The First Art Newspaper on the Net   Established in 1996 United States Sunday, June 24, 2018


D. Wigmore Fine Art, Inc. opens exhibition of works by Paul Reed
Paul Reed, #9, 1963, 25 1/8 x 25 1/8 inches. Acrylic on canvas.


NEW YORK, NY.- This exhibition of 17 works from 1962 to 1967 shows Paul Reed's exploration of color and transparency to achieve movement in evolving series. The earliest works in the exhibition use biomorphic shapes to provide circular movement (1962 to 1964). The forms are then simplified to large geometric forms to explore transparency and color (1964 to 1965). In 1966 grids and bands act as neutral forms to hold color and emphasize the interaction of overlapped colors. These grids then twist and stretch into shaped canvases in 1967.

Paul Reed (1919-2015) is one of the six original members of the Washington Color School, which also included Morris Louis (1912-1962), Kenneth Noland (1924-2010), Gene Davis (1920-1985), Thomas Downing (1928-1985), and Howard Mehring (1931-1978). The artists were defined as a school by the 1965 landmark exhibition Washington Color Painters, curated by Gerald Nordland at the Washington Gallery of Modern Art. Each artist used recently developed acrylic paints directly on unprimed canvas, embedding or staining the color into the painting surface, to create a new sense of color. Juxtaposed against the raw canvas, the glowing matte color appears to float off the painting.

The variety within Paul Reed’s series is unique among the Washington Color School. Reed described his process with each series in three steps. First, he drew shapes until he settled on a form that would hold his envisioned color exercise. Second, he worked in collage and colored tissue paper to see how the color and transparency might work. Third, he applied the form to canvas, now intuitively seeing where he could take the color. Once he achieved the most complex and sophisticated colors for that form, the series was over. Reed said all his ideas were built on lessons learned from previous forms. Reed and childhood friend Gene Davis agreed that repeating a composition allowed for deeper exploration of color, but Reed felt there were finite possibilities. When Reed ended a series he did so to increase the complexity of the next composition, as color always provides new challenges.

The exhibition is on view through May 4th at the gallery and dwigmore.com. A catalogue accompanies the exhibition with the artist's exhibitions, public collections, and significant recent gifts by the Paul A. Reed and Esther K. Reed Trust.

Paul Reed's paintings are currently on view in The New Art: A Milestone Collection Fifty Years Later at Oklahoma City Museum of Art, celebrating their 1968 acquisition of the Washington Gallery of Modern Art collection.





Today's News

February 28, 2018

Palm Beach Modern Auctions to offer James Dean's "Rebel Without A Cause" jacket

Catholic 'fashion' items to be displayed in New York

Missing Monet returns home to Japan

Sotheby's to offer masterworks of Aboriginal art in London

German village votes to keep 'Hitler bell' as memorial

Exhibition of large-scale photographs by Taryn Simon opens at Gagosian Gallery

D. Wigmore Fine Art, Inc. opens exhibition of works by Paul Reed

Krannert Art Museum publishes World on the Horizon catalogue

Archive of photographer Fritz Henle comes to Texas

Exhibition of works by Bjarne Melgaard on view at Galerie Thaddaeus Ropac

Kunsthalle Wien opens first comprehensive retrospective in Europe dedicated to Ydessa Hendeles

Burning in Water presents works by Louise Bourgeois and Günther Förg

Lévy Gorvy opens exhibition of portraits by French artist Martial Raysse

Michael Werner Gallery opens an exhibition of works from the 1980s by Per Kirkeby

Hammersely's "Home run" among several new world auction records set at LAMA

Lobby Gallery of 499 Park Avenue exhibits paintings by New York artist Tadasky

34 visual artists chosen for major crime prevention program

Tribal and Native American artifacts in Helm Auction's internet-only sale, April 14th

Atlantic Center for the Arts Executive Director announced

A tribute to German Modern paintings and design is highlighted by Jason Jacques Gallery, at TEFAF, 2018

Ader Nordmann auction house will offer five rare drawings by Outsider artist Marcel Storr

Phillips to open a landmark exhibition of Lauren Adriana's jewels

The Noguchi Museum opens two exhibitions devoted to Isamu Noguchi's Akari light sculptures

Mayfair dealers Charles Ede to unveil rare 2nd-3rd century AD Roman ivory relief at TEFAF Maastricht

Most Popular Last Seven Days



1.- Galerie Miranda opens exhibition of works by Marina Berio

2.- Restorers unveil original face of Belgium's 'Mystic Lamb'

3.- Classic Beauties unveils the sensual enchantment of Neoclassicism

4.- Exhibition presents a dramatic survey of five hundred years of Spanish painting

5.- Glasgow blaze guts one of world's top art schools - again

6.- The Prado opens the first major monographic exhibition on Lorenzo Lotto's portraits

7.- Cleveland Museum of Art announces new acquisitions

8.- A record setting necklace, diamonds & gemstones propel $1.9 million in jewelry sales at Rago in June

9.- Czech Art Nouveau painter Mucha's masterpiece finds home after 90 years

10.- Exhibition at The Laing Art Gallery explores the garden as a "stage" for the extraordinary



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez


Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful