The First Art Newspaper on the Net   Established in 1996 United States Tuesday, August 20, 2019

Cooper-Hewitt, National Design Museum to Present Fashioning Felt

WASHINGTON, DC.- The Smithsonian’s Cooper-Hewitt, National Design Museum will present the exhibition “Fashioning Felt,” a comprehensive overview of the varied uses of felt in contemporary design, in the first-floor galleries from March 6 through Sept. 7, 2009. The exhibition will feature more than 70 felt works from a range of fields, including fashion, architecture, product design and home furnishings.

Organized by Susan Brown, assistant curator in the Textiles Department, the exhibition will begin with historic examples of felts, showcase innovations in handmade felts, present the issue of sustainability through the re-use of waste wool and felt and explore the recent adoption of felt by a wide variety of architects and designers, from Gaetano Pesce to Tom Dixon.

A highlight of the exhibition will be site-specific installations by two of today’s leading hand-felters, Janice Arnold and Claudy Jongstra, who create an incredible range of surface textures through the inclusion of wool from sheep with different coat qualities and experimentation with natural dyestuffs and other techniques, such as felting through silk. At Cooper-Hewitt, Arnold will create a palace yurt, inspired by the traditional dwelling of the tribal leader, in the museum’s conservatory. The yurt will have a ceremonial entrance, and the surrounding glass walls and ceiling of the conservatory will be draped in a soft, felted material of Arnold’s creation. For the exhibition, Jongstra, a Dutch designer, will create two distinct semicircular environments out of her renowned handcrafted, long-haired felt, made with wool shorn from her own herd of sheep.

“Felt has played an important role in nomadic cultures for millennia and this exhibition will explore its origins and bring the material fully up to the present,” said Director Paul Warwick Thompson. “By examining both the conventional and nontraditional uses of felt over time, the exhibition will spotlight its unique characteristics and provide an extensive look at this ancient material with modern appeal.”

Made from a renewable resource, the manufacturing of felt is low-impact and virtually waste-free; it is made simply by matting together wool fibers with humidity and friction. The methods of

matting felt vary widely, from handmade versions created by violently slamming a fleece roll against the ground to industrial felt produced by mechanically rubbing together wool fibers, but all involve extreme agitation and pressure in order to compact and shrink the felt.

Unlike other fabrics made from wool, which are built up stitch by stitch and row by row through practices such as knitting and weaving, felt has no internal structure. The manufacturing process is readily customizable, and the finished product has a versatility rarely found in other materials—it can be made flexible and translucent or very dense and hard; it can be cut without fraying and molded into three-dimensional forms. Felt also provides protection against extremes of temperature and is naturally water repellant, windproof and fire retardant.

Known since at least the Neolithic period (9000 B.C.), felt is believed to be the first man-made cloth. It was the single most significant material for the nomadic tribes of Central Asia and was used to make everything from clothing to the flexible, collapsible dwellings known as yurts. To illustrate the diverse uses of the material, as well as the continuity of the felt-making technique throughout history, the exhibition will feature animal trappings, carpets and shepherds’ cloaks.

As a raw material, felt offers endless possibilities for designers today. The past 15 years have been a period of intensive experimentation and innovation in the craft, and the use of felt has expanded outside of traditional areas to include everything from fashion accessories and costume design to architecture, home furnishings and product design.

Fashion designers such as Yeohlee Teng and Christine Birkel have embraced felt as a material because it can be manipulated into three-dimensional forms, while still maintaining a soft, textile-like surface. On view in the exhibition will be seamless dresses from artist Andrea Zittel’s “A-Z Personal Uniform Series,” which are formed directly from fiber in three-dimensions, with all color, shape and ornament being executed in the felt-making process; as well as works by Birkel, who creates forms organically by felting through sheer, lightweight fabrics and controlling shrinkage to create necklines, armholes and waists in a process known as nuno felting, rather than constructing garments using traditional dressmaker techniques such as darts, pleats and gathering.

In furniture design, textiles are typically relegated to use solely as upholstery, but a dense felt can be firm enough to provide support and structure, while maintaining soft surface qualities. Highlights of the works on view in this area include Søren Ulrick Petersen’s “Swing Low” cradle, whose cocoon-like shape muffles noise and keeps out drafts; Louise Campbell’s origami-like “Bless You” chair; and Pesce’s “Feltri” chair, wherein the back and arms of the chair take shape entirely from the thick, sculptural quality of the felt.

Industrial felt has emerged as a popular construction material in recent years due to its performative qualities of thermal protection, vibration absorption and sound damping, which make it ideal for use as acoustic tiles and wall and floor coverings. The exhibition will spotlight a number of innovative works in this area, including Tord Boontje’s “Little Field of Flowers” carpet, in which six different leaf shapes are die-cut from felt and loomed into a woven carpet, and LAMA Concept’s “Cell LED” carpet, which features LEDs inserted behind the felt nodes in the carpet to provide a long-lasting, low-energy and visually pleasing light source.

The exhibition also will address the issue of sustainability, featuring felts made from partially or fully recycled materials. Felt makes a very short trajectory from raw fiber to finished product, creating fewer opportunities for material waste, and with the burgeoning interest in green design, this most primitive textile is emerging as an exciting “new” material. Among the works on view that are created from recycled materials are Odegard’s “Striped Felt” carpet, which is created by embroidering together the waste from various solid-color, cut-edge felt carpets, and Molo’s “Felt Rocks,” a by-product of a process for hardening high-density industrial felts.

The final gallery of the exhibition will feature videos that document the felt-making process, as well as a variety of touch samples.

Today's News

October 15, 2008

Prado Museum Opens Exhibition to Allow Public to Come Closer to Rembrandt's Work

Museo Nacional Centro de Arte Reina Sofia Opens Nancy Spero Exhibition

MoMA Presents an Exhibition of Hand-Painted Film Posters by Artist Batiste Madalena

Frick is the Exclusive Venue for First Monographic Riccio Exhibition

Centre Pompidou Marks the Centenary of the Publication of Marinetti's Futurist Manifesto

Olafur Eliasson's "Yellow Fog" on the Facade of Verbund's "Am Hof" Building in Vienna

Kounter Kulture - In Kulture We Trust - Opens in London

The Unilever Series: Dominique Gonzalez-Foerster Opens at Tate Modern's Turbine Hall

Asian Art Week at Christie's London in November 2008

First Piece of Artwork Ever to be Commissioned for The Herbert is to See the Light of Day Again

Cooper-Hewitt, National Design Museum to Present Fashioning Felt

Hirshhorn Museum and Sculpture Garden Presents Directions: Terence Gower, Public Spirit

Rail of Justice: A New Public Sculpture by Jeffrey Schiff

AGO's New Restaurant FRANK Serves Contemporary Comfort Cuisine

Nearly 1,000 lots of important American folk art will cross the block at Slotin Auction

Image by Illustrator Rachel Maguire Chosen as Basis for First Night 2009 Button

Unbuilt Toronto: The City That Could Have Been

Hofstra University Dedicates Dynamic Person of Color Sculpture on Campus

Most Popular Last Seven Days

1.- Conservation reveals Wellington Collection work was painted by Titian's Workshop

2.- New dinosaur discovered after lying misidentified in university's vaults for over 30 years

3.- Unseen Texas Chainsaw Massacre outtakes and stills sold for a combined $26,880

4.- National gallery reveals conserved Italian altarpiece by Giovanni Martini da Udine

5.- London's Tate Modern evacuated after child falls, teen arrested

6.- Bavarian State Minister of the Arts restitutes nine works of art

7.- Boy thrown from London's Tate Modern is French tourist visiting UK

8.- Child thrown from London gallery has broken spine, legs and arm

9.- £10 million Turner masterpiece may leave British shores

10.- Tourists banned from sitting on Rome's Spanish Steps

Related Stories

Important Judaica and Israeli & international art bring a combined $7.9 million at Sotheby's New York

Tunisia to auction ousted despot's treasures

Andy Warhol's Mao portraits excluded from the Beijing and Shanghai shows next year

China criticises French Qing dynasty seal auction

Christie's announces auction marking the first half century of the popular and luxurious interiors shop Guinevere

Nine new exhibits debut at San Diego International Airport

Rembrandt masterpiece "Portrait of Catrina Hooghsaet" back on display at National Museum Cardiff

Amber: 40-million-year-old fossilised tree resin is Baltic gold

Egyptian artist Iman Issa wins the Ist FHN Museu d’Art Contemporani de Barcelona Award

The main chapel of the Basilica of Santa Croce open for visits after five year restoration

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful