|The First Art Newspaper on the Net
||Established in 1996
|| Thursday, July 28, 2016
|Francesco Vezzoli Examines the Role of the Dalí in Today's Celebrity-Obsessed Society at Moderna Museet |
STOCKHOLM.- In his desire to merge art with the person, Salvador Dalí was a forerunner for todays close connection between artists and the media industry; a prototype for the celebrity artist.
In Francesco Vezzolis work - a unique blend of hype and melancholy, queer culture and politics, glamour and tears - the presence of dalinian influences is a matter of course.
Dalí Dalí featuring Francesco Vezzoli examines the role of the artist in todays celebrity-obsessed society, and of these two artists disingenuous relationship with mass media and power.
Salvador Dalí was an influential predecessor to the pop artists of the 1960s or could perhaps rather be seen as the missing link between Andy Warhol and Marcel Duchamp in exploiting his artistic persona, and adopting every commercial tool in this endeavour, from designing jewellery to working the mass media as a stage for performance. Francesco Vezzoli, not only appropriates the device, but takes it to its 21st century extreme, modelling his work on full blown mass cultural formats such as the Hollywood biopic. He is the ideal and palpable co-star in an exhibition striving to view Dalís oeuvre from a contemporary angle, and to challenge the concept of a historical exhibition.
In Dalí Dalí featuring Francesco Vezzoli the audience will meet fifteen of Salvador Dalís 1930s masterpieces and forty-two prints, presented in a seemingly traditional 20th century museum context. From this room three doors of which one is locked lead to a second section in which dramatically lit passages present Dalís expansions into popular genres as tableaux displays; a vast collection of works in the pop culture genre of the era is presented alongside photographs, films and paraphernalia surrounding Dalís person.
The exhibition design refers to Louis Aragon and Walter Benjamins views on city lifes heterogeneous influence on how needs and desires clash and co-operate in the human mind. The semantics of personality, money, media and fame; and not least of art itself, are at stake in this major presentation of one of the most important figures of the 20th century opposed to one of the most significant artists of the younger generations.
Salvador Dalís fascination for the sublime and the banal is shared by Francesco Vezzoli, and the artists are united at the crucial point where this supposed dichotomy, in fact merges into one. Dalí Dalí featuring Francesco Vezzoli features the first thematic retrospective of Francesco Vezzolis work, curated by Caroline Corbetta, that highlights the long-standing presence of dalinian influences in the work of the controversial Italian artist: from Surrealist imagery to self-promotional strategies.
The retrospective display is a theatrical scenery that stages, and reinterprets, about thirty artworks embroideries, tapestries, posters and videos produced by Francesco Vezzoli over the last decade. The works form a brand new installation that draws a dashing map of the many cultural references that Vezzolis work embodies. A fil rouge spins from Salvador Dalí and stretches to Andy Warhol as well as Marcel Duchamp, Pier Paolo Pasolini and other cultural icons whose thinking and behaviour have prolifically merged into Vezzolis practice.
In videos such as Marlene Redux: A True Hollywood Story! (2006) and Trailer for a Remake of Gore Vidals Caligula (2005), Vezzoli has incorporated various formats of mass media; such as the behind-the-scenes exposé and the political advertisement, and populated them with an extraordinary cast of actors, among them Milla Jovovich and Sharon Stone. Through Vezzolis exploitation of, as well as homage to, these and other celebrities he has established himself as a master parodist of our media-saturated culture.
The culmination of this surreal retrospective of Vezzolis works will be the presentation of a new, especially realised art piece, entitled Portrait to HRH The Princess of Hanover as Queen Christina of Sweden (Before & After Salvador Dali). Conceived as a continuation and a summary of the themes explored in his previous works, this new project is meant to be both homage to the most iconic living figure of European aristocracy and to the history of Sweden: a double photographic portrait of Caroline, Princess of Hanover, Hereditary Princess of Monaco, immortalized as Queen Christina of Sweden, the historical figure brought to the silver screen by Swedish star actress Greta Garbo. This work is also a reference to Dalís renowned predilection for the art of portraiture of noted personalities posing as historical figures (for example, British actor Lawrence Olivier as Richard III) and a celebration of Queen Christina, whose open-minded habits, unconventional behaviour and passion for the arts made her one of the most complex and intriguing characters of European history.
The theoretical ideas behind the exhibition will be discussed in an international two-day critical symposium in November 2009 at the Moderna Museet.
Curator: John Peter Nilsson
Project curator Francesco Vezzoli: Caroline Corbetta
September 19, 2009
Rembrandt Masterpiece - Unseen in Public for 40 Years - to be Offered at Christie's
Full-Scale Retrospective of the Paintings of Vasily Kandinsky Opens at the Guggenheim
Sotheby's Series of Asian Art Sales Totals $19,280,279
Spanish Designer Jaime Hayón Creates Installation in Trafalgar Square
Henry Moore Exhibition at Tate will Reveal the Range and Quality of Moore's Art in New Ways
Gagosian Gallery Presents a Major New Work by Takashi Murakami
Art Detroit Now: 2 Days, 75 Galleries & Museums, 1000s of Artists
Damian Ortega, One of Mexico's Leading Artists of a New Generation, is Subject of Exhibition
Two New York Based Artists, Andrea Geyer and Sharon Hayes, Present their Work in Switzerland
LACMA Appoints Department Head and Curator of Contemporary Art
Letitia Chambers to Join Acclaimed Museum of Native Cultures & Art
Rare Documents Related to the California State Constitution to be Offered at Bonhams & Butterfields in October
International Artists will Set Sail into the High Arctic to Work on Individual Projects
First Retrospective of the Work of Renée Green Opens at Musée Cantonal des BeauxArts
Personal Photographs by Munter and Kandinsky Illuminate Guggenheim Retrospective
Sheila Wallis Wins the 25,000 Pound Threadneedle Prize
Illustrator Barbara Nessim Honored as Norman Rockwell Museum's First Artist Laureate
Crystal Bridges Museum of American Art Announces Recent Hires
Francesco Vezzoli Examines the Role of the Dalí in Today's Celebrity-Obsessed Society at Moderna Museet
Edward Delaney Sculpture Unveiled at Irish Museum of Modern Art
Most Popular Last Seven Days
1.- 100 nude women pose in Cleveland, reflecting on Trump
2.- West Kowloon Cultural District Authority appoints M+ Executive Director
3.- Hieronymus Bosch, Touched by the Devil: Movie has US premiere at Film Forum
4.- Masterpieces replaced by fakes in six national galleries in treasure hunt
5.- On the Verge of Insanity: Van Gogh 'suicide gun' on display in Amsterdam
6.- Getty Museum opens exhibition of illuminated manuscripts
7.- Two rolls of early Kodak film acquired by the George Eastman Museum
8.- Dark secrets of the man who opened architecture to the light
9.- Chinese artist Ai Weiwei's refugee life jackets in Vienna palace pond
10.- Gallery 19C brings together two views of Venice by Jean-Baptiste-Camille Corot
Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .
|Royalville Communications, Inc|
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.