The First Art Newspaper on the Net   Established in 1996 United States Friday, September 20, 2019


NSU Art Museum Fort Lauderdale announces new acquisitions
Zanele Muholi, Thuleleni, Bijlmer, Amsterdam, from the Somnyama Ngonyama series, 2017, Gelatin silver print.


FORT LAUDERDALE, FLA.- In celebration of its 60th anniversary, NSU Art Museum Fort Lauderdale announces that artworks by Theaster Gates, Jenny Holzer, Glenn Ligon, Zanele Muholi and Serge Vandercam have been acquired for its permanent collection. These new additions expand upon the museum’s strengths in contemporary art and European art of the post-World War II period, and will go on view to the public during 2018 and 2019 as part of a series of 60th anniversary exhibitions showcasing highlights of NSU Art Museum Fort Lauderdale’s 7,000-work collection.

The museum’s expansive early holdings in traditional African, Native and Oceanic art formed the core from which its collection developed. Today, NSU Art Museum Fort Lauderdale holds the largest U.S. collection of the post-World War II experimental Cobra group, an extensive collection of Latin American art and Modern and contemporary art with a focus on women and multicultural artists. The museum also houses the largest collection of the early American modernist William Glackens, a member of the socially progressive Ashcan School, who was instrumental in fostering modern art in America.

“NSU Art Museum Fort Lauderdale’s comprehensive collection has unique interlocking cultural and artistic narratives that have developed since its start in 1959,” said Bonnie Clearwater, NSU Art Museum Director and Chief Curator. “These acquisitions will generate new dialogue between current works in our collection as well as with museum visitors.”

New Acquisitions
Theaster Gates’ Reflection Piece, 2016, (clay, 13 x 10 x 11 inches) is a ceramic sculpture that combines a mask-life visage with a hollow vessel to form a reliquary of the human spirit. It combines references to African mask traditions and the American potter and former slave David Drake (aka Dave the Potter, c.1801- c.1870s). Its creation was a ritualistic practice related to Gates’ ongoing Dorchester Projects in which he has rehabilitated and reactivated abandoned and neglected buildings on Chicago’s South Side into lively cultural environments. Gates has used leftover wood and materials from the Dorchester restorations to create new works, and in this ceramic piece, Dorchester Projects wood was used to fire his kiln. The work was acquired through museum purchase.

Jenny Holzer’s The Survival Series: Remember to react, 1984 (cast aluminum, ed. 8/10, 3 x 10 in.) consists of a simple plaque with text that is both a commentary on contemporary life and call to social action. Holzer belongs to the influential group of artists known as the Pictures Generation who were part of the first generation of American artists that came of age in the 1960s and 1970s and who grew up inundated by television images and advertisements promoting post-World War II consumer culture. Works by Pictures Generation artists are one of the focal points of the museum’s contemporary holdings. This work was acquired through museum purchase.

Glenn Ligon’s, Untitled (I live on my shadow), 2009, (neon, glass, paint, ed. 3/5, 1 AP,5 3/8 x 56 ¼ x 1 ¾ in.) references abolitionist Sojourner Truth’s Carte de Visite, 1864. A former slave, Truth would sell photographs of herself to finance her livelihood as a traveling preacher and activist stating, ”I sell the shadow to support the substance.” The words in Ligon’s neon piece are eclipsed by the application of black paint on the front of the tubes of light. The process reverses the relationship between light and shadow as the neon illuminates the wall where a shadow would have been cast. The work was acquired through museum purchase.

Zanele Muholi’s striking black-and-white photograph, Thuleleni, Bijlmer, Amsterdam, 2017 (gelatin silver print, 27 x 22 in., ed. 3/8) addresses several traditions and contemporary art practices. South African-born Muholi self-identifies as a visual activist and advocate of the LGBT and intersex community and her photographs are bold images of empowerment. In this photograph, she darkened her subject’s skin to increase the contrast of her dark skin and background with the white in her eyes and paper ruffle. Although the composition and tonal effects suggest 17th century Dutch portraiture, the contrast between the dark skin and eyes of her subject give the face the appearance of an African mask. The title and style reference Holland, thereby evoking The Netherlands' complex colonial relationship with Africa. The work was acquired through museum purchase.

Serge Vandercam’s L’Echo, 1970 (gouache on paper, 43 ½ x 28 ½ in.) and Glancing Times (Les Temps des regards),1970, (oil on canvas, 51 x 38 1/4 in.) are the newest additions to NSU Art Museum’s renowned collection of Cobra art of the post-World War II period created by artists from Copenhagen, Brussels and Amsterdam. During a visit to Denmark’s Jutland Peninsula in 1962, Copenhagen-born Vandercam learned about Tollund Man, a mummified body from the 4th century BC, that was discovered with facial features intact. Vandercam was fascinated by the preserved body that had seemingly risen from the dead and based much of his subsequent work on it. The ghost-like figure in these two paintings emerges from the dark to stare at the viewer, showing as the artist noted “the mask of man, and at the same time reveal in the image of what man is like without the mask.” The work is a gift of Stéphane Janssen.






Today's News

March 15, 2018

Asia Week New York delights Asian art collectors with quality exhibitions

World mourns British scientist and cultural icon Hawking

Mike Solomon: Native Shore opens at Alfstad& Contemporary

Picasso painting star of Rockefeller art 'sale of the century'

Sotheby's to present photographs from haircolor legend Leland Hirsch's Collection

The Cleveland Museum of Art announces new acquisitions

Keith Coventry's 'Junk & Pure Junk' series on view at Reflex Gallery in Amsterdam

Largest survey of Joan Jonas's work ever held in the UK opens at Tate Modern

A selection of iconic 20th century images to be featured in Phillips' Spring Photographs Auction

The Colburn School selects Frank Gehry to design campus expansion

Tacita Dean's new film portraits go on display for the first time in National Portrait Gallery exhibition

NSU Art Museum Fort Lauderdale announces new acquisitions

New auction record for Belle Epoque artist leads bumper Fine Interiors sale at Sworders

Star photographer Leibovitz turns lens on France's Macron

Solo exhibition of new photographs by Deana Lawson on view at Sikkema Jenkins & Co.

On March 31, modern & historical books go up for bid at Turner Auctions + Appraisals

Newark Museum Asian art exhibition showcase textile techniques

Exhibition at mudac focuses on the world of firearms

Lebanese novelist, feminist Emily Nasrallah dies at 87

Crescent City Auction Gallery announces important estates auction

Waddington Custot announces representation of Jedd Novatt

Paddle8 announces offers a visionary collection of modern and contemporary art from Cuba

The third edition in Jaipur of the Jawahar Kala Kendra performing arts festival

Most Popular Last Seven Days



1.- Holocaust 'masterpiece' causes uproar at Venice film festival

2.- To be unveiled at Sotheby's: One of the greatest collections of Orientalist paintings ever assembled

3.- Bender Gallery features paintings by up and coming Chicago artist Michael Hedges

4.- Lévy Gorvy exhibits new and historic works by French master in his centenary year

5.- Artificial Intelligence as good as Mahler? Austrian orchestra performs symphony with twist

6.- Fascinating new exhibition explores enduring artistic bond between Scotland and Italy

7.- Exhibition explores the process of Japanese-style woodblock production

8.- Robert Frank, photographer of America's underbelly, dead at 94

9.- The truth behind the legend of patriot Paul Revere revealed in a new exhibition at New-York Historical Society

10.- Hitler bust found in cellar of French Senate



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful