A new exhibition by James Capper, whose extraordinary sculptures can walk, swim and climb mountains, opens at Yorkshire Sculpture Park
on 5 January 2013. Featuring three large-scale walking sculptures in the landscape and models, drawings and films in the Bothy Gallery, this project is a timely showcase of the artists career to date and shows the evolution of his practice and fascinating exploration of the potential and aesthetics of the machine.
Open air work comprises three of Cappers earth marking sculptures: Midi Marker (2012), a vibrant yellow machine with claw-like feet which imprints on the landscape; gigantic, forklift-like engine Exstenda Claw (2012); and Tread Toe (2010), a large-scale moving sculpture, self-powered by a hydraulic foot which moves forward in a slow stepping motion. The exhibition includes work from each of Cappers divisions: Earth Marking, Offshore and Material Handling, which reference the monumental scale and earth interventions of 1970s Land Art, such as Spiral Jetty (1970) by Robert Smithson. Smithson used a JCB to move black basalt rocks and earth in Utahs Great Salt Lake creating a 1,500 feet-long coil that stretches out into water made red by the microorganisms that thrive in its highly saline environment.
Mechanical processes are central to Cappers work and he is interested in the innovations of early engineering. Capper is inspired by the contributions made to engineering by prolific inventor Robert Gilmour Le Tourneau (18881969) who developed a number of experimental and prototype earthmoving machines, many of which were used during World War II.
Speaking of Le Tourneaus influence on his work, Capper says: His problem-solving was immense, it still shocks me looking through the mans archive that he could produce all these ideas in one lifetime. I feel that it is very important to bring new ideas to art, rather than re-treading familiar paths and recycling old techniques. Le Tourneau is as important to me as any great artist that has broken down barriers. The operation of a machine becomes a performance, and the building of the machine is a demonstration of what mechanical engineering can achieve in sculpture.
Throughout the duration of the exhibition, Capper will test the possibilities of his open air sculptures and on 13, 20, and 27 January and 3 February 2013 will demonstrate his moving sculptures to the public. A programme of associated events accompanies the exhibition and related merchandise is available.
Born in London in 1987, Capper worked alongside mechanics, farmers and steel fabricators as a child before training as a welder. He completed a BA in Sculpture at Chelsea College of Art & Design going on to study Sculpture at the Royal College of Art. Capper won both the Royal British Society of Sculpture Bursary Award and the Royal Academy Jack Goldhill Award for Sculpture in 2009.
Recent exhibitions include Y E S Young English Sculptors, Fundaziun Not Vital, Switzerland; Pertaining to things natural, Chelsea Physic Garden, London; and Ripper Teeth in Action, Modern Art Oxford, Oxford.