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i8 Gallery opens exhibition of works by Ragnar Kjartansson
Installation view.


REYKJAVIK.- Figures in white lab coats roam a man-made landscape, pause, and kill time. They come to us as representatives of logic, science, and human progress. We have seen such images before, heroically depicted on the facades of Soviet bas-reliefs, for example, or in Diego Rivera’s Ford Motor Company murals. Only now we are in the 21st century, however, and man is no longer the rational master of his surroundings, but rather a scourge, seemingly intent on the earth’s destruction.

In Figures in Landscape, Ragnar Kjartansson celebrates the humanist spirit as a child of his time, with a hint of irony and taking full advantage of the technological advances that make this enormous video work possible. Comprised of seven distinct scenes, each 24-hours long, the complete piece takes an entire week to view. Each scene unfolds in a different archetypal landscape, like desktop screen savers but hand-painted as film sets. Man is confronted with nature but does little more than wander around or rest, waiting for a heroic deed that will never come.Viewers can use the work to mark time or to situate themselves at different points in the day, but the fate of the work over time will also be a reflection of its own time, as nothing is truly timeless.

Kjartansson once heard a story of Charlie Chaplin and Douglas Fairbanks meeting on a film set where Fairbanks was shooting. Fairbanks shows Chaplin an enormous castle that has been built, complete with a drawbridge, and asks what kind of scene he would shoot there if he was the director. Chaplin replies that he would lower the drawbridge, the Tramp would appear, bring in the milk bottle, and let out the cat. For Kjartansson, the story resonates. In a single gesture, Chaplin has taken down a symbol of the sublime, one associated with heroic deeds and victory.

Influenced early on by artists such as Marina Abramovic and Chris Burden, Kjartansson has been testing his own stamina and endurance, and what can be achieved with repetition over time. In Figures in Landscape, the artist is no longer alone but has co-workers in the repetition. In fact, we could all define ourselves as co-workers of sorts, repeating the same actions in our everyday lives, delivering hour after hour of sheer presence in the workplace. The museum guard protecting Kjartansson’s work is no less tested than the artist, standing day after day, with little movement, ensuring the safety of the guests and artwork.

As indicated by his handmade sets, Kjartansson adoptsthe artistic stance that nature is a Romantic symbol of the sublime, a stage for storytelling. He does not look to nature for facts about volcanic eruptions and land formations, but rather searches for stories of valiant acts by chieftains or the tragic destiny of a poor farmer. It is in these landscapes that his figures of rationality and human progress roam and wait, as if to reassure us of their continued conviction that science is still the source of every great deed.





Today's News

February 5, 2019

SCHUNCK opens exhibition of the early work and life of Jean-Michel Basquiat

Oklahoma City Museum of Art acquires portrait by Kehinde Wiley and still life by Jan van Kessel the Elder

Asia Week New York cites 10 honorees for their contributions to advancing the arts of Asia in North America

Shredder in partially destroyed Banksy 'disabled'

Ambition still burns in art star Soulages at 99

Tate Britain opens a major retrospective of the legendary British photographer Sir Don McCullin

Rare exhibition features drawings and paintings by Italian master Jacopo da Pontormo

Brook Hazelton, former Christie's President, Americas, named LiveAuctioneers Advisory Board Chairman

Sprüth Magers Berlin opens exhibition of works by Astrid Klein

Jessica Martinez named to lead Herbert F. Johnson Museum of Art

Ki Smith Gallery opens its inaugural exhibition with works by Sei Smith

The Gujral Foundation presents 'In the Absence of Writing' a solo exhibition by Astha Butail

It's About Time: The Robin Rice Gallery exhibits photographs by Robin Rice

Visitor favourite 'This variation' by Tino Sehgal on view once more at the Stedelijk Museum Amsterdam

London's longest running art and antiques fair adds extra days for 2019

i8 Gallery opens exhibition of works by Ragnar Kjartansson

Massimo De Carlo opens 'Albericus Belgioiosiae Auroborus', a new exhibition by Luigi Ontani

Heidrun Holzfeind develops a new video installation for exhibition at Vienna's Secession

Sue Schiepers announces three exhibitions for 2019

Rare copy of Federalist Papers in publisher's boards offered in Heritage Auctions' Rare Books Auction

ICA in Philadelphia opens three major exhibitions for its 2019 winter season

Frist Art Museum opens first North American museum exhibition of Italian artist Claudio Parmiggiani

With over 200 illustrations new book takes readers through the snowman's enigmatic past

Royal Ontario Museum announces appointment of Curator, Japanese Art & Culture

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