The Serpentine Gallery
presents the first major solo show in a UK public gallery of the work of British artist Rebecca Warren (b. 1965). Warren is known internationally for her exuberant, roughly-worked clay sculptures, bronzes and vitrines containing carefully assembled objects that the artist has collected.
Described as an original and formidable talent, Warrens oeuvre combines rich art historical and contemporary references. The artist challenges sculptural conventions while also engaging with the history of figurative sculpture and her position within this predominantly male tradition. Alongside such art historical figures as Edgar Degas and Auguste Rodin, Warrens work also refers to contemporary artists such as Swiss duo Fischli/Weiss and sculptor Charles Ray.
Warrens shape-shifting sculptures in clay and bronze range from amorphous to more recognisable forms, which are sometimes sexually explicit, embracing both the formal and the grotesque. She says of her work: Though my work evolves through a process of appropriation and reference, it is non-didactic, being closer to revelation and discovery. Her vitrines play with ideas of display and value, imparting a sense of the museological to an array of otherwise unassuming objects and materials.
This Serpentine Gallery exhibition displays pieces from throughout Warrens career, and features a selection of her best known works including the iconic Helmut Crumb (1998), work from The Agony and the Ecstasy (2000) and Dark Passage (2004), alongside new work made specifically for this exhibition.
Rebecca Warren lives and works in London. She was nominated for the Turner Prize in 2006, and for the Vincent Award, 2008, at the Stedelijk Museum, Amsterdam. Her work was also the subject of a major solo exhibition at Kunsthalle Zurich in 2004.
The exhibition is curated by Julia Peyton-Jones, Director, Hans Ulrich Obrist, Co-Director, and Kathryn Rattee, Curator, Serpentine Gallery.