The First Art Newspaper on the Net   Established in 1996 United States Sunday, July 21, 2019


Exhibition presents new sculpture, installation, tar paintings, and neon work by Theaster Gates
Theaster Gates (b. 1973), Slaves, Ex Slaves, 2018. Neon 36 1/2 x 34 3/4 x 4 7/8 inches 92.7 x 88.3 x 12.4 cm.


CHICAGO, IL.- Richard Gray Gallery opened Every Square Needs a Circle, a solo exhibition presenting new sculpture, installation, tar paintings, and neon work by Theaster Gates.

Every Square Needs a Circle marks a continuation of Gates’s long engagement with the work of American sociologist W.E.B. Du Bois, whose examination of genius and progress in Black America from Emancipation to the mid-20th century has been a source of inspiration for the artist. Placing his interest in poetics and the history of objects, Gates debuts a multi-faceted installation that bridges the work of Du Bois with architectural excerpts from Chicago, expounding on the archives that hold and preserve records of Black intelligence.

Relating moments from art history to stories of quotidian labor, Every Square Needs a Circle is a rumination on materials, time and repetition. Gates elects a 1962 artwork by Agnes Martin titled Little Sister as a foundational moment for the exhibition. The small oil and ink painting on canvas—punctuated by hundreds of brass nails hammered onto a gridded composition—serves as the Modernist antecedent to Gates’s assertion that everyday processes are a means to soulful fulfillment. The grid becomes a metaphor for the city’s built environment, onto which Gates imposes the physical history of his native Chicago. Extending architectural elements and archival materials through works in tar and neon, Gates puts forth a critique of the city that comments on Black economies and empire building. Gates explains, "the work is not about a social mission. It is about sculpture and how things I believe in manifest through the material world.”

Theaster Gates (b.1973) was born and raised in Chicago, where he currently lives and works. Drawing from his earlier vocational pursuits in public service, urban planning and religious studies, Gates works to redeem spaces that have been left behind, centering his practice on the possibility of the “life within things.” Known for his recirculation of art-world capital, Gates’s recent artworks possess an intersectional relationship between space theory and land development, sculpture and performance, smartly upturning art values, land values and human values. In all aspects of his work, he contends with the notion of Black space as a formal exercise – one defined by collective desire, artistic agency and the tactics of a pragmatist.

With a celebrated stronghold in Chicago, Gates’s career has seen international recognition from his participation in the Whitney Biennial (2010), Documenta 13 (2012), and Venice Biennale (2015), to major museum exhibitions all over the world. Recent solo exhibitions include The Listening Room, Seattle Art Museum (2011–12); 13th Ballad, Museum of Contemporary Art, Chicago (2013; Soul Manufacturing Corporation: To Make the Thing that Makes the Things, Fabric Workshop and Museum, Philadelphia (2013); Processions, Hirshhorn Museum and Sculpture Garden, Washington, DC (2016); True Value, Fondazione Prada, Milan (2016); Black Archive, Kunsthaus Bregenz, Austria (2016); How to Build a House Museum, Art Gallery of Ontario, Toronto (2016); The Minor Arts, National Gallery of Art, Washington, DC (2017); Black Madonna, Kunstmuseum Basel (2018) and Sprengel Museum, Hannover, Germany (2018); The Black Image Corporation, Fondazione Prada, Milan (2018); and Amalgam, Palais de Tokyo, Paris, France (2019). Many of Gates's recent exhibitions, including Black Madonna and The Black Image Corporation, are a part of his ongoing engagement with the archives of Johnson Publishing Company.

Gates’s current academic affiliations include the University of Chicago, Chicago, Illinois; the Getty Research Institute, Los Angeles, California; and Colby College, Waterville, Maine. Gates has received numerous awards and distinctions, including the Nasher Prize (2018), the Kurt Schwitters Prize (2017), the American Academy of Arts & Sciences Award (2016), the Smithsonian American Ingenuity Award for Social Progress (2015), and the Hirshhorn Museum and Sculpture Garden trusteeship (2015). Public collections include Whitney Museum of American Art, New York; Museum of Modern Art, New York; Tate Modern, London; and Museum of Contemporary Art, Chicago.





Today's News

April 7, 2019

Guitars of the greats rock halls of New York's Met museum

Galerie Thaddaeus Ropac opens an exhibition of works by American artist Donald Judd

Exhibition presents new sculpture, installation, tar paintings, and neon work by Theaster Gates

Stedelijk Museum Amsterdam opens first great survey of Maria Lassnig in the Netherlands

Historic jewels and exceptional gemstones highlight Christie's Geneva Magnificent Jewels Auction

Major new show by Martin Creed opens at Centro Botín

Van Eaton Galleries presents a pop culture auction of massive proportions

Blain│Southern opens Joan Snyder's first solo exhibition in the UK

Throckmorton Fine Art opens an exhibition of photographs by Graciela Iturbide

Exhibition of new paintings and drawings by artist Christina Quarles opens at Regen Projects

Brussels boy to pee-cycle after landmark leak inquiry

Formula 1: A Loud, Low Hum, a group exhibition curated by Mira Dayal and Simon Wu opens at CUE Art Foundation

Exhibition explores how King Louis XVI's officers understood the American Revolution

Fondazione Prada opens the exhibition "Whether Line" by Lizzie Fitch and Ryan Trecartin

Marc Jancou presents works by two contemporary artists inspired by Balthus

Galerie Nathalie Obadia opens the first solo exhibition of works by Rodrigo Matheus

Exhibition features new works from Hassan Hajjaj's celebrated My Rock Stars series

New exhibit takes center stage at Money Museum

Beck & Eggeling celebrates 25 years in the art market with special exhibition

deCordova New England Biennial 2019 opens

Janet Borden, Inc. opens a new exhibition of vintage Kitchen Still Lifes by Jan Groover

Meriem Bennani wins the Eye Art & Film Prize 2019

Dutch artists Zuijderwijk/Vergouwe present 'Mapping' in Amsterdam

Tips on the Photography Business

Most Popular Last Seven Days



1.- Original 'Star Wars' creators lift lid on special effects challenges

2.- Lost '$170 million Caravaggio' snapped up before French auction

3.- Mansell's 'Red Five' on pole for Bonhams sale

4.- Impressionism's 'forgotten woman' shines in new Paris show

5.- Sotheby's to auction the best-surviving NASA videotape recordings of the Apollo 11 Moon Landing

6.- Exhibition explores Dutch and Spanish painting of the 16th and 17th centuries

7.- Cyprus discovers 'first undisturbed Roman shipwreck'

8.- Sotheby's unveils 'Treasures from Chatsworth' with Leonardo Da Vinci drawing, Lucian Freud portraits, and more

9.- Infamous botched art restoration in Spain gets makeover

10.- 1958 Gibson Flying V Korina played by Dave Davies to grab center stage in Heritage Auctions' sale



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez


Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful