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Lluís Barba reworks iconic artworks in new exhibition at Dean Project
Lluis Barba, Frida Kahlo Self-Portrait, 2011, 38x48 inches,

NEW YORK, NY.- Born in Spain and educated at the Escola Massana Centre d’Art-UAB, Barba has exhibited his work in the United States, Europe, Latin America and Canada. His work is held in major public collections, such as the Artothèque d’Art Anekdota in Paris, Foundation, Daniela Chappard of Caracas, Foundation Lluís Carulla, L’Espluga de Francolí, Tarragona, Instituto Cervantes in Tangier, Morocco, Museo Jacobo Borges Caracas, Museo Marugame Hirai Japan, Museo de Arte Contemporáneo Wifredo Lam La Habana, Museo de Arte Contemporáneo Requena Valencia, Museo Internacional Cairo, Egypt and Museu d’Art Contemporani de Barcelona.

Lluís Barba reworks iconic artworks to comment on contemporary society, introducing modern characters into Hyeronimus Bosch’s or Pieter Brueghel’s medieval scenes. His work leverages the language of artistic symbolism to critique both modern society and the art world, utilizing society darlings and art world players such as Kate Moss, Brad Pitt and Jay Jopling. Barba thereby expresses his debt to History of Art while establishing distance through a strongly ironic stance.

Artist's Statement
Passengers in the time The idea of incorporating characters in the works of the past emerge while thinking about how our brain have the ability to receive the extern references, as the image we receive across the retina, arrives us as an absolute fragmentation at the hypothalamus, where it reconstructs a virtual reasonable image, depending of the evolutive parameters of our sort. If our brain constructs reality we virtually, because I thought create my own virtual reality. Well, as I had always imagined would be being inside a work of art of the past, and tourists go to the museum to see “ arts master pieces”, non invasive way of incorporating within works by creating a rereading of their own masterpieces.

I also thought it was important not to lose our roots / our historical memory. Not the masters of the past we could not have come to carry out the work, we are doing now.

Always decide based on the concept that I pass, I make a relationship between "frivolous, glamorous, banality,... In contrast to – art. Thought and culture, through media personalities, the star system interrelated with artists, collectors, thinkers, scientists, tourists, homeless, marginalized and people of different ethnicities…-
Demonstrate the contrast between the marginalization of some and the wealth of others.

Demystifying - guns, nuclear, uniformed military tanks and ice clutching-
Mass consumption - multinational brands-
Handling - political and religious power-
Hunger - malnourished children, child exploitation, warns of pockets of poverty-

I incorporate the bar code tatoo like as a symbol of identity individual lost, homologation, alienation and massive consume.

I also think it is very important never lose our roots, certainly not our historical memory, not the masters of the past never could we have come to carry out the work we are doing now, for example:

Rembrandt: Gives us a clear dark, so useful in photography as in the film.

Leonardo: He set the foundation for what we now call multimedia artist a contemporary sure if I would be working with new technologies

Duchamp: His contribution was the untying of objects and characters out of context, and turned them into conceptual or artistic objects.

Mondrian: Helped us to understand, because a work is well structured from the formal point of view, his theory of mass volume and color.

Decontextualized elements of a reality for them to another reality, use implicit messages in the play as the globalization of our society.

Today's News

December 20, 2012

Field Museum cutting staff, overhauling operations and limiting the scope of its research

Christie's announces auction marking the first half century of the popular and luxurious interiors shop Guinevere

'Breakfast at Tiffany's' among 25 selections added to United States film registry

Rembrandt masterpiece "Portrait of Catrina Hooghsaet" back on display at National Museum Cardiff

Tower Hamlets Council's ownership of Henry Moore's 'Old Flo' challenged by Bromley

Important Judaica and Israeli & international art bring a combined $7.9 million at Sotheby's New York

Andy Warhol's Mao portraits excluded from the Beijing and Shanghai shows next year

Colby College Museum of Art's 26,000-square-foot Alfond-Lunder Family Pavilion to open in July

Sotheby's New York 20th Century Design & Tiffany Studios Sales total $12,877,127

BJ and Richeille Formento present photographs as part of a group exhibition at Edelman Arts

The Antiques Dealers Fair Limited ventures into London for the first time in January 2013

Bonhams to present art of the South Seas Sale in San Francisco in February 2013

Atlanta's High Museum of Art to host Collectors Evening to build permanent collection

China criticises French Qing dynasty seal auction

Tunisia to auction ousted despot's treasures

First exhibition in the UK of Croatian artist Sanja Iveković opens at The South London Gallery

Nine new exhibits debut at San Diego International Airport

Lluís Barba reworks iconic artworks in new exhibition at Dean Project

Art Asia Miami 2012 concludes its fifth year with strong sales and VIP attendance

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