation.

Tim Eyles, Managing Partner of international law firm Taylor Wessing, says: ‘It was with excitement and a sense of privilege that I approached the judging for this year’s awards – and all the anticipation was duly fulfilled. There was a mesmerising array of photographic talent on display, capturing a rich diversity of styles, international settings, technical virtuosity and colour. The judging process is passionate and intense and the editing is daunting; wistfully, we had to leave some much-admired works behind. The shortlisted photographers fully deserve our congratulations, the selection of their portraits for show from the thousands submitted is a great testament to their manifest quality.’






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