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Simon Denny: The Personal Effects of Kim Dotcom opens at mumok in Vienna
Kim Dotcom’s villa in Coatesville, 30 km northwest of Auckland, is raided by the New Zealand police in January 2012. © Photo: The New Zealand Herald.
VIENNA.- The legal issues around Kim Dotcom’s file-sharing site Megaupload, once one of the most popular platforms for data exchange on the internet, has had unprecedented consequences for international data exchange, international law, and the local media landscape in New Zealand. Following investigations by the FBI and a suit by a US court, Megaupload and Megavideo were closed down in January 2012, according to the indicment “to stop a globally operating criminal organization, whose members were perpetrating large-scale copyright infringements and laundering vast sums of money, with a total damage of more than 500 million US dollars.”

When the New Zealand police raided German-born Dotcom’s Coatsville mansion, arresting him and closing down his file-sharing website, they seized a number of objects in his possession. These included US$175 million dollars in cash, 60 Dell servers, 22 luxury cars, numerous screens, and works of art. The legitimacy of this police operation was later questioned while, in light of the crimes of which Dotcom is accused, there has been much debate about the ownership and transfer of data.

For his exhibtion at the mumok, Simon Denny will assemble a series of objects in a sculptural visualisation of this list. Images, files and company data, from a life-sized Pedator statue to 3 cubic meters of cash, from a luxury „work-bed“ to examples of artwork collected by Dotcom will approximate all 110 items on the list . The result is a large installation that Denny describes as a “collection of copies, rip-offs and imitations of the ‘real’ contraband.” This “will form a tangible focus point for what could be seen as one of the most important legal discussions of the moment— entangled as it is with borders, law, entertainment and what it means to steal, be supervised, and who owns what.”

Simon Denny, who was awarded the Baloise Art Prize at Art Basel Statements in 2012, is interested in the development and contradictions of our thoroughly mediatized society. His installations, objects, and projects focus on the connections between changes in media, commerce, aesthetics, and politics—with their ever repeated and always rapidly obsolete promise of the new.

Simon Denny was born in 1982 in Auckland, New Zealand, and lives in Berlin. In 2004 he graduated from the Elam School of Fine Arts at the University of Auckland, and in 2009 completed his studies at the Staatliche Hochschule für Bildende Künste (Städelschule) in Frankfurt am Main as a Meisterschüler. Since 2004, his work has been shown in international museums, galleries, and other institutions.

Recent exhibitions include All You Need Is Data – The DLD 2012 Conference Redux, Kunstverein Munich (2013), Full Participation, Aspen Art Museum (2012), Channel Document, Michael Lett, Art Statements, Art 43 Basel (2012), Corporate Video Decisions, Friedrich Petzel Gallery, New York, and Michael Lett, Auckland (2011), Negative Headroom: The Broadcast Signal Intrusion Incident, Contemporary Art Museum St. Louis (2010) and Deep Sea Vaudeo, Galerie Buchholz, Cologne (2009). Group exhibitions (selection): Remote Control, Institute of Contemporary Arts, London (2012), So machen wir es, Kunsthaus Bregenz (2011), Based in Berlin, Berlin (2011), Art in the Wake of Television Camp, Kölnischer Kunstverein (2010), and Revolutions: Forms That Turn, Biennale of Sydney (2008).

Simon Denny is presently represented at the 55th Venice Biennale and is nominated for the prestigious German “Nationalgalerie Preis” that will take place in August this year at the Hamburger Bahnhof in Berlin.

In 2012 he was awarded the ars viva-prize and the Baloise Art Prize.



Today's News

July 4, 2013

A record for a Spanish Old Master: El Greco's "Saint Dominic in Prayer" makes $13,876,391

Christie's announces auction of works that celebrate the great modern muse Kate Moss

Inspired by Temptation: Odilon Redon and Saint Anthony at Cantor Arts Center

New multimedia displays at the Louvre show masterpieces of Spanish painting

Bonhams California and Western Art Auction offers views from the Sierras to Skagway

Leslie Hindman Auctioneers to offer the Adell Venus Collection of Miniatures

New exhibition at the Museum of Fine Arts, St. Petersburg celebrates Color Acting

New exhibition featuring rare and exquisite dresses opens at Kensington Palace

Simon Denny: The Personal Effects of Kim Dotcom opens at mumok in Vienna

Cameron Gray's state-of-the-art digital technology on view at Mike Weiss Gallery

Tyler Museum of Art unveils major internationally celebrated Deco Japan exhibition

Kahmann Gallery in Amsterdam presents the work of celebrated American photographer Jock Sturges

"Antonio Lopez and the World of Fashion Art" opens at La Galerie Pfriem at SCAD Lacoste

Parrish Art Museum presents Josephine Meckseper's installations as part of Parrish Platform

Group exhibition at Whitechapel Gallery speculates on alternative futures for society

New works by Vittorio Corsini and Kyung Woo Han on view at Gazelli Art House

MACT/CACT Switzerland opens two concurrent exhibitions that aim to penetrate one another

Ana Cristea Gallery opens exhibition of works by James Viscardi

In the Absence of: Anna Landa opens exhibition at Christopher Henry Gallery

Yard Sale: A group show with a little bit of everything to open at Lesley Heller

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