The First Art Newspaper on the Net Established in 1996 United States Monday, July 28, 2014


Exhibition reflects on the issue of the artistic creation process within a situation of residency
Emmanuelle Quertain, To much cake to swallow, Painting on wall, 2013.
BRUSSELS.- Monika Stricker is a 'Cadavre Exquis', an exquisite corpse. When Monika Stricker wakes up she is not alone.

Monika Stricker is a defiant typeface, subversive through obedience. Monika Stricker is a sound, strong, critical, hard, beautiful and smart.

Monika Stricker is some thing yet unmade to meet the charge. Monika Stricker is in Possession of MONICKER STRICKER.

Monika Stricker didn't refuse, nor did she do what was expected of her, the irreducibility of its nomination

Monika Stricker is an attempt to fruitfully stage the representational value of the figure MONIKA STRICKER in a wider perspective.

Monika Stricker contains a Japanese-ish aspect... though Stricker is not at all (we'd make it Su-to-rikkaa)

Monika Stricker is a gift, too much cake to swallow.

Monika Stricker is not Monika Stricker, Robin Vanbesien, Jutta Zimmermann, G.Küng, Emmanuelle Quertain, Bavo Olbrecht, Cambyse Naddaf, Andre Tehrani, Axelle Stiefel, Egle Budvytyte, Bart Groenendaal, Yuki Okumura, Willem Oorebeek

Named after the young German artist currently in residency at WIELS – Monika Stricker, who is staying at the CAB during this time, the coming exhibition hosted at the CAB, with the commissioning help of WIELS, will reflect on the issue of the artistic creation process within a situation of residency.

How do the collective and individual aspects interact within the common space of an artistic residency? What are the challenges linked to the presence of a group when creating a work of art supposed to embody an intimate and singular form of expression for the artist? How to accept the others and their research as inevitable resources for your own work? The 11 residents of WIELS will try to answer those questions through the MONIKA STRICKER exhibition, opening in September at the CAB.

During the exhibition, the artist Monika Stricker therefore becomes an object, or rather a subject, a substitute to the individual creation of her various co-residents. The MONIKA STRICKER exhibition becomes a place where the experience of residency turns into a confrontation with others. Where the presence of others is a necessity and the initiator of artistic creation.



Today's News

September 4, 2013

For the first time in years, Two Bedrooms reunited at the Van Gogh Museum in Amsterdam

Stories of suffering and salvation: Getty explores saints in the Middle Ages

Pissarro masterpiece from the years that defined Impressionism on offer at Bonhams New York

Mystery human mummy in sarcophagus found in German attic by a 10-year-old boy

Sotheby's to offer two masterpieces from the Collection of Guy and Myriam Ullens de Schooten

The Museum at Bethel Woods opens exhibition of the unseen archive of Columbia Records

Todd Hido's recent body of work "Excerpts from Silver Meadows" on view at Kaune, Posnik, Spohr Gallery

Russia briefly detains 'Vladimir Putin underwear' Museum of Power chief Tatyana Titova

New electronic ePlate credit cards offer exclusive artwork from artists, innovative new channel to collectors

150 artists exercise their talent as art goes underground for Stockholm commuters

Malala, schoolgirl shot in the head by the Taliban, says books can defeat terrorism at UK library opening

Sotheby's to offer calligraphy by Su Shi - One of the most well-known figures in Chinese history

New staff positions and appointments at Stanford University's Cantor Arts Center

Exhibition reflects on the issue of the artistic creation process within a situation of residency

Princeton University Art Museum to install billboard piece by artist Felix Gonzalez-Torres at 12 locations

Powerful women's stories told in Becoming, a solo exhibit in New York

SMU's Pollock Gallery presents photographs from Taos, New Mexico by Deborah Hunter

Four new fall exhibitions at the Addison Gallery explore a wide range of themes

made, unmade a film installation by artist Julie Brook on view at The Wapping Project

The Museum of Fine Arts, Houston, and the Dallas Museum of Art make their first joint acquisition

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