PHILADELPHIA, PA.- The Association for Public Art
and the University of Pennsylvania announced the relocation of Louise Nevelsons Atmosphere and Environment XII (1970) and Sir Jacob Epsteins Social Consciousness (1954) two large-scale sculptures owned by aPA that have stood at the West Entrance of the Philadelphia Museum of Art for decades. The multi-ton sculptures will be relocated to Penns campus on Shoemaker Green and the Memorial Garden Walkway, respectively, and will be on long-term loan to Penn from aPA.
The relocation of these monumental works will begin the week of Monday, July 15th (weather permitting) and require the disassembly of each sculpture. They will be transferred to their new locations by professional conservators, art handlers, and riggers. Reinstallation of the sculptures is intended to begin immediately thereafter. Once relocated, the artworks will receive conservation treatment where necessary, including the removal of any surface grime, and the addition of a protective wax coating for Epsteins bronze sculpture.
The artworks are being deinstalled from their current location due to extensive renovations at the Philadelphia Museum of Art (PMA), which will include construction at the West Entrance and repaving of the West Terrace. The aPA has taken this opportunity to reconsider the placement and context of these sculptures so they can be seen to their best advantage and remain accessible to the public.
It was a challenge to simultaneously find new, appropriate locations for two enormous sculptures, said Penny Balkin Bach, Executive Director & Chief Curator of the Association for Public Art. We wanted to keep these important artworks in continued public view and avoid placing them in long-term storage, which sometimes is inevitable in situations like this one. We are thrilled to have worked with the University of Pennsylvania to add to the collection of public art on their campus, where the sculptures can be viewed and appreciated by new audiences, and revisited by their existing fans in a different setting.
The aPA approached Penn with the proposal, a loan of these two important sculptures for a 99-year term. The University began an extensive site survey to identify campus locations that would maximize the impact of these artworks. Penns art advisory committee and aPA worked together to finalize the locations.
Epsteins Social Consciousness will be installed along the Memorial Garden Walkway near the Van Pelt Library. It will be placed in a more contemplative site than its current location, consistent with the artists intentions, near works by Alexander Archipenko, Robert Indiana, John J. Boyle, Claes Oldenburg, and Robinson Fredenthal, among others.
We are delighted to be working with aPA on this historic project and excited to welcome these two important 20th-century sculptures to the heart of campus for the enjoyment of the Penn and Philadelphia communities, said Lynn Marsden-Atlass, University Curator and Executive Director of the Arthur Ross Gallery. These pieces will fit perfectly among our sculptures and become integral to experiencing Penns campus.
Social Consciousness was originally commissioned by the Fairmount Park Art Association (now the Association for Public Art) for the Ellen Phillips Samuel Memorial, a series of three terraces along Kelly Drive with multiple sculptures, emblematic of the history of the United States. Once the massive sculpture intended to express the American ideal of compassion began to take shape, it became evident that a site within the terraces would not accommodate the work. Social Consciousness was then temporarily installed at the West Entrance of the PMA in 1955, where it was placed on top of a framed wooden box and then eventually on a granite base.
Atmosphere and Environment XII was originally exhibited in France and New York before the sculpture was ultimately purchased by the Association in 1971. Having been unable to find an appropriate city scape site, the sculpture was placed at the West Entrance of the PMA where Auguste Rodins The Burghers of Calais once stood. After Rodins sculpture was relocated to the Rodin Museum, aPA utilized the empty pedestal and placed the Nevelson sculpture there in 1973.
Louise Nevelsons Atmosphere and Environment XII will be installed at Shoemaker Green (east of 33rd Street between Walnut and Spruce Streets) a landscaped area near the Palestra arena. The sculpture can be viewed in the round at this new location, which also provides strong silhouettes of the work in both directions.
Nevelsons environments mimic modern cityscapes and outlines. At this new site, an open space surrounded by buildings, we will see the interplay between the architecture and the sculpture, says Bach. You will also be able to read the environment through the artwork, so it will reflect a sense of animated transparency.
Timothy Rub, George D. Widener Director and Chief Executive Officer at the Philadelphia Museum of Art, explains, Over the years, our visitors have grown accustomed to being greeted by these imposing sculptures, so the removal of the works is a signal of the many changes taking place at the main building. This fall, the West Entrance will close temporarily to undergo a significant renovation as part of the Core Project of our Facilities Master Plan with architect Frank Gehry. Starting in September, our visitorsin addition to entering the building through the East Entrancewill be able to enter through the North Entrance, which will be reopening to the public for the first time since 1975.
The Nevelson and Epstein works will find new homes just across the river where they can continue to be admired by the public, Rub continued. It is a wonderful outcome for these sculptures, and we applaud the exceptional collaboration between the aPA and the University of Pennsylvania which has made this happen.