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Exhibition of 10 centuries of French book arts celebrates the opening of The Grolier Club's renovated Exhibition Hall
Eugène Grasset. Napoleon in Egypt. New York: The De Vinne Press for the Century’s Company, 1895. Collection of The Grolier Club.


NEW YORK, NY.- On December 14, 2018, The Grolier Club unveiled its reconstructed state-of-the-art Exhibition Hall, capping a total renovation of the public spaces in the century-old building. To mark the occasion, The Grolier Club is mounting the celebratory exhibition French Book Arts: Manuscripts, Books, Bindings, Prints, and Documents, 12th–21st Century. On view through February 2, 2019, the approximately 90 works are drawn entirely from The Grolier Club’s own rich and extensive collections.

This inaugural exhibition is a wide-ranging survey of the book arts of France, covering a thousand years of artistic achievements, from Medieval and Renaissance illuminated manuscripts to artists’ books and designer bookbindings of the current generation. Notwithstanding the many hundreds of public exhibitions that have been displayed at The Grolier Club in its 135 years, it has never before offered such a broad and deep survey of the artistic and typographic monuments of France.

The Grolier Club has maintained a strong Francophile tradition since its founding in 1884, beginning with its name. The Grolier Club was named for Jean Grolier, the Renaissance collector who was renowned for his patronage of scholars and printers, for the magnificent bindings he commissioned, and for a generous habit of sharing his library with friends.

The works on display are as diverse as one would expect from a millennium of French artistry: The authors range from the Middle Ages and the Renaissance to Voltaire, Anatole France, Jean-Paul Sartre, and Jacques Brel. The artists, from anonymous scribes to the miniaturists Boyvin and the Master of the Claremont Hours; to Abraham Bosse, Felix Bracquemond, and Henri Matisse. Bookbinders, from the late Middle Ages to the precocious Odette Lamiral, the dramatic Paul Bonet, the fabulous Santiago Brugalla, the imaginative Florent Rousseau. Bibliophiles, from our patron saint, Jean Grolier, of course, to Jacques-Auguste de Thou, Jean-Baptiste Colbert, Count Hoym, Madame de Pompadour, Marie-Antoinette, and latter-day French collectors and Americans inspired by France, include some of the Grolier Club’s own Founders.

Among the highlights are manuscript and printed illuminated Books of Hours, including a Mannerist stunner from the 1540s; early printed books by Robert Estienne and Aldus Manutius; extraordinary bindings from seven centuries; a letter from Jefferson to his Parisian bookseller; portrait prints of the great and the good; Matisse’s major livre d’artiste of the Occupation years, Pasiphaé; and commemorative medals and documents. The Grolier’s patron saint, Jean Grolier, the “Prince of Bibliophiles,” is honored with six of his books, four in their distinctive Grolier bindings, and three documents, including his royal appointment as Treasurer of France when he was 20 years of age.

Many of the books have special provenances but perhaps the strangest is an 18th century manuscript that has an unusual 20th century provenance. The book contains an inventory of Madame de Pompadour’s library.

It was liberated by the French Second Armored Division, and officially stamped by the Deuxième Division Blindée, on May 4, 1945. Found by French soldiers of the “Day-Day-Bay” in the Berghof, Adolf Hitler’s Berchtesgaden retreat, its presence is unaccounted for and was possibly given to Hitler by Göring.

The reopening of the newly designed Exhibition Hall and inaugural exhibition continue The Grolier Club’s long-standing dedication to offering free access to exhibitions and programs that celebrate the art and history of the book.

Curated by H. George Fletcher, the exhibition honors the memory of Mary K. Young, a devoted member of The Grolier Club, who championed Franco-American cultural ties as a director of the Florence Gould Foundation.





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