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|Comprehensive Examination of Herbert Tobias' Entire Oeuvre at Deichtorhallen|
Herbert Tobias: In memoriam an einen wunderbaren, unvergesslichen Menschen: Peter, Berlin 1957 © Berlinische Galerie / VG Bild-Kunst, Bonn 2008.
HAMBURG.- Herbert Tobias is among the most important German photographers of the post-war period. He first became known for his unconventional fashion photography in Paris and Berlin in the 1950s and 60s. Today, he is famous above all for his atmospheric photographs of cityscapes, his subtle portraits and his erotic images of men. Tobias photographs are full of poetry, sensuality and suggestive power. With around 200 exhibits, this is the first exhibition to comprehensively examine his entire oeuvre.
Tobias glamorous fashion photography and his impressive portraits of the young Klaus Kinski, Zarah Leander and Velvet Undergrounds iconic Nico are widely known today. Nevertheless, his name has been forgotten.
These exhibition is the first retrospective of the photographers work. It focuses on the 1950s and 60s, Herbert Tobias most productive phase, during which he mainly lived in Paris and Berlin. Instead of relying on a chronological or genre-based order, the exhibition concept traces the central moods and attitudes that determined Tobias worldview. On the one hand, his photographs, whether self-portraits, street scenes from a devastated post-war Berlin or male nudes, are distinguished by restrained and poetic tones, melancholy, longing and sensuality. On the other hand, we experience Tobias as a choreographer of grand entrances, a narrator of enigmatic stories or an arranger of existentially dramatic tableaux. Even in his apparently conventional fashion photography he achieves memorable and striking images.
Beyond this, Tobias repeatedly appears as a homosexual artist: he never disavowed his erotically charged gaze on men, but flaunted it openly. In a time in which homosexuality was still a criminal offence he therefore took a political stand, too.
The exhibition is a cooperation of the Berlinische Galerie and the House of Photography at Deichtorhallen Hamburg. The artistic estate of Herbert Tobias is among the most important materials held by the Photographic Collection of the Berlinische Galerie. With around 200 exhibits, the artists impressive work is being presented in all its variety for the first time: beginning with the photographs Tobias took as a 19-year old soldier on the eastern front, including images from Paris and from his work in the Berlin years, and leading up to the erotic photographs of men that in varying intensity appear in all periods of his work.
Herbert Tobias is born in Dessau in 1924. He grows up in a petit bourgeois household and begins taking photographs as a child. His aim of becoming an actor remains unfulfilled after the early death of his father in 1936. He completes an apprenticeship as a landscape surveyor instead and is called up to national service in 1942. Initial photographs of stunning artistic maturity are taken on the eastern front during World War II.
After the war, Tobias spends a year at drama school and subsequently meanders across provincial Germany with a touring theatre company.
He comes out in the late forties. In 1951, he moves to Paris with his boyfriend, where he occasionally works for the famous fashion photographer Willy Maywald and publishes his own photographs for the first time. His win in the Frankfurter Illustrierte cover page contest suddenly makes him famous. He moves to Berlin in 1954, where he spends the most successful years of his career. Tobias works for renowned fashion labels and various magazines. He also completes many independent assignments, including cityscapes, celebrity portraits and, above all, photographs of men.
At the peak of his career he goes off the rails, tries himself again as an actor and singer, but virtually loses all touch with society due to his unsteady, erotomanic life style that is filled with excessive drug abuse. He goes to Hamburg in 1969, designs record sleeves for various music labels and works for gay magazines. An exhibition in the Galerie Nagel in Berlin in 1981, for which Tobias re-prints the photographs he took in the fifties and sixties, ushers in the photographers rediscovery. He is unable to complete a planned and far advanced project for a book. In August 1982, he dies of Aids in Hamburg.
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