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First UK show of the American artist Edy Ferguson at Faggionato Fine Arts
Edy Ferguson, America, 1996, film installation.
LONDON.- Faggionato Fine Arts announced the first UK show of the American artist Edy Ferguson. The exhibition America combines video and film installations, drawings, paintings and photographs.

Ferguson’s works are vibrant and confrontational comments upon American popular culture. This is demonstrated in two video works, and particularly a film installation, simply titled America (1996). Two films are projected onto a purpose-built derelict wall in the corner of the main gallery. One is a film clip from the 1941 Captain Marvel series ‘Curse of the Scorpion’, the other a film of a caged bear pacing back and forth. The crumbling wall recalls the US housing crisis, symbolising the ever present American anxiety over the safety of ‘home’, represented by the bear, while the fantasy of Captain Marvel thinly veils the pathos underlying the All-American ‘hero’ myths so obsessively illustrated by Hollywood, with budgets big and small. Integral to the video installation is a child’s plastic toy of an American Indian sitting atop a miner’s tower while a discarded newspaper headlines a failed gold rush. Each element adds to the charged atmosphere of decay and bravura that Ferguson enjoys to excavate concerning the state of affairs in the USA. In Baby Baby (2007), the iconic Supremes sing the title song, while a video of Muhammad Ali in the boxing ring intersects these scenes. Blending the violent sport with the cheerful melody of the Motown hit evokes a surreal experience of how the most talented African Americans were first presented into mainstream white culture and questions why certain cultural figures become idolised by some, yet vilified by others.

The exhibition recognises Ferguson’s preoccupation with the plasticity of various media. This is reflected in the large wall showcasing over thirty images, comprised of painting, photography and drawing. Each media refers, reflects and speaks to the other, regardless of material, to build a tense threshold of a singular vision that transcends materiality, while playing with wit and dark humour. The entire wall is a total artwork, or Gesamtkunstwerk, offering many interpretations and angles, a Kaleidoscope of views and perspectives, on America’s problems, as well as its delights.

Born in Chicago, Ferguson lives and works in New York. In 1988 she received a BFA from Washington University in St. Louis, even though her professors had stopped speaking to her, being the first student there to ever show video installation. In 1996 she received her Master’s in Painting and Combined Media from Hunter College, New York, being the first student there to show music installation, 5 in the same space, creating quite a cacophony. She has exhibited internationally in France, Switzerland, Austria, Venezuela, Greece and across the USA. Solo exhibitions in 2012 include a retrospective at the Centre d’Arte Contemporain in Geneva and the Benaki Museum in Athens. Her work was also included in the 2nd Biennale of Mardin, Turkey, the Weiner Art Foundation and the Onassis Cultural Center, Athens.





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