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MIT List Visual Arts Center exhibition series features video by Adam Pendleton
Adam Pendleton, Just Back from Los Angeles: A Portrait of Yvonne Rainer, 2016–17. Single-channel black-and-white video with sound, 13:51 min. Dimensions variable. Courtesy the artist.

CAMBRIDGE, MASS.- The MIT List Visual Arts Center's next iteration of its List Projects exhibition series features Adam Pendleton and his video portrait Just Back from Los Angeles: A Portrait of Yvonne Rainer (2016–17). Adam Pendleton’s multi-disciplinary practice across painting, sculpture, video, and performance searches for “radical juxtapositions.” Appropriating found images and text, Pendleton brings together often divergent ideas to destabilize the present and envision new aesthetic, cultural, and political futures. Since 2008, Pendleton’s fragmentary, visionary process has been driven by a conceptual paradigm the artist termed “Black Dada,” which takes inspiration from Amiri Baraka’s 1964 poem “Black Dada Nihilismus.”

Just Back from Los Angeles: A Portrait of Yvonne Rainer centers around a meal Pendleton and Rainer share at a New York City diner. Over the course of their meal, the video records their unscripted conversation punctuated by poignant moments when each artist leads the other. Rainer leads Pendleton in partnered movement exercises. Pendleton invites Rainer to read from a script which combines writing from her published works with accounts and discussions of inequality, racism, and anti-black violence by such voices as Stokely Carmichael, Malcolm X, and Keeanga-Yamahtta Taylor. Including footage of Rainer’s landmark dance Trio A (1966), Just Back from Los Angeles stages an inter-generational dialogue across lines of sexual and racial difference, provoking critical inquiry into the artists’ shared questions of poetics and politics. The exhibition will also include an installation of silkscreened mirror and glass works from Pendleton’s ongoing series System of Display (2008–).

Adam Pendleton (b. 1984, Richmond, VA) was the subject of a recent solo survey exhibition organized by the Contemporary Art Center New Orleans entitled Adam Pendleton: Becoming Imperceptible, which also traveled to the Museum of Contemporary Art, Denver, and the Museum of Contemporary Art, Cleveland. Pendleton’s solo and group presentations include the Belgian Pavilion at the 56th Venice Biennale (2015), the 11th Gwangju Biennale (2016), and Performa 07 (2007), as well as exhibitions at Kunsthalle Wien (2017), the Baltimore Museum of Art (2017), Tensta Konsthall (2016), and Whitechapel Gallery (2015), among others. His work is included in several public collections including The Museum of Modern Art, New York; the Studio Museum in Harlem, New York; the Carnegie Museum of Art, Pittsburgh; and the Tate, London. The artist lives and works in New York.

Just Back from Los Angeles: A Portrait of Yvonne Rainer was a Performa Commission curated by Adrienne Edwards.

List Projects: Adam Pendleton is curated by Paul C. Ha, Director, MIT List Visual Arts Center, with Jamin An, Curatorial Fellow, MIT List Visual Arts Center.

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