The First Art Newspaper on the Net   Established in 1996 United States Saturday, August 17, 2019

Smart Museum establishes Feitler Center for Academic Inquiry
$5M gift from Joan and Robert Feitler and family to advance curricular and academic initiatives. Photo: Robert Kozloff.

CHICAGO, IL.- The Smart Museum of Art announced the creation of the Feitler Center for Academic Inquiry, a new center that will integrate object-driven inquiry into the educational mission of the University of Chicago. Housed at the Smart and led by newly appointed director Issa Lampe, the Feitler Center is named for Joan (AM ’55) and Robert Feitler (Lab ’45, X ’50) in recognition of a $5 million gift and decades of service to the University and the arts.

The Feitler family’s gift joins a $5 million bequest from Paul and Miriam Kirkley (which established an acquisitions endowment in 1999) as one of the largest gifts in the Smart Museum’s history.

The Center will provide a resource for UChicago students, artists, and faculty and will be a destination for scholars and community members to engage in interdisciplinary research, learning, and conversations driven by the study and experience of original works of art.

“We are grateful for Joan and Bob’s inspiring generosity and decades of leadership,” says Alison Gass, Dana Feitler Director of the Smart Museum. “The arts play a distinct role in fulfilling the University of Chicago’s commitment to open discourse and rigorous inquiry as informed by a diversity of ideas, identities, and experiences. The new Feitler Center will serve as a place for thinkers to come together to advance new understandings through an exchange of diverse perspectives and ideas via the lens of art objects and artistic practices.”

Joan and Bob Feitler were instrumental in establishing the Smart Museum in memory of Joan’s uncles, David and Alfred Smart. The Smart brothers built an innovative publishing business in Chicago—launching magazines like Esquire, Gentlemen’s Quarterly, Coronet, and Verve—and produced iconic educational films through Coronet Films. Joan is former chair of the University of Chicago Women’s Board and Bob is emeritus Chair of the Smart Museum’s Board of Governors, having led the Board from 2007 to 2012, and an Emeritus Trustee of the University of Chicago. In 2011, the Feitlers received the University of Chicago Medal, which recognizes distinguished service of the highest order to the University.

“Our relationship with the Museum goes back fifty years last fall, to when it was just a germ of an idea presented by President Edward Levi to the Smart Family Foundation,” recalled Bob Feitler. “It is a wonderful place and as the Smart begins a new chapter under Ali’s leadership, Joan and I thought there could be no better way to inspire a new generation of students and scholars than to create a lasting home for active learning and study through the visual arts.”

“Inspired by the visionary leadership of Ali Gass, this is the absolute right moment for a transformational gift to deepen the possibilities for academic inquiry,” said Pamela Hoehn-Saric, chair of the Smart Museum’s Board of Governors.

Led by Issa Lampe, the Feitler Center will create opportunities for object-driven inquiry across disciplines—from Art History to the physical sciences—and at every level of study. “I’m thrilled to join the Smart Museum and look forward to building upon its forty-year legacy in the world of academic museums. The Smart has the distinction of being among the first generation of academic museums to receive a grant from the Andrew W. Mellon Foundation in the 1990s (now endowed). This generous gift from the Feitler family will enable us to develop additional programs to support the teaching and learning of faculty and students at the University of Chicago,” said Lampe.

Lampe comes to the Smart Museum from the Yale University Art Gallery, where she was the Bradley Senior Associate Curator for Academic Affairs. She holds a PhD in the History of Art and Architecture from Harvard University with a focus on late eighteenth- and early nineteenth-century French painting. Lampe began her career as an Assistant Professor of Modern Art History at The American University in Washington, DC, before developing a professional interest in museum education for university audiences. After a few years at the Indiana University Art Museum, she served as Associate Museum Director and Senior Director of Academic and Public Engagement at Stanford University’s Cantor Arts Center. Lampe has taught courses at five universities while building academic programs, curating, and leading gallery conversations for a range of audiences in university art museums.

“We’re thrilled to welcome Issa to the Smart and to the University community,” said Gass. “Our ambition is that the Feitler Center will reflect the rigorous seminar-style learning and commitment to academic expression for which the University of Chicago is so renowned, enabling the Smart to forge new models in museum academic engagement. I look forward to working with her and our faculty partners to create a space for critical debate while at the same time ensuring that this program enhances the intellectual life of both the academic community and the broader surrounding community.”

“The Feitler Center will enable object-driven inquiry to thrive at the University. It will not only serve as a catalyst for rigorous scholarship in Art History, it will also serve as a forum for discussing methodological and theoretical questions across disciplines, from archaeology to musicology and literary history,” said Bill Brown, Senior Adviser to the Provost for Arts and Karla Scherer Distinguished Service Professor in American Culture. “As a scholar who has spent the bulk of my career calling attention to the material object world I could not be more pleased and proud that the Feitler Center will make the University of Chicago the go-to intellectual hub for pursuing this scholarly endeavor.”

An early goal of the Feitler Center will be to introduce every student in the College to the practice of close looking at original works of art through an expanded program of curricular visits to the Smart Museum’s study room, which accommodated 130 University class visits and over 2,000 students in the 2016–2017 academic year.

“Along with buildings and sites, original works of art have been at the foundation of the discipline of Art History since its inception and are thus woven into the fabric of our curriculum and scholarship. Objects drive our teaching and our research: they are our subjects and our evidence, our inspiration and our passion. Through partnerships with the Smart Museum and other collecting institutions, I’ve seen firsthand the formative impact that object-driven inquiry has on students in the classroom, and the ways it provides graduate students and faculty alike with new questions for research,” said Christine Mehring, Professor of Art History and the College and Chair of the Department of Art History. “The Feitler Center will be an invaluable partner in introducing this distinctive approach to more students and scholars at the University.”

The Feitler Center will build on a foundation of existing academic initiatives at the Smart. They include more than two dozen faculty-curated thematic exhibitions based on the Smart’s collection and a number of related catalogues that featured essays by dozens of faculty members and first-ever publication credits for students. These academic programs began in 1992 with a grant from the Andrew W. Mellon Foundation and subsequently expanded through a series of endowment challenge grants.

Through the Feitler Center, an expanded exhibitions program will provide additional opportunities for faculty-curated exhibitions at the Smart Museum that are designed around the curriculum, student-curated exhibitions where students learn to advance their ideas through the medium of the Museum, and major scholarly exhibitions that advance research in a particular area, accompanied by major publications. Other programs will integrate the study of objects into the curriculum across campus and will share faculty research with the Smart’s broader public audiences.

Today's News

February 15, 2018

National Gallery of Ireland opens exhibition of works by German painter Emil Nolde

Exhibition examines the fertile interaction between Islam and the Classical world

Andy Warhol's 'Six Self Portraits' to lead Christie's Post-War and Contemporary Art Evening Auction, London

Exhibition at the Alan Cristea Gallery celebrates the prints of Sol LeWitt and Richard Serra

New Museum opens "Songs for Sabotage," the fourth New Museum Triennial

Hirshhorn revisits the 1980s with "Brand New: Art and Commodity in the 1980s"

Meadows Museum acquires career-making oil sketch by Vicente López y Portaña

Christie's announces highlights from the Art of the Surreal Evening sale

Hammer Museum announces 32 artists for upcoming biennial Made in L.A. 2018

Dulwich Picture Gallery opens a major exhibition of works by David Milne

Bank Austria Kunstforum Vienna opens exhibition of works by Man Ray

The Fundació Joan Miró opens Beehave, a project that draws on contemporary artists' interest in honey bees

Fotomuseum Winterthur and Fotostiftung Schweiz open exhibition dedicated to Swiss artist Balthasar Burkhard

NOMAD reveals details of forthcoming showcase in Monaco following a winter edition in St. Moritz

ArtBAB 2018 to celebrate Bahrain's diverse multicultural history 14 - 18 March 2018

Eva Kot'átková develops an original and immersive project for Pirelli HangarBicocca

Smart Museum establishes Feitler Center for Academic Inquiry

Partial set of Chinese carved jadeite zodiac animal seals brings $8,750 at Bruneau & Co.'s Feb. 3 auction

Michel Rein presents Maria Thereza Alves's \Seeds of Change: New York - A Botany Colonization'

Ryan Lee opens exhibition of paintings, drawings and photographs by Italian artist Angiola Gatti

Focused exhibition of three major series by Hank Willis Thomas on view exclusively at The Ringling

Luci Creative designs new traveling exhibit creatively addressing STEM learning initiatives

Giant London glasshouse to reopen with world's rarest plants

The Mummy, King Kong and London Vampires highlight horror movie posters sale at Heritage Auctions

Most Popular Last Seven Days

1.- Conservation reveals Wellington Collection work was painted by Titian's Workshop

2.- New dinosaur discovered after lying misidentified in university's vaults for over 30 years

3.- Unseen Texas Chainsaw Massacre outtakes and stills sold for a combined $26,880

4.- National gallery reveals conserved Italian altarpiece by Giovanni Martini da Udine

5.- London's Tate Modern evacuated after child falls, teen arrested

6.- Bavarian State Minister of the Arts restitutes nine works of art

7.- Boy thrown from London's Tate Modern is French tourist visiting UK

8.- Child thrown from London gallery has broken spine, legs and arm

9.- £10 million Turner masterpiece may leave British shores

10.- Tourists banned from sitting on Rome's Spanish Steps

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful