NEW YORK, NY.-
This exhibition showcases some 80 prints and artists books the Museum has acquired over the past two years, and reveals how an art collection is always a work in progress. On view for the first time at MoMA
, these seminal works in the history of printmaking span more than a century, from 1888 to 2011, with some contextualized by related works already in the collection. Pablo Picassos 1937 print The Weeping Woman, acquired in 2011, which filled one of the last major gaps in MoMAs holdings of works by the artist, is shown alongside the third state of the same image that joined the collection in 1999. Likewise, the 1958 linoleum cut Solid as a Rock (My God Is Rock), by Charles White, acquired in 2010, is complemented by a lithograph by White that was donated to the Museum more than 40 years ago, and illuminates Whites widespread impact on a younger generation of artists. Other highlights include Jasper Johnss celebrated screenprint Flags I (1973), two vertical flags printed with 31 screens, which adds a key example of Johns early screen printing to the collection. The exhibition also addresses more experimental processes that have often led to rare or one-of-a-kind works, from James Ensors hand-colored Deadly Sins (18881904) and a group of Henri Matisses monotypes (191415), to a recent monumental cyanotype by Christian Marclay.
The Museum of Modern Arts collection of prints was inaugurated with the founding of the Museum itself, in November 1929: a group of German Expressionist prints were among the first objects MoMA acquired. Today, the Museums holdings in this area are remarkable in their scope; comprising more than fifty thousand works, they cover the period from the late nineteenth century to the present. The holdings are regularly reevaluated and reshaped by the Museums curators; works are routinely added, not only to fill gaps but also to give stronger emphasis to lesser-known or previously overlooked artists or practices, reflecting the ways in which new generations of scholars and artists are redefining the discipline of printmaking.
New to Print is organized by Christophe Cherix, The Abby Aldrich Rockefeller Chief Curator of Prints and Illustrated Books, with Judy Hecker, Assistant Curator, Department of Prints and Illustrated Books.