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Bellevue Arts Museum presents first retrospective of design icon George Nelson
George Nelson, Swaged Leg Group: Swaged Leg Chair (1954) and Swaged Leg Desk (1958). Photo: Vitra Design Museum Archiv.
BELLEVUE, WA.- Bellevue Arts Museum presents the first comprehensive retrospective of one of the most influential figures of modern American design: George Nelson (1908 ‐ 1986). Featuring more than 220 objects, including iconic furniture pieces like the Coconut Chair, Bubble Lamp and the Marshmallow Sofa as well as graphic works, architectural models, films, prints and a full‐scale partial reconstruction of the 1959 American National Exhibition in Moscow, George Nelson: Architect, Writer, Designer, Teacher will be on view at Bellevue Arts Museum from October 29, 2011 ‐ February 12, 2012. The exhibition was originally organized by the Vitra Design Museum in Germany, and BAM is the only Northwest venue to present the work of this seminal visionary. 
 
With an architectural degree from Yale University, Nelson was not only active in the fields of architecture and design, but was also a widely respected writer, publicist, lecturer, curator and passionate photographer. In his many essays on design, he was a prominent voice among his peers in reflecting on the working conditions, duties and objectives of his profession at a time when the field and its image were still in the formative years. Nelson’s conception of design as a system, and his approach, which went beyond mere styling and always took into consideration the greater nexus of interrelated interests and concerns, give his oeuvre particular relevance and appeal in today’s context.

As design director for Herman Miller, a leading US manufacturer of modern furniture design, Nelson helped forge the program and corporate image of the company for more than two decades: a pioneering achievement in corporate design and an enduring collaboration that yielded numerous classics of modern furniture and interior design. 
  
George Nelson: Architect, Writer, Designer, Teacher is accompanied by a 350‐page, richly‐illustrated catalogue, documenting Nelson’s important position in the world of design for nearly four decades.

"Most people think that George Nelson, Charles Eames and Eliot Noyes invented industrial design. That is, of course, an exaggeration. George did it without any assistance from the other two." ‐‐ Bill N. Lacy, FAIA





Today's News

October 31, 2011

For the first time outside Germany: Sigmar Polke's complete graphic works in Sao Paulo

Sotheby's London to sell Waiting to Cross by Albert Moore in Victorian & Edwardian art sale

N.C. Museum of Art presents largest collection of authentic Rembrandts for U.S. audience

Hammer Galleries in New York presents Modern Masters: Paris and Beyond exhibition

Discover the grandeur and mystery of China at the Denver Art Museum this Fall

The Mad Square: Modernity in German Art 1910-37 at the National Gallery of Victoria

Native American influences on 20th century art at Peter Blum Gallery in Soho

The Heckscher Museum of Art presents exhibition "Ripped: The Allure of Collage"

"Burning, Bright: A Short History of the Light Bulb" on view at The Pace Gallery

Major exhibition of the work of American artist Bill Bollinger at The Fruitmarket Gallery

Muammar Gaddafi's son, Saif al-Islam, used his paintings to promote Libyan culture

Exhibition explores early years of vernacular photography through graceful snapshots of female trios

Lacin and Christophel transform water tank into 360° kinetic art installation for City of Davis

Bellevue Arts Museum presents first retrospective of design icon George Nelson

Exhibition at Kunsthaus Bregenz rediscovers internationally renowned artist Valie Export

University of Richmond Museums celebrates 10th anniversary of print study center with exhibition

New energy in design and art at Museum Boijmans van Beuningen

The Art of Invention Explored at the Art Gallery of Greater Victoria

Installations by Jennifer Steinkamp and "Spinal Tap" member Harry Shearer at Honolulu Academy of Arts

New York City museum limits visitors in bathtub-like artwork

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