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Exhibition at Newport Street Gallery brings together three emerging artists
Boo Saville, Ain (Eye of the Bull), 2018. Oil on canvas, 240 x 2130 mm © Boo Saville. Courtesy Newport Street Gallery. Photo Prudence Cuming Associates.


LONDON.- Newport Street Gallery presents ‘True Colours’ an exhibition of paintings by three artists: Helen Beard (b. 1971, Birmingham), Sadie Laska (b.1974, West Virginia) and Boo Saville (b.1980, Norwich). Opening on 6 June 2018, ‘True Colours’ brings together three emerging artists that, despite using paint in very different ways, all share an interest in exploring the possibilities of colour. Featuring over 30 works, the show is the largest exhibition to date for each artist.

Helen Beard uses a vivid rainbow palette to create interlocking arrangements of bright primary colour, which combine to describe explicit sexual encounters in flat detail. Working from found images, Beard’s work explores themes relating to gender, sexual psychology and eroticism. Situated part way between abstraction and representation, her figures are reduced to concisely defined fields of shiny colour, on which small brush marks remain just visible. Including a number of new works, one of which is a monumental diptych, each canvas measuring 10 x 9 feet – the exhibition spans eight years of Beard’s practice.

New York-based artist Sadie Laska creates dreamlike compositions using paint and collage. Evoking the rebellious post-Pop aesthetic of New York, Laska often incorporates recycled waste materials and found objects into her paintings, sometimes reworking parts of earlier canvases entirely. In Untitled (Pepsi shape), 2017, the canvas is carved up into contrasting areas, which are roughly painted with acrylic. The resulting amorphous shape evokes the distinctive colours of a can of Pepsi. A member of the underground drum-based band I.U.D., Laska’s paintings are filled with a similar improvised musical expressiveness and irreverent spirit of performance as her music.

The exhibition features a new series of Boo Saville’s colour field paintings, which are shown in dialogue with a number of black and white canvases. Known formerly for her figurative works in oil on canvas, as well as using everyday materials including biro and bleach, Saville has – since 2014 – been producing large-scale abstracts, made up of flawlessly gradating shades. Saville, whose work investigates mortality, applies up to forty layers of paint to achieve this extraordinary effect, erasing any suggestion of her own mark-making in spite of the emotional tenor of the works. The colour fields are inextricably linked to her black and white canvases, the subjects of the latter – sparingly painted so as to retain the appearance of the canvas weave – resulting from internet searches that occur to her whilst working on the abstracts. She notes: “The black and white paintings are purely about the surface of momentary thought and the colour fields are about the depth and vault of emotion and memory layered on top of each other.”

The exhibition will be accompanied by publications featuring essays by Michael Bracewell and Freire Barnes as well as artist conversations between Rachel Howard and Boo Saville, Polly Borland and Helen Beard and Kim Gordon and Sadie Laska.

Helen Beard was born in Birmingham in 1971. She graduated from Bournemouth and Poole College of Art and Design in 1992.

After graduating, Beard worked as a wardrobe stylist and art director in the film industry for fifteen years, while continuing her art practice. She works in various mediums, including paint, collage, needlepoint, sculpture and installation.

Beard’s work has featured in exhibitions including ‘Go Girl, Show Girl’, Gallery Fresh, London, ‘The Term Reality’ at Paul Stolper Gallery (2010), London and ‘Simulation/Skin’ at Newport Street Gallery in 2017. She lives and works in Brighton.

Sadie Laska was born in Prince, West Virginia, in 1974. She received a BFA from West Virginia University in 1992 and an MFA from Bard College, New York, in 2014.

Laska’s solo exhibitions include ‘Left Hand’, Galerie Bernard Ceysson, Paris (2012); ‘Play it as it Lays’, Galerie Bernard Ceysson, Geneva (2014); SAROJANE Kerry Schuss, New York (2014), Plain Air, Galerie Bernard Ceysson, Luxembourg (2015), ‘A Foot, Some Guns, A Boot, Some Hands, Some Lips, A Breast, & A Snail’, 56 Henry, New York (2016) ‘Rock Solid’ and Office Baroque, Brussels (2016).

Laska is one half of the New York band I.U.D, formed in 2004 with fellow artist Lizzi Bougatsos. She lives and works in New York.

Boo Saville was born in Norwich in 1980. She graduated from the Slade School of Fine Art, London, in 2004. Saville was a nominee for the Sovereign Painting Prize in both 2007 and 2011, and in 2008 she worked on a residency at the Cité Internationale des Arts, Paris.

Saville’s solo exhibitions include ‘Laid Bare’, Martin Summers Fine Art, London (2008), ‘Idolum’, Studio Giangaleazzo Visconti, Milan (2010) and ‘Chimera’, Davidson Contemporary, New York (2017). She has received four separate solo shows at TJ Boulting, London, including ‘Polycephaly’ (2014), and was included in the group exhibition ‘Simulation/Skin’ at Newport Street Gallery in 2017.

Saville’s work has been acquired by collections including the Museum of New and Old Art, Tazmania, and Soho House. She featured in Francesca Gavin’s books ‘Hell Bound: New Gothic Art’ (2008) and ‘100 New Artists’ (2011), and published an edition of etchings, ‘Ghost’, with Other Criteria in 2009. She lives and works in Margate.





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